Friday, November 17, 2023

"BACK ROADS" IS ONE GEM OF AN INDIE CLASSIC

πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - BACK ROADS [2018] - PG-13 - Peacock - Directed by Alex Pettyfer. Written by Tawni O'Dell and Adrian Lyne; adapted from a novel written by O'Dell entitled "Back Roads." Starring Alex Pettyfer, Jennifer Morrison, Nicola Peltz, Ella Claire Bennett, Robert Patrick, and Juliet Lewis. Budget $7 Million [Est.].

After an abusive father is killed by his wife [Lewis], the eldest son of the family [Pettyfer], who is obviously suffering from mental issues well beyond his control, has to raise his two little sisters [Peltz & Bennett] completely alone in a small backwoods Pennsylvania town. The intensity of his situation of raising a family alone intensifies after he has an affair with a married woman [Morrison], while also discovering the mental and physical damage his father laid upon the entire family. Soon after, the local town sheriff [Patrick] questions the young man about a recent murder in town.

THE GOOD - The director captures a dark, cold emotion in the production that is noteworthy for a first time director and lead actor. The delivery of some dark and morbid secrets are well delivered and captured in moments of soft clarity that totally wasn't expected. The passionate adulterous affair was brilliantly carried through by the acting talents of Morrison, who obviously had very little to work with within the scripted screenplay.

THE BAD - The movie moves slow from one scene to another. At times, there is very little dialog and the director chose to add scenes filled with stock footage, extending scenes and dragging out the lag in the delivery of the emotionless, dryness of the film; which oddly enough added a laziness that defines the small town atmosphere in a dreary, dark plot setting.

POST MORTEM - The film was originally set to star Andrew Garfield, who turned down the role due to scheduling issues with his SPIDER MAN movie, and after several directors passed on leading the production, Pettyfer stepped in and did a marginal job in capturing the right feel for the film and delivering a finished film worth bragging about. This is a good film and one that aspiring directors should watch to learn about how to present a dark mood with dark shades of colors and talented actors under ones control.

⭐️⭐️⭐️πŸ’«[3.5 of 5 Stars]

Wednesday, November 8, 2023

ONCE CONSIDERED "EPIC" IS NOW JUST A TERRIBLE "B-FILM"

πŸŽ₯🎞️Movie Review πŸŽž️πŸŽ₯- THE SWORD AND THE SORCERER [1982] - [R] - Amazon Prime - Directed Albert Pyun. Written by Albert Pyun, Tom Karnowski, John V. Stuckmeyer. Starring Lee Horsely, Kathleen Beller, Simon MacCorkindale, George Maharis, and Richard Lynch. Budget $4Million.

In ancient times, a shady mercenary solider [Prince Talon played by Horsely] witnesses the death of his mother by the hands of an evil man [Cromwell played by Lynch]  who is hell bent on becoming king. Unbeknown to the mercenary soldier, Cromwell has gone as far as to summon a demon sorcerer to assist him on his quest to rule; who he later betrays and leaves for dead. Princess Alana [Beller] and her brother are captured by Cromwell. Talon is hired to find Alana's imprisoned brother; which is a deed that leads Talon to uncover that he is the rightful air to the kingdom; but he has to deal with Cromwell and the demon that is still alive and planning to usurp Cromwell's reign on the land.

THE GOOD - For being an 1980's film production, the casting was above  impressive for the time. The special effects were entirely practical effects with little to no green screen. Some of the weaponry - like the mystical triple edged sword - was designed with mystical foresight to expand the imagination of what the writers though would bring more of a marvel of wizardry to the production.

THE BAD - The cinematography and lighting is atrocious! The splendor of over acting and improvised screenplay was dull, not forgetting to mention that the choreographed fight scenes were beyond deplorable, so much so, that the director added some slow motion sequences that were redundant and only added to the production to try and give the film an epic look, plus add more screen run time.

POST MORTEM - In my youth, my friend and I sneaked into the newly cinema theater to watch this - what we thought - was a masterpiece, second only to CONAN THE BARBARIAN [1982] which would be released a month later. I just remember the film being more dramatic and spine tingling back in the day. The film since then has become an "underground" cult phenom and is considered one of the best fantasy films of that generation, but I beg to differ.  I could barely make it through the film today. One BIG surprise was seeing Peter Breck [Nick Barkley from THE BIG VALLEY (1965)] making one of his final film debuts!

⭐️⭐️πŸ’« [2.5 of 5 Stars]

Friday, November 3, 2023

TOM CRUISE AND "AMERICAN MADE" HAD IT'S MOMENTS OF BRILLIANCE!

πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - AMERICAN MADE [2017] - [R] - Netflix - Directed by Doug Limen. Produced by Brian Grazer, Ron Howard, Doug Davison, Tyler Thompson, Brian Oliver, Kim Roth, Ray Angelic. Written by Gary DPinelli. Starring Tom Cruise, Domhnall Gleeson, Sarah Wright Olsen, Jesse Plemons, and Caleb Landry Jones. Budget $66.5 Million.

Based on the hot-trotting life of Barry Seal [performed brilliantly by Cruise], a former TWA pilot and an alleged former member of the CIA who flew missions to arm guerilla soldiers in South America in the 1980's; who became a drug smuggler handling marijuana and cocaine shipments through a private company, became an informant for the DEA to avoid prison. Mexican Cartels eventually launch a "Wanted Dead" hit on him, forcing Seal to frequently move around and record his own history on video.

THE GOOD - There are lots, and I mean LOTS, of areal sequences that are captured on camera; all of the piloting on the private planes were actually piloted by Cruise and his acting team. The locations for this film cross over many small countries and large bodies of water to capture the right feel for what Seal went through during his "missions" to arm guerillas and bring back "supplies." There are many 1980's memorabilia moments that are brought back to life with movie wizardry and the cinematography is spell bounding at almost every turn. Cruise is definitely at the top of his game, performing brilliantly and presenting a character who is under tremendous strain in trying to stay alive in dealing with both the Cartel's and the guerilla fighters he has to deal with.

THE BAD - The pacing is all over the place in some parts of the film. IMO there are some flash back moments that could have been better edited or inserted into the film. There's not enough information on who the Cartel leaders are in the film and the directing seemed to drop the ball as to better explain who each were and what their real involvement was when dealing with Seal.

POST MORTEM - This is a good film. I recommend watching it over a weekend when you have nothing else or better to do. The film drags at times, but there was a lot of emotion to cover in the history of telling Seal's true life story. There are some tremendous areal stunts in the film to keep you on the edge of your seat; and to think that Cruise did all of his own stunts is just crazy!

⭐️⭐️⭐️πŸ’« [3.5 of 5 Stars]

Wednesday, November 1, 2023

QUANTUM STORM .357 ISSUE 26 FOR NOVEMBER IS RELEASED!

QSE.357 E-Mag Issue 26 for Nov 1, 2023 QSE .357 ISSUE 26 dtd 11/1/2023

58 Pages

ON THE COVER - Aria Nile, Actress.
Photo by D. R. Quintana.

MAIN ARTICLES

ISCANDAR Set To Launch - The word is out and Star Trek fans are awestruck as ISCANDAR delivers with a short episode. An extensive re-write, changes in casting, & a plethora of set locations; made the right chemistry to produce & release this juggernaut that could change the indie film scene formats in Houston, Texas forever.

 Meet the ISCANDAR Cast - Keeping the cast small, the studio releases bios on the main actors of the series. See behind the scenes photos & checkout some of the darkest locations in the series.

The Q108.1 Internet Radio Show - Now marking it's 10th year in syndication, the internet radio show is being advertised internationally on various streaming hubs. Take a look at how the show is produced by two crafty individuals with an art for natural satire.

SPECIAL NOTE! - The series "inside look" preview has surpassed 18,000 views since it's early release on October 30th. There are ton of questions being received by the studio concerning the actress presented in the video short [Aria Nile], the design of the new star ship for the series which has been identified as a PATHFINDER Class star ship from Star Trek Online [STO], and the new video format which was used to film the episode. Most of the answers to these question can be found in this months issue of the QSE.357 E-Mag which is available through subscription ONLY!  

YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2023 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

 Thank you for stopping by!

Wednesday, October 25, 2023

QUANTUM STORM WIKI ON "THEY LIVE - THE SERIES" AND "HUNTSVILLE"

They Live Web Series PosterExcerpt article from the Quantum Storm .357 E-Magazine [QSE.357] Issue 24 of September 1, 2023.

In May of 2010 while the studio web series THE SECRET OF ANGELIKA5 [TSOA5] was in full swing entering it's second season, the Quantum Storm Productions film producer and director [David Quintana] crossed paths with Eric Echevarria of EJE Productions while he was making final touches on a web series entitled ALEKHINE'S GUN [AG], then starring Romen McPherson, Mary Grace Snow, and Alan Berkowitz, which was presented as a premiere at the film gallery in downtown Houston, Texas. 

Almost immediately, Quintana was captivated by Echevarria's film format and camera work, which he felt mirrored his own, and he made immediate contact with the new indie film maker to possibly collaborate on some new projects, possibly bolstering both studios portfolios and developing a reputation for making better films in the Houston area independent film circuit. They both reviewed each others work and traded reviews and critiques which both were brutally honest about. Soon after, they decided to meet up and see if they had anything else in common.

EJE Productions DirectorBoth studios hit it off pretty well initially; they both met on neutral ground and began pulling their resources of actors and equipment together to see what they could develop. Both studios had a strong set of actors that could cross over in a new production and the two directors weren't limited on ideas that were being tossed around. Quintana's TSOA5 had an issue that the cast was growing, but that most of the new members were only brought on as strong extra's and he felt that some of them were talented enough to be used on other projects outside of TSOA5; maybe even in dramatic works.

Echevarria's production team on AG had some new faces, a couple of talented leading actors who delivered some outstanding performances, but he admitted that some of the casting to AG were troublesome to cast and his series needed several reshoots to fill in some gaps. He knew he had a good team, the right locations, and a solid film format, but that he was missing a better part of production standard to filling in parts to build a better team.

Quintana dropped off some ideas for possible collaboration. The two directors traded ideas on a possible mini-series entitled HUNTSVILLE; a dark drama with a plot which circled around a prison where a psychopathic inmate who  actually ran the prison from the inside with a group of prison guards who took care of a lot of the dirty dealings outside of the prison. This project was projected to star Danny Gallehugh, Larry Carrell, Sam Rivas, Saira Ramos, Mary Grace Snow, Romen McPherson, and Alan Berkowitz. The locations for this mini-series were plentiful and most of the sites being looked at were located in downtown Huntsville, Texas. A few test video sequences were shot under Echevarria, but were never released and was shelved for later.

During this same time, Quintana brought Alan Berkowitz, Larry Carrell, Mary Grace Snow and even Erik Echevarria into TSOA5 and had them fill some spots on the show as extras. Quintana and Carrell began to collaborate on some short films which were produced during a break in TSOA5, where they came up with a concept to produce another mini-series for THEY LIVE, which would be a spin off of John Carpenter's 1988 horror/scifi classic.

They Live Promo Shot

The problem that arose for even attempting a web series for THEY LIVE was, who would play the lead of George Nada, the leading character from the featured movie who was played by Roddy Piper, an infamous professional wrestler. Piper' performance wasn't anything to really brag about and there were reports that he improvised on the set of the feature film a lot, adding a little of his widely know persona to the character. Even the secondary lead character of Frank Armitage was going to need some wild and bulky consideration for filling the role.

Luckily, Quintana was working on TSOA5 which was in the middle of developing a psychotic killer in the third season of the webs series, an ex-Marine named Jeffrey Kelly [played by Danny Gallehugh]. Quintana had slowly introduced Gallehugh's character into the series, giving the new actor time to develop the evil ex-Marine over the course of two seasons. Gallehugh was huge and brooding, even more so on camera; which made most of the leading cast members of TSOA5 look small and too insignificant to try and fight someone like him off. As expected and with some clever scripting to hide the limited talents of the actor bringing the ex-Marine to a life of his own, TSOA5 had introduced a new character that was gaining a little notoriety within the show.

Danny GQuintana and Echevarria talked about giving the nod to Gallehugh to lead the new web series; but both agreed that the big actor would have to up the ante on his acting, especially were large amounts of dialog were going to added to the script to tell the unique story from the feature film. Even though the actor seemed more than willing to play the part, Quintana and Echevarria knew it was going to be an up hill battle to get the new actor up to speed to lead the production.

Quintana had stumbled on Gallehugh in early 2010 at an indie film meet and greet in Houston and immediately set up an interview with the large, muscular actor. Quintana thought that Gallehugh's work on TSOA5 was progressing well and that in no time, and that through time in the production of the new mini-series, it would give him a chance to learn and grow as an actor, eventually developing him into a stronger lead. Gallehugh's physical appearance was impressive on camera, but it would take an entirely new production angle to add big action sequences to the web series if the new show was going to impress real fans of the now classic film.

Echevarria loved the idea of the new series and initially the script writing for this new THEY LIVE Series was being developed as a dark comedy, but after the idea of adding Romen McPherson as Frank Armitage [from the actual film], Quintana's early scripts changed to more of a "beat down" action film where the two lead characters in the film had to fight their way through from one town to the next, trying to survive through a hoard of aliens hell bent on capturing or killing both the lead characters. As the first five scripts to this new mini-series were being completed, a small hiccup occurred which made the once thought out solid collaboration of bringing two studios together, began to show cracks in the foundation.

Romen McPherson
Quintana only met with McPherson once at a dinner and team get-together at Echevarria's home, but he was impressed about how the large actor electrified a room with his presence and was open minded about how his character in the initial scripting for HUNTSVILLE should be presented. Quintana wanted the part of Armitage in this THEY LIVE Series to not only show McPherson's intensity, but also his power, intellect, charisma, and physique while also manhandling aliens left and right.
 
The new production team's first meet and greet went down without a stumble. Echevarria took out his camera and began to film the night showing the cast and crew cutting up before the camera, enjoying a sing along, and sharing their thoughts about what to expect in the near future from both studios. A few months later, the entire team collaborated on a few short films and the acting prowess of all of the actors was pristine with good chemistry, dramatic sequences, and emotional content.

HUNTSVILLE would never see the light of day due to a licensing issue with the local prison in Huntsville, Texas requiring special permits and authorization to use any and all visual descriptions of the prison with any locations that might present a collaboration with the state and the web series production. Even though the production team were a little devastated to loose the edge to produce the prison, series, Quintana and Echevarria decided to push forth with the THEY LIVE Web Series.

Mary Grace Snow and Alan Berkowitz
And so, then additional actors were thought up for several supporting roles to bring this new web series to life. Mary Grace Snow was being brought on board to take the role of Holly Thompson, then performed by Meg Foster in the feature. Her part would introduce an insight to the alien culture that she supported openly and who is eventually used to spy on the two lead characters. A dramatic chance to the character would have presented her taking sides with the humans and form a resistance to free the rest of the humans who are under a "sleeper spell."
 
Alan Berkowitz was penned in to play the role of Gilbert, then played by Peter Jason in the feature; who is part of the resistance and who directs the leading characters to perform missions to fight the aliens by destroying alien amplifiers that send out the "sleeper spell" signals to the entirety of the earths population.

After the first five scripts to this new mini-series were being completed, a small hiccup occurred that brought the once thought-out/solid collaboration of bringing two studios together, crack within the already established foundation. The following paragraphs were witnessed by many and some still laugh about it. Shortly after the following events, some of the actors mentioned disappeared from the Houston Indie Film Scene, seeking sough attention and success elsewhere.

LCDR Kelly from TSOA5
The first thing that surfaced and shook the ground between the studios was that Gallehugh had identified himself as an ex-Navy SEAL; which wasn't completely true at all; when openly questioned about it he changed his tune and began to play a different card claiming he worked with "Special Operations" which also wasn't true. He also claimed to attend several acting schools and clinics that also didn't pan out or exist. There was honestly never any real need for him to brag or bolster about a trumped up resume in acting. All of the projects being developed were being done so for fun and with no real chance of actually making it into the prime purview of success. He was already being used extensively as a bad guy in TSOA5 and also in the test reels of HUNTSVILLE; but many thought that his "selection for the leading roles" in the future projects was just too much for him to take in. 

Danny Gallehugh
Within two months of the web series pre-production efforts, studio team members felt that in Gallehugh's own mind, he just couldn't be that "new guy without any skills" to be given so many good parts. So, he began making shit up to play the role of a leading man; things like interviewing himself with made up local indie news teams. Most of the studio teams got a good laugh out of his "unique" creativity and Quintana finally had to privately confronted him about it. He never made any wild demands on the production team or claimed he was worth pay, but it was obvious that Gallehugh wanted total success as a leading man in in main production and he felt that being an indie film actor wasn't enough for his growing ego.

Shortly after that, a lot of drama began to fill within the acting teams. First, Carrell didn't help much, adding to the drama by talking badly about some of the "lower actors" and how he could have directed this or that a whole lot better. He had started pre-production on his new horror film, JACOB, and was asking the actors of the collaboration about them being in his future film. Over the course of a few weeks, the damage was done and the collaboration began to brake apart with spite between both teams. Quintana tried to keep the teams together and got everyone to attend a production team meeting at the Lightsey Ranch; but the drama had already spread like a bad virus, consumed several actors who easily became insulted through targeting. Then, after a text message was miss-sent between a director and an actress, things went from really bad to worse; where the finger pointed began to start about who ws at fault for ending the newly formed collaboration.

The Collaborative Team BBQBy the end of April 2011, the collaboration was torn completely apart. All of the planned projects were doomed and there was no way to save the film projects and mini-series that were entering production, so the entire thing was dumped into the trash. Quintana still has seven completed scripts for the web series first season shelved in a computer. He has produced four web series and three feature films since the breakup. He worked with an additional 52 actors who performed their roles brilliantly, professionally and without any drama; winning 14 film awards in seven years and continues to produce indie films, write scripts, hold acting courses for beginners, produces affordable and professional head shots for local area actors.

Since the fall of the collaborative team, Echevarria filmed a few short films with no real success, giving roles to Carrell, Snow, Gallehugh, and others that all went no where. McPherson has been the quality actor and model; performing small roles in films and commercials; He's made quite a name for himself inside the Houston film scene. Gallehugh tried his best to remain a leading actor and submitted resumes for several films, but only received sub-par roles as an extra before he vanished and moved to San Antonio. Snow had no luck in feature films, she worked on a few short films; that kind that will never see the light of day, and became an at-home mommy.   Berkowitz passed away a few years back. He had roles in a few films and wrote two books before his passing.

Saturday, October 14, 2023

AMAZON PRIMES "THE BURIAL" IS BRUTALLY HONEST!

πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - THE BURIAL [2023] - [PG13] - Amazon Prime - Directed by Maggie Betts. Screenplay by Doug Wright, Maggie Betts. Story by Doug Wright. Based on a book by Jonathan Harr. The film stars Jamie Fox, Tommy Lee Jones, Jurnee Smollett, Alan Ruck, Mamoudou Athie and Pamela Reed. 126 Minutes - Budget $32.5 Million.

This is the real life story of a Biloxi, Mississippi Funeral Director, Jerry O'Keefe [Jones] who has fallen into hard times because a financial deal he struck with an associate went bad and was thrown into jail, so he was kind of forced to find another deal with a larger funeral company to make ends meet. Even though the contract wasn't signed, the funeral director began to see his family business on the closing end of financial ruin [and bankruptcy] after his business license is suddenly also revoked. He decides to sue the larger funeral business with a civil lawsuit, using a close family friend lawyer [performed by Alan Ruck], but then decides to hire a top-dog  flashy lawyer, Willie Gary [Fox] from Florida to expand his lawsuit. The addition of the Florida lawyer exposes corporate corruption and racial injustice in the field of funeral services.

THE GOOD - This is a solid movie with fantastic cinematography and location spotting that truly catches the wide spread farm lands of Biloxi Mississippi in the summer. Fox is a joy to see, playing the hot trotting lawyer, whose ambition is not only to be rich, but to enjoy the prime success of being the next biggest black lawyer to Johnny Cochran. Jones presents a believable beaten down old military veteran, who has everything to lose as his mission to secure a profitable future to his family is now in the dumps. There are some strong dramatic moments and some darkly humorous ones as well, delivered with brilliance and delivering a solid ending to such a tremendous story and plot that actually happened.

THE BAD - The pacing isn't regulated and there seems to be a hiccup in the initial phases of character building, but once the movie hits the second and third sequence of events, the film begins churning out into the right gear at the right time. The soundtrack to the entire film isn't all that spectacular and only one or two songs from the known genre are present in the film. I would have expected a more acoustic soundtrack to deliver the right them to most of the sequences in the film.

POST MORTEM - This is a good film. There were several producers who pitched in to make this film happen, including Fox who believed in this film and story being told. Whether or not the film was intended to make history, there are some historical, narrated parts of the story that make this film quite influential and makes sense by explaining why some statues must come down. Kudos go out to the acting performances of Jurnee Smollett and Mamoudou Athie who were top caliber actors in this sensational film production.

⭐️⭐️⭐️⭐️ [4 of 5 Stars]

Friday, October 6, 2023

"HELL OR HIGH WATER" PRESENTS OMINOUS WEAKNESS IN TAYLOR SHERIDAN SCRIPTING

Movie Review - HELL OR HIGH WATER [2016] - [R] - Hulu - Directed by David Mackenzie. Screenplay and writing by Taylor Sheridan. A Lionsgate film. Starring Chris Pine, Jeff Bridges, Ben Foster, and Gil Birmingham. With a budget of $12M, the film brought in a little over $34M since it's release up to date. It has been noted that both parents of the director died during the films production, but their deaths didn't hinder filming.

Two “Texas Cowboy” brothers [Pine and Foster] set off on a trail of bank robberies, hitting a specific brand of West Texas banks that were responsible for making their dying mother's life even more stressful by threatening to foreclose on her property, denying her future grand children a prosperous future in potential oil mining on the property. The brothers travel to Oklahoma to launder the money after each heist and then return to Texas to continue hitting other banks. During their crime spree, two Texas Rangers [Bridges and Birmingham] step up to investigate the robberies and close in on the duo who have suddenly started to leave dead bodies in their wake.

THE GOOD - Location spotting for the film was a complete surprise as I actually believed that the production produced the entire film in West Texas, when it was actually shot in Clovis, NM. This is one of Pines better movie roles where he doesn't portray an idiot trying to figure things out as the film goes along; instead, Pine is intelligent and delivers a solid performance that I was actually impressed with. The action scenes and few fire fights are well delivered and orchestrated in realistic intensity. Special Kudos goes out to the best scene in the film where a waitress - played by Margaret Bowman - presents a now notorious performance at a T-Bone steakhouse.

THE BAD - The pacing to the film is all over the place. The screenplay is atrocious and the pattern of character development, even though sometimes brilliant with a few secondary and glorified extras, Taylor fails to develop a few characters who are intentionally killed off for "shock value" and instead deliver their deaths with an unexpected thud. Bridges seems to have plateaued in his style/methods of acting, especially while delivering his lines between his teeth and often making his dialog a little difficult to understand.

POST MORTEM - Taylor has proven time and time again that he has the ability to create scripts that have a ton of flair [or flash], so long as there are big names involved in their production, women to disrespect, and high stakes to procure. However, even though all of his stories start off strong, they land flat when the time comes to bring the film to end and give  a solid climax to the ending and this film is no exception. It's quite obvious that Taylor loves many of the characters he creates on script and has a hard time making the big decision to see some of them fail or get killed off; so many times in his film productions the bad guys often win or get away. His scripts are truly transparent and he often feels the need to hype his movies (and series) up with big explosions and fancy "military style" shoot outs. It’s no wonder why many of his television shows are falling apart now.

⭐️⭐️πŸ’«[2.5 of 5 Stars]

Sunday, October 1, 2023

QUANTUM STORM .357 ISSUE 25 IS RELEASED FOR OCTOBER 2023!

 

QSE .357 ISSUE 25 dtd 10/1/2023

52 Pages

ON THE COVER - Jessica Manes. Photo by
D. R. Quintana.

MAIN ARTICLES

Top Dollar Halloween Costumes - Halloween costumes aren't cheap anymore, we show you some of the best costumes money can buy.

 Ready for the Truth? - The Austin, Dallas, Houston, and San Antonio Indie film hype bus has been making it's rounds this summer. We tracked 177 indie films and quickly reviewed them all. Is your film on our top 100 indie films or the bottom 50 shitty indie films of the year? Come see for yourself!

Behind The Scenes - This passed summer, two big Indie films went into production in Austin, TX. Hundreds of extras were required and we were there following both of the productions from beginning to end. Check out some of the photos we were allowed to take. Are you one of the many indie film actors who was captured on set?

 

YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2023 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

 Thank you for stopping by! 

Monday, September 25, 2023

AMAZON PRIMES "A MILLION MILES AWAY" DIDN'T HAVE TO GO THAT FAR...

πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - A MILLION MILES AWAY [2023] - [PG] - Amazon Prime - Directed by Alejandra Marquez. Written by Bettina Gilois, Hernan Jimenez, Alejandra Marquez, Jose Hernandez. Starring Michael Pena, Rosa Salazar, Garret Dillahunt, Sarayu Blue, and Ashley Ciarra. This specific film has a heavy Latin Production team, something that is very rare in the era of Amazon Prime films.

This is the life story based on Jose Hernandez [performed by Michael Pena], a NASA Astronaut, who came to the United States as an immigrant, worked in the fields as a child, graduated college, and after what seemed like years of applying for the space program, he was finally selected and went to space to make history. Through thick and thin, no matter how hard things got or how he's looked down upon for being known at work as the resident "enchilada guy," he works hard to prove himself and reaches for a dream he's had as a young boy. With the help of his supporting wife, he makes all of his dreams come true and he unknowingly enters the history books of American space flight.

THE GOOD - The films script was written from the eyes of the Latin/Mexican culture and community, so there is a lot of humor that is hidden within the film, but this feature is far from being a comedy. During the main characters young life, the director does a fine job laying out how hard times were during the 1970's in southern California. There is some incredible attention to detail, classic cars, and even some old cultural Mexican festivals and family hierarchies that are rarely presented in films today. Location spotting was absolutely perfect for this film.

THE BAD - IMO the director went a little too far with the character development, presenting the family moving from one place to another, and another, and another; when all of this could have been edited out and presented in a shorter sense to make more time for the big pay off of Hernandez actually going to train at NASA. Even though the director and writers were trying to sell to the audience that the movie was aimed at developing a "family is important" atmosphere, the point was drug out and very little time was spent on presenting how being an astronaut is a team effort; save one scene where the astonaut's are pushed to the limit underwater, and Hernandez makes a decision to save a teammate which gives the NASA leaders a green light to put Hernandez on the team for a space launch...presenting the team and their tough training sessions should have been a bigger focus in the film.

POST MORTEM - This is a good film, but there are a lot of slow parts and an extreme need to over emphasize “family” and what's happened to the old ways of doing things, living life, and how Hernandez had to progress out of the old culture to fit in with the ever changing society of success. There were no real stand out performances and there's sometimes where I feel that Pena is just lazily sitting there, performing his parts from one scene to another; looking like he could just take a nap to get enough juice to finish the next scene driving around. The true part of the film works and I always like seeing the end credits showing the real Hernandez family and where they are now.

⭐️⭐️⭐️πŸ’«[3.5 of 5 Stars]

Wednesday, September 20, 2023

HOUSTON INDIE ACTORS WANTED TO KNOW "WHERE ARE THEY NOW?" - AND WE DELIVERED WITH DETAILED UPDATES!


Houston, TX - From 2010 to around 2017, the Houston amateur independent film scene [or industry if it makes you happy] was captivated by some talented people who had the luckiest time making their names prominent in virtually every new indie film that was in production. They seemed to have all of the right connections, knew the ins and outs of producing indie films, and were wrapped up in some wild drama. Being “the best” in local indie films it certainly didn’t matter to most that some of these “legends” either still lived with their mommy, a few were honestly homeless, some running from paying child support, some helped run scam indie film festivals, some couldn't afford the cheapest medical insurance, and even a few divorced their partner for another actor. At the time, they were all part of a main stream movement...

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COMMENTS ON THIS BLOG - Many are flowing in, telling the same story. Here are some of the best words from the local Houston community.

VS_Desarge - 9/30/23 @2033 - One of the best blog articles that I've ever read about the Houston film industry. There is no shame in presenting the truth about all of the local actors and "industry know-it-all's" who staked their claim to real success. You presented some outstanding facts in each case and you went out of your way to show links to many articles and videos that show that no one really stood out at all. My hats off to you and I eagerly await the October edition of your magazine to find out more about what little white lies the local industries have hidden away about success and what everyone tried to do to breakout into the world of Hollywood.
 
David Q - With the plethora of actors in the indie film scene who believe that "playing the part of being successful" is the first step in breaking through, has both it's benefits and obscure, but intense failures that no one wants to admit can and will happen. It's a damn shame at times.

Olephie_377 - 9/27/23 @1538 - Great article! I spent so much time working with half of the 22 actors you previewed on your blog and I am astonished that someone actually went through so many histories and investigated where their success and failures truly landed. I'm not one that wanted to be a star or actually make a living off of being an indie actor, but I do like that you presented many facts that everyone on the list of 22 were normal people who had to work real jobs to stay alive. I kind of figured that no one was really famous, but finding out that many are now considered infamous within the indie film scene is a real relief since I left the "film industry" to the idiots in charge.
 
David Q - For a long time during the period presented in the article, many of the actors and producers were being exclusively interviewed and presented in Hector Luna's C47 Magazine that highlighted a ton of local "successful people" while passing over actors and directors who were genuinely making the real mark in entertainment where it counted most.

D_Alsfor - 9/21/23 @1944 - Your background on Larry Carrell was spot on! As much as I know him for being slime, he did work his ass off to try and make his way out. But like life does, he tried to move to California, moved in with friends, and found out it was harder than anything he imagined. In the end, it was a sweeter deal just sticking around in Houston; working as an extra and making a little cash. Yes, you did a great job investigating the other slime-balls that tried to buck the system locally. They were successful for a while when things were being presented as a glorious lifestyle working with the best this and that. I'm a super subscriber now. Thank you!

David Q - Larry was quite the character when I met him and he worked with me on numerous film projects. In his own right, he was pretty intelligent and knew how to outsmart and bully people in his path. One thing I learned from him was that he talked so much smack about people when they weren't around, but was such a friend and gentlemen whenever the ones he was just talking shit about were near.  But there's no doubt that he's on the right path for making himself a big name in the Indie film industry.

Alter_Mn44 - 9/20/23 @0717 - At one time during the 2015 timeframe there was so much hope that Houston was going to be the epicenter of the new film industry. Even thought much of the talk was centered around the industry being established in Austin, people felt that Houston had the capital, the locations, and the talent to create the biggest industry ever thought of. I was part of the groups - or cliques - mentioned in the blog and I can attest that many of the indie actors that were entrusted to help develop this city into the next industry were filled only with talk and well wishes. Houston was never intended to be the mecca of a film industry, just a location. It's nobodies fault. This was an informative blog. Thank you!

David Q - Houston will never be the epicenter of a film industry until Harris County changes it's leaning political atmosphere. The failure for this to happen has nothing to with the local indie film scene or the actors previewed on this blog.

Rob_Dvore - 9/22/23 @1119 - No slander, just good reporting. Each and every one of the 22 locals list themselves as public figures and deserve what they get. Most of the people had huge egos and now they dive for scraps, working as extras, making films amongst themselves, and going nowhere. I like that you investigated Shawn Welling who has directed and produced several low budget "B" films and tries to ride the train of success when most of his films truly suck and have plots and stories that make no sense except to the people who are cast as actors and the production teams that work on them. If you haven't seen Narco Sub, DON'T!
 
David Q - I reviewed Narco Sub and Welling wrote me an email once over my review of another film project that was both horrible and a possible huge legal gamble as he stole ideas from several movies and created a spoof film called "The Legend of Darkhorse County" starring Nick "The Tuba" Nicholson.

Larr_Rivas - 10/3/23 @0233 - Such a pathetic and obvious insight into a large group of people who thought the "local world of Hollywood" revolved around them! The local acting agencies didn't help build the hype, using local contacts to reel in cash with expensive and non-certified acting classes, photographers and videographers who didn't have any real experience in the big game. You should know David, you worked with these assholes!
 
David Q -  I only worked with one of the people on the list of 22 and any other list that is planned for release in October. I am often vetted through some of these actors who claim that I am difficult to work with, but the real truth is that I've worked with well over 250 local actors and have never been accused of any wrong doings as listed in the blog article. If anything, I am guilty for not following the norm of many of these people and openly presenting my work on a platforms that anyone can see at any time.

Saturday, September 16, 2023

"WHEEL OF TIME" DOESN'T JUST MISFIRE, IT IMPLODES FROM THE START

πŸŽ₯🎞Series Review🎞πŸŽ₯ - WHEEL OF TIME Season 2 - Amazon Prime - [PG 13] - This series is based on the book series by Robert Jordan. During the first season, there was something about this series that honestly intrigued me to follow it...maybe it was the addition of Rosamund Pike [from Gone Girl (2014)] that honed my willingness to give this thing a try; or maybe it was the visual effects, the details in the production, the hint of mystical mystery, the look of being defiant against the new prequel series out there, some distant recollection of the Lord of the Rings...whatever it was, I fell for it watching the first trailer and I only watched the second season in hopes the show would change direction and gain strength. SEASON 1 REVIEW if you dare to read this one too.

Honestly, after Season One, I have no earthly idea what this series is about or what is going on. There are witches or sorts in a world led by strong women, some guys that have the abilities of Warlocks, and I honestly don't know or care to know anything else about this dumpster fire. There are three plots and at least five storylines all going on at the same time and your guess is as good as mine to what this season is all about.

THE GOOD - Uhmn...lets see. Rosamund Pike is in the series. She definitely is the best actor in the entire production and she takes up the entire screen with her emotions, which sell perfectly when she's upset or failed to do something...uh yeah, that's about it.

THE BAD - Good Lord, where do I start. The pacing is atrocious; primarily due to the lack of emphasis on the plot and making a story that aligns with it. The writers to this train wreck lost all credibility to the series by slowing down and having arc after arc of character development, when all of that should have been established in the first season. There's tons and tons of bad acting. The screenplay completely fails to bring in a big reveal when it's needed and every episode ends with a badly choreographed battle or quick skirmish that leaves some of the main characters injured, maimed, or unconscious. There's so much mystery in this "what could be" epic series, but the director and the production team can't being in enough CGI to save the show from just drowning in the huge toilet flush that the viewers are sure to activate within the first two episodes of this fresh season.

POST MORTEM - There's far too much female liberalism and hints of lesbian love that's damaged the core of this show. Wiping the male race as a bunch of brainless warriors and lower priests just brings this thing to a non-clamactic pyre of burning dog shit that I just can't review anymore.

COMPLETE DOGSHIT! [πŸ’©]