Showing posts with label Larry Carrell. Show all posts
Showing posts with label Larry Carrell. Show all posts

Saturday, April 6, 2024

LARRY CARRELL'S "THE QUANTUM DEVIL" STINGS WITH INCREDIBLE VISUALS, BUT IS STILL JUST AN INDIE FILM

Movie Review - THE QUANTUM DEVIL [2023] - [R] - BlueRay - Directed by Larry Carrell. Written by Carrell, Woody Kieth, Zeph Daniels. Starring Niel Dickson, Tyler Tackett, Tamara Radovanic, Edward Apeagyel and Robert Englund. Budget $2Million [In Carrell dollars, of course]

A team of scientists, Led by Doctor Cernovich [Dickson], meet up in Europe to break a quantum barrier and travel into a new dimension. As the barrier is broke, each scientist involved with the barrier experience past experiences and confront an evil alternative or an aggressive result of scenarios that could have happened in the real world. The team of scientist are exposed to demons, large beasts, and some thrilling monster/gore that were not expected during their trip into the inter-dimensional unknown.

THE GOOD - The build up of tension and horror were far better than expected. The wardrobe was phenomenal along with some startling CGI effects and other small visual effects that were layered into some scenes, giving you the feel that the film truly was produced in an older-stylistic European setting. The cinematography was crisp and some of the camera angles were a leap from previous Carrell films.

THE BAD - A large part of the film had a campy feel in many of the performances of the large cast if characters. A lot of "old style" camera effects and monster performances gave some scenes at times that "Thriller" music video look and was just silly and awful. One very noticeable thing was that a lot of the CGI monstrosity that suddenly appeared into a scene never actually interact with the cast, most of it was designed only as epic flash in an attempt to boost up the look of the production, but had no real result to the film or the arc of the plot in general. Oh, I can't forget to mention the blood and gore that was just all over the place in some scenes...It wasn't as bone chilling as it could have been.

PRODUCTION BREAKDOWN

←  Lighting
   Camera Work
←  Screenplay
   Sound
↑   Wardrobe
   Use of Visuals
  Time Lapse
  Editing
↑   Rule of Thirds
  Locations
  Music
←  Ending/Follow through
 
POST MORTEM - This is a good film. Carrell's direction in bringing this film is a huge step in his growth as a filmmaker, but I feel that the casting was the larger part of the films "missing element" for proper success. The addition of Englund was well added to the film, but his part didn't make a significant impact for lifting this slasher/monster movie success. The Quantum Devil is a slasher/monster movie that fits right up there with some older classics, but since there hasn't been any real headway outside of the small slasher/monster film community about it's existence, the sparkle of this film will fade pretty quickly until the next Carrell film gets released.

⭐️⭐️⭐️💫 [3.5 of 5 Stars]
 
Joseph TRAM
Joseph_TRAM @ 10:51pm 4/8/24 - Here you go again, taking aim at a hard hitting film director [something you're not] and trying to bring him down with one of your reviews that has very little attention from the film community you alienated so long ago. Larry has worked hard, devoted all of his time to creating the next best film. He left the Houston scene so long ago and I'm sure you don't have anything but a few films to brag about. Leave the film making to the true filmmakers. I'm pretty sure no one would hire you to produce  film anywhere in any film group. So, go back into your little hideaway and stay put. I know you won't be letting anyone know that some people do call you out!

DRQ Response
Dave Q - Crom laughs at your fore winds! Since Larry Carrell has posed himself into the realm of wanting to be a big name in the film industry, where I agree that he may be in the small world of the slasher film genre. But now being a public figure, his work is open to review and critique by any person who works in the field of watching movies and providing a solid, unbiased review. As far as I'm concerned, I gave him high marks in production, story telling, and cinematography. The star rating reflects his overall work, and yeah, I'm the one who approves the star rating. Not every film Larry makes is enjoyed and liked by everyone and even his rating on Rotten Tomatoes proves my point. You and Larry's team of misfits need to "suck it up" and take each review for what it is...an honest assessment from person[s] who aren't kissing ass from the crazy ride Larry provides.
 
And for the record, this is a monetized blog with an outreach to more countries than you can count. This blog has a large fan base of subscribers and is also followed by several members of the same company that help produce Larry's new movies. Next time do some study before you try shaming me into not posting your comment. Our blog brings the receipts with constant meta data tracking people who come to this blog, and with the help of reader input, we post our numbers proudly. Before you go off shooting at the mouth about defending your favorite director, have the insight to know that you might make an ass out of yourself by being misinformed.
 

Thursday, February 1, 2024

THE QUANTUM STORM .357 E-MAGAZINE, ISSUE 29 FOR FEBRUARY 2024 IS RELEASED!

 QSE.357 ISSUE 29 dtd 2/1/2024

38 Pages

ON THE COVER - Lissa Moore, Actress.
Photos by Paul H. K. & Mary K.

MAIN ARTICLES

Texas Indie Film Madness - The top 2024 Austin indie slasher film "RHIANNON" is winning awards and getting rave reviews from some of the best filmmakers in the state.

Raking the Coals - Legends are being born with new talented actors taking leading roles. Stage actors are the top choice for casting directors; learn about what casting managers look for in casting films.

Films that deliver to fans - The top 20 list of Texas indie films that have proven with Meta Data to have the biggest followings in the state! - Is your film on the certified list?

Dead Reckoning - Western indie films are all but non-existent in Texas, however, one studio is attempting to change that. Meet the new indie film guys in West Texas! 

 YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2024 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

 Thank you for stopping by!
 



Wednesday, October 25, 2023

QUANTUM STORM WIKI ON "THEY LIVE - THE SERIES" AND "HUNTSVILLE"

They Live Web Series PosterExcerpt article from the Quantum Storm .357 E-Magazine [QSE.357] Issue 24 of September 1, 2023.

In May of 2010 while the studio web series THE SECRET OF ANGELIKA5 [TSOA5] was in full swing entering it's second season, the Quantum Storm Productions film producer and director [David Quintana] crossed paths with Eric Echevarria of EJE Productions while he was making final touches on a web series entitled ALEKHINE'S GUN [AG], then starring Romen McPherson, Mary Grace Snow, and Alan Berkowitz, which was presented as a premiere at the film gallery in downtown Houston, Texas. 

Almost immediately, Quintana was captivated by Echevarria's film format and camera work, which he felt mirrored his own, and he made immediate contact with the new indie film maker to possibly collaborate on some new projects, possibly bolstering both studios portfolios and developing a reputation for making better films in the Houston area independent film circuit. They both reviewed each others work and traded reviews and critiques which both were brutally honest about. Soon after, they decided to meet up and see if they had anything else in common.

EJE Productions DirectorBoth studios hit it off pretty well initially; they both met on neutral ground and began pulling their resources of actors and equipment together to see what they could develop. Both studios had a strong set of actors that could cross over in a new production and the two directors weren't limited on ideas that were being tossed around. Quintana's TSOA5 had an issue that the cast was growing, but that most of the new members were only brought on as strong extra's and he felt that some of them were talented enough to be used on other projects outside of TSOA5; maybe even in dramatic works.

Echevarria's production team on AG had some new faces, a couple of talented leading actors who delivered some outstanding performances, but he admitted that some of the casting to AG were troublesome to cast and his series needed several reshoots to fill in some gaps. He knew he had a good team, the right locations, and a solid film format, but that he was missing a better part of production standard to filling in parts to build a better team.

Quintana dropped off some ideas for possible collaboration. The two directors traded ideas on a possible mini-series entitled HUNTSVILLE; a dark drama with a plot which circled around a prison where a psychopathic inmate who  actually ran the prison from the inside with a group of prison guards who took care of a lot of the dirty dealings outside of the prison. This project was projected to star Danny Gallehugh, Larry Carrell, Sam Rivas, Saira Ramos, Mary Grace Snow, Romen McPherson, and Alan Berkowitz. The locations for this mini-series were plentiful and most of the sites being looked at were located in downtown Huntsville, Texas. A few test video sequences were shot under Echevarria, but were never released and was shelved for later.

During this same time, Quintana brought Alan Berkowitz, Larry Carrell, Mary Grace Snow and even Erik Echevarria into TSOA5 and had them fill some spots on the show as extras. Quintana and Carrell began to collaborate on some short films which were produced during a break in TSOA5, where they came up with a concept to produce another mini-series for THEY LIVE, which would be a spin off of John Carpenter's 1988 horror/scifi classic.

They Live Promo Shot

The problem that arose for even attempting a web series for THEY LIVE was, who would play the lead of George Nada, the leading character from the featured movie who was played by Roddy Piper, an infamous professional wrestler. Piper' performance wasn't anything to really brag about and there were reports that he improvised on the set of the feature film a lot, adding a little of his widely know persona to the character. Even the secondary lead character of Frank Armitage was going to need some wild and bulky consideration for filling the role.

Luckily, Quintana was working on TSOA5 which was in the middle of developing a psychotic killer in the third season of the webs series, an ex-Marine named Jeffrey Kelly [played by Danny Gallehugh]. Quintana had slowly introduced Gallehugh's character into the series, giving the new actor time to develop the evil ex-Marine over the course of two seasons. Gallehugh was huge and brooding, even more so on camera; which made most of the leading cast members of TSOA5 look small and too insignificant to try and fight someone like him off. As expected and with some clever scripting to hide the limited talents of the actor bringing the ex-Marine to a life of his own, TSOA5 had introduced a new character that was gaining a little notoriety within the show.

Danny GQuintana and Echevarria talked about giving the nod to Gallehugh to lead the new web series; but both agreed that the big actor would have to up the ante on his acting, especially were large amounts of dialog were going to added to the script to tell the unique story from the feature film. Even though the actor seemed more than willing to play the part, Quintana and Echevarria knew it was going to be an up hill battle to get the new actor up to speed to lead the production.

Quintana had stumbled on Gallehugh in early 2010 at an indie film meet and greet in Houston and immediately set up an interview with the large, muscular actor. Quintana thought that Gallehugh's work on TSOA5 was progressing well and that in no time, and that through time in the production of the new mini-series, it would give him a chance to learn and grow as an actor, eventually developing him into a stronger lead. Gallehugh's physical appearance was impressive on camera, but it would take an entirely new production angle to add big action sequences to the web series if the new show was going to impress real fans of the now classic film.

Echevarria loved the idea of the new series and initially the script writing for this new THEY LIVE Series was being developed as a dark comedy, but after the idea of adding Romen McPherson as Frank Armitage [from the actual film], Quintana's early scripts changed to more of a "beat down" action film where the two lead characters in the film had to fight their way through from one town to the next, trying to survive through a hoard of aliens hell bent on capturing or killing both the lead characters. As the first five scripts to this new mini-series were being completed, a small hiccup occurred which made the once thought out solid collaboration of bringing two studios together, began to show cracks in the foundation.

Romen McPherson
Quintana only met with McPherson once at a dinner and team get-together at Echevarria's home, but he was impressed about how the large actor electrified a room with his presence and was open minded about how his character in the initial scripting for HUNTSVILLE should be presented. Quintana wanted the part of Armitage in this THEY LIVE Series to not only show McPherson's intensity, but also his power, intellect, charisma, and physique while also manhandling aliens left and right.
 
The new production team's first meet and greet went down without a stumble. Echevarria took out his camera and began to film the night showing the cast and crew cutting up before the camera, enjoying a sing along, and sharing their thoughts about what to expect in the near future from both studios. A few months later, the entire team collaborated on a few short films and the acting prowess of all of the actors was pristine with good chemistry, dramatic sequences, and emotional content.

HUNTSVILLE would never see the light of day due to a licensing issue with the local prison in Huntsville, Texas requiring special permits and authorization to use any and all visual descriptions of the prison with any locations that might present a collaboration with the state and the web series production. Even though the production team were a little devastated to loose the edge to produce the prison, series, Quintana and Echevarria decided to push forth with the THEY LIVE Web Series.

Mary Grace Snow and Alan Berkowitz
And so, then additional actors were thought up for several supporting roles to bring this new web series to life. Mary Grace Snow was being brought on board to take the role of Holly Thompson, then performed by Meg Foster in the feature. Her part would introduce an insight to the alien culture that she supported openly and who is eventually used to spy on the two lead characters. A dramatic chance to the character would have presented her taking sides with the humans and form a resistance to free the rest of the humans who are under a "sleeper spell."
 
Alan Berkowitz was penned in to play the role of Gilbert, then played by Peter Jason in the feature; who is part of the resistance and who directs the leading characters to perform missions to fight the aliens by destroying alien amplifiers that send out the "sleeper spell" signals to the entirety of the earths population.

After the first five scripts to this new mini-series were being completed, a small hiccup occurred that brought the once thought-out/solid collaboration of bringing two studios together, crack within the already established foundation. The following paragraphs were witnessed by many and some still laugh about it. Shortly after the following events, some of the actors mentioned disappeared from the Houston Indie Film Scene, seeking sough attention and success elsewhere.

LCDR Kelly from TSOA5
The first thing that surfaced and shook the ground between the studios was that Gallehugh had identified himself as an ex-Navy SEAL; which wasn't completely true at all; when openly questioned about it he changed his tune and began to play a different card claiming he worked with "Special Operations" which also wasn't true. He also claimed to attend several acting schools and clinics that also didn't pan out or exist. There was honestly never any real need for him to brag or bolster about a trumped up resume in acting. All of the projects being developed were being done so for fun and with no real chance of actually making it into the prime purview of success. He was already being used extensively as a bad guy in TSOA5 and also in the test reels of HUNTSVILLE; but many thought that his "selection for the leading roles" in the future projects was just too much for him to take in. 

Danny Gallehugh
Within two months of the web series pre-production efforts, studio team members felt that in Gallehugh's own mind, he just couldn't be that "new guy without any skills" to be given so many good parts. So, he began making shit up to play the role of a leading man; things like interviewing himself with made up local indie news teams. Most of the studio teams got a good laugh out of his "unique" creativity and Quintana finally had to privately confronted him about it. He never made any wild demands on the production team or claimed he was worth pay, but it was obvious that Gallehugh wanted total success as a leading man in in main production and he felt that being an indie film actor wasn't enough for his growing ego.

Shortly after that, a lot of drama began to fill within the acting teams. First, Carrell didn't help much, adding to the drama by talking badly about some of the "lower actors" and how he could have directed this or that a whole lot better. He had started pre-production on his new horror film, JACOB, and was asking the actors of the collaboration about them being in his future film. Over the course of a few weeks, the damage was done and the collaboration began to brake apart with spite between both teams. Quintana tried to keep the teams together and got everyone to attend a production team meeting at the Lightsey Ranch; but the drama had already spread like a bad virus, consumed several actors who easily became insulted through targeting. Then, after a text message was miss-sent between a director and an actress, things went from really bad to worse; where the finger pointed began to start about who ws at fault for ending the newly formed collaboration.

The Collaborative Team BBQBy the end of April 2011, the collaboration was torn completely apart. All of the planned projects were doomed and there was no way to save the film projects and mini-series that were entering production, so the entire thing was dumped into the trash. Quintana still has seven completed scripts for the web series first season shelved in a computer. He has produced four web series and three feature films since the breakup. He worked with an additional 52 actors who performed their roles brilliantly, professionally and without any drama; winning 14 film awards in seven years and continues to produce indie films, write scripts, hold acting courses for beginners, produces affordable and professional head shots for local area actors.

Since the fall of the collaborative team, Echevarria filmed a few short films with no real success, giving roles to Carrell, Snow, Gallehugh, and others that all went no where. McPherson has been the quality actor and model; performing small roles in films and commercials; He's made quite a name for himself inside the Houston film scene. Gallehugh tried his best to remain a leading actor and submitted resumes for several films, but only received sub-par roles as an extra before he vanished and moved to San Antonio. Snow had no luck in feature films, she worked on a few short films; that kind that will never see the light of day, and became an at-home mommy.   Berkowitz passed away a few years back. He had roles in a few films and wrote two books before his passing.

Wednesday, February 22, 2023

QUANTUM STORM WIKI ON “GRAVITRON” [2010]

GRAVITRON LABLE

GRAVITRON is a dramatic, SciFi short film created and produced by David Quintana-Lujan in 2010, under the team moniker of DAMAR Editions Ltd. This was the 17 short film created by the director-producer under the studio name, Quantum Storm Productions., and the fourth short film he created during his move back to Texas. The story is simple; a lone traveler [Larry Carrell] visits a distraught mother [Amy Mitchell] who lost her daughter [Briannah Korin] ten years ago in a horrific car accident. The lone traveler gives the still grieving mother a gift to go back in time and correct a wrong and live her life in another more positive reality. This short film was planned as part one to a mini-series of five short films.

GRAVITRON OFFICIAL POSTER

Directed by D. R. Quintana-Lujan

Screenplay by D. R. Quintana-Lujan & Larry Carrell

Story by D. R. Quintana-Lujan

Starring Amy Mitchell, Larry Carrell, Briannah Korin

Cinematography by D. R. Quintana-Lujan

Edited by D. R. Quintana-Lujan

Music by Zeca Mahoney

Production Company Quantum Storm Productions

Running Time 8 minutes

Countries  United States

Language English

Budget  $2,500

 

 

GRAVITRON is an ultra-low independent short film directed and produced by David Quintana-Lujan during the fall of 2010. The script for the short film was fallout from a cancelled episode of "The Secret of Angelika5" [TSOA5] where a supporting character, Brianna Fuller [performed by Jessica Yanker] learns that she has the ability to travel back in time and change certain events that helps her save the life of her own father from a tragic accident. The director removed the episode and re-wrote the script after sharing the idea with Larry Carrell after the TSOA5 break for season two.

PRE-PRODUCTION

Amy Mitchell Headshot
The director first met Amy Mitchell on the set of a local film project, at the time a pitch film for "Divorce Texas Style" of 2010. He wasn't only captivated by Mitchell's natural beauty, but taken by her 'untapped' talent as an actress. He pitched Mitchell the script and immediately the two began to collaborate to make the short film a dramatic masterpiece by delivering a performance outside of her current training. During the production, Mitchell was well prepared and delivered her part in the film brilliantly.

Larry Carrell had just finished up working on his first season on TSOA, taking the role of Arthur "Art" McAdams. He volunteered to work on GRAVITRON as he was shifting a career in indie films from working as a director towards performing parts as a leading actor.

Brianna Korin had answered a casting call for "The Immortal Legion" which was also being produced by the director. Korin had little acting experience, so she was asked to join the production for a small part and give her some exposure to working on a film set.

LOCATION SPOTTING

GRAVITRON
The director had worked with Rick Cloutier on two "Razor" short films for TSOA5 and had also held a TOSA5 actors "mega-photo shoot" at Cloutier's home in Montgomery, TX. The same home was used in GRAVITRON and was supposed to show what the parents had done with the insurance money gained from their daughters loss. That part of the script was scrapped after a second home, which was supposed to be a mobile home in a rural area, could not be confirmed on the day of filming.

The director used three filters on the camera lens to show the variation from a cold atmosphere in the beginning sequences of the production, to warmer colors at the end of the film. The change in filters did not require extensive lighting.

PRODUCTION NOTES

Filming began early in the morning on November 13, 2010 and the camera rolled for over five hours to capture the scenes required for the eight minute film. Due to the large windows in the main scene in the film, natural lighting was used to capture all of the scenes in the project. Cloutier provided some of the wardrobe that Mitchell wore and also provided food for the cast and crew.

GRAVITRON
Immediately after filming, the director took the footage home, downloaded it to this computer and began editing the film. Special care was taken to give the best production as possible and Carrell assisted with the sound and color variances in the film.

The film was submitted to a film festival in Houston, Texas where the leading actress won "Best Actress" in a dramatic short film and the music coordinator, Zeca Mahoney won "Best Music Arrangement." Carrell would later direct and star in the classic Houston horror film JACOB and Mitchell would also work with Carrell and have a small part in that film.

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Wednesday, January 25, 2017

THE AFTERMATH OF LARRY CARRELL'S "JACOB"

Jacob Poster
In 2011, the Houston Film Scene was much in astir about a local filmmaker [Larry Carrell] who put "the best" of what Houston, Texas had to offer in one film and through some daring production shams and scams, as he was able to put up the cash to make his dream film come true. Give this man some pretty impressive "ambition points" as he set out to do something and make it look big as possible. In a few months, he had a written script, a few thousand dollars in his pocket, and he tore away at Houston to make this dream come to life.

There was ton of double-dipping going on prior to the production of his film JACOB; the filmmaker infiltrated several local films and evaluated talent in them, then sucked the talent right out of those productions to bring into his film, all of the time promising huge success and big contracts. Quite truly, the film was the talk of the town...at least in the local independent film scene.  But when the first premiere hit the streets, it was a complete disaster of 'unfinished mastery' missing sound, filled with incomplete scenes, and presented scraps of an unfinished film to the cast, crew, and their families...and like most amateur indie film actors in the vast landscape of "wanting to be stars," no one complained about it all during this initial premiere. Instead, local actors and their families stood proudly and took pictures afterwards; smiled and boasted the films "huge success."

Just a month prior to the first premiere of Carrell's JACOB, a local short film produced entirely of teens, boasted huge success at several "Sold Out" premieres which seemed to jeopardize Carrell's potential future film success with his uncompleted film. During JACOB's first premiere in Houston, most of the attendee's in the seats were just the cast, crew, some family and a couple of local indie film critics who were begged to come see the film. People outside of the films clique who attended were not impressed with what the film presented and Carrell knew that. Some of the people in attendance openly complained that the price paid for tickets should have been refunded...and of course, even though he [Carrell] was ashamed, nodding in agreement with them promising something would be done about that, that never happened and Carrell and his team pocketed the cash with a nice grin and went on about their business.

Carrell Picture
You see? that's the way "real" film business is run in Hollywood and Houston should do the same. For him being someone who always tasted the long reach of top fame, Carrell was finally on the right road to success, not caring what or who was standing in his way. People in his inner circle began to believe that his attitude was the right one to have if you truly wanted to step into the real world of movie success.
 
But through diversity and patience, Carrell and his team continued to push forward. Over a period of months [up to even a year] they added scenes to the unfinished film and were able to scrounge up a known Hollywood name to bring more credence to the film. None of what is written here is fabricated...it's the truth. Through thick and thin, the film made it's way from one convention to another, then eventually onto Netflix. The film crossed the oceans and landed a following in Europe, where the title of the film was changed to "Sister." The film won countless local Indie awards and practically over night Carrell's clique grew and some names were added to the "producers" list who seemed to jump on the bandwagon ride of success...and all were very proud of the end results; which weren't easily attained. None of the local actors in the film have ever been paid for their work...not that they expected anything due to the shady contracts they signed.

So, in the end, Carrell got his film made and he got the attention and money he dreamed about...sort of. Below are comments made on the films IMDB page. You have to get passed the comments posted by the cast and crew to see what the real thoughts are by the REAL people who previewed this "fine masterpiece" of 80's horror. 

I still have yet to see this film, so I cannot review it properly....but I thought it was best that you, the reader, know what your getting into should you choose to decide to watch it yourself.

D. R. Quintana
Editor