Showing posts with label Houston Indie Films. Show all posts
Showing posts with label Houston Indie Films. Show all posts

Friday, December 1, 2023

QUANTUM STORM .357 ISSUE 27 FOR DECEMBER IS RELEASED!

QSE.357 ISSUE 27 dtd 12/1/2023

62 Pages

ON THE COVER - Beatrice "Bibi" Coltzer, Model.
Photo by D. R. Quintana

MAIN ARTICLES

What's missing in Indie action movies - With a thorough review of over 50 indie films produced in Texas, the studio lists 20 of the biggest issues missing in producing a solid action film.

Seasons Greetings Photoshoot - We present seven of the most talented actors/actresses who work hard in the Texas indie film scenes.

Stunt Teams are looking for work! - Here is a list of semi-professional stunt teams with their own production insurance who want your business...and guess what, they are worth it!

Christmas Music Videos - Not as easy to produce as one might think, but there are perks to making a good holiday video to present your skills to the right film studio. 

YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2023 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

 Thank you for stopping by! 

Sunday, October 1, 2023

QUANTUM STORM .357 ISSUE 25 IS RELEASED FOR OCTOBER 2023!

 

QSE .357 ISSUE 25 dtd 10/1/2023

52 Pages

ON THE COVER - Jessica Manes. Photo by
D. R. Quintana.

MAIN ARTICLES

Top Dollar Halloween Costumes - Halloween costumes aren't cheap anymore, we show you some of the best costumes money can buy.

 Ready for the Truth? - The Austin, Dallas, Houston, and San Antonio Indie film hype bus has been making it's rounds this summer. We tracked 177 indie films and quickly reviewed them all. Is your film on our top 100 indie films or the bottom 50 shitty indie films of the year? Come see for yourself!

Behind The Scenes - This passed summer, two big Indie films went into production in Austin, TX. Hundreds of extras were required and we were there following both of the productions from beginning to end. Check out some of the photos we were allowed to take. Are you one of the many indie film actors who was captured on set?

 

YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2023 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

 Thank you for stopping by! 

Tuesday, August 1, 2023

QUANTUM STORM .357 ISSUE 23 IS RELEASED FOR AUGUST 2023!

QSE.357 Cover for ISSUE 23
QSE .357 ISSUE 23 dtd 8/1/2023

40 Pages

ON THE COVER - Headshot of Hector Luna. Used by permission.

MAIN ARTICLES

Remembering C-47s Creator - Hector Luna was ahead of his time in the local Houston Indie Film Scene, creating an e-magazine filled with actor and directors interviews, production notes, meetings and activities, and an editorial by D. R. Quintana, remembering his friend.

 Who Rode Luna's Legacy - The list is long, but Luna had his favorite local Indie Film Scene actors, directors and film teams who were always presented in the C-47 Houston Magazine. Here we present a few of them and where the are today.

The Planned Hector Luna Film Festival for 2025 - Because Hector Luna loved the film scene so much, a handful of his friends have put together the first annual film festival in his honor. 

 

YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2023 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

Blog Meta Numbers for Aug 2023 
QSE Top Comments
 Subscribers from the local Houston Indie Film Scene came out to support this new issue of the QSE.357 E-Magazine and comment on the article concerning Hector Luna's Legacy. All comments are posted under writers 1st Amendment clause.

Thank you for stopping by!

Saturday, July 1, 2023

QUANTUM STORM .357 ISSUE 22 IS RELEASED FOR JULY 2023!

 

QSE .357 PROMO COVER
QSE .357 ISSUE 22 dtd 7/1/2023

42 Pages

ON THE COVER - Graphics design by
Leo K. Ross. Used by permission.

MAIN ARTICLES

A Look At CosPlay - Convention Season has started. Take a look at what you might see this year in the convention circuit. Meet some of the local Texas CosPlay designers and manufacturers.

 Shake A Leg - Texas Indie Films have started to cast roles for leads, supporting leads, and extras. What you can do to stand out and win a strong role for yourself.

Best Steak Houses - It took six months, but we were finally able to finish up tasting the best grilled steaks in Texas. Is your favorite steak house listed in our top 20 list? 

Bikini Heaven - Are you in shape, wanting to show everyone your body? Here are some of the finest male and female Texas models sporting the best summer wear for the beach or your back yard.

 

YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2023 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

Thank you for stopping by!

Wednesday, May 24, 2023

PHOTO CHALLENGE BETWEEN CELL PHONES AND DSLR LENSES

Shelby Davis - Model

The Woodlands, TX - This story is an excerpt from the January 1, 2023, issue 16 released publication of the Quantum Storm .357 E-Magazine [QSE .357] which received a large amount of praise from subscribers and promotional advertisers. This article is released for blog material and resources outside of established subscribers. This article should only be used for informational purposes and taken as advice for capturing professional head-shots for preview in the independent film scene movement.

It seems that thanks to only a few individuals who have taken advantage of the heavy dreams and desires from the fast growing breed of "instant" professional thespian performers in the Independent film scene [or industry], who would do just about anything [or even pay big bucks] to separate themselves from the self made competition to "break into" that next big film, head-shot photographers have made big money pursuing actors to help them build some impressive portfolios over the course of the last fifteen years. But did the actors really have to find proficient photographers to accomplish their needs? And especially now, with the help of some of the best lenses being added to the production and manufacture of newer cell phone technologies, are  DSLR cameras truly needed to capture the best shots of local talent, who submit their image to casting directors and film producers in the local indie film circuit?

 ARE CELL PHONES WORTHY OF TAKING A GOOD HEAD-SHOT?

QSE 357 Cell Phone Shot
In this new generation of technologies, new actors may tend to use their own selfie as a head-shot for their acting resume. There's absolutely nothing wrong with choosing to do so, but its a fact that a lot of photos taken on any cell phone won't transfer well to the capabilities of the even the best printer. It can be due to the lack of a photos' pixelation and I am sure that any person you know who claims to be an "expert" on cell phone capabilities will tell you that what I just reported to you isn't 100% true; but it is. In this article, I won't go into the size or pixel generation of a photo, but I will cover the importance that the larger the file before compression, will present a far superior photo during printing; that is before one decides to alter the photos color, brightness, or sharpness before deciding to print the picture. 

Always remember that what might look cool or edgy on your cell phone screen may not transfer well to a printer, especially if a Casting Director requests that your actors resume submission be submitted with printed copies of your head-shot; which happens more often that one might think. Having clear details in your photo, presenting the best features, angles, and any real blemishes [or imperfections] on your skin could make the difference in your possible selection for a good project. Trying to hide some of these natural traits with photoshop is a definite no-no. The picture you present to a Casting Director is what will be expected to arrive when a a date is set for your first interview.

Over the years, I have learned that even using some of the best lighting and controlled atmosphere, still cannot guarantee the best shot or a quality that won't require a retake or a demand that better shots will be requested. Like I've said many times before, free is good, but it certainly isn't a quality that a spoiled film industry will conform to approving just because your different. So, if your photographer uses cell phones to conduct the business of just taking your head-shot, I recommend you pass on them or at least ask for proof of success before paying them for their services.

**The photo on the top left was taken with a top-of-the-line Droid cell phone.

WHAT TYPE OF DSLR PHOTOGRAPHER SHOULD YOU CHOOSE?

QSE 357 DSLR photo
First of all, and probably the most important thing you should know is, there is no standard format for head-shots. What is important is just getting a strong, natural capture of your image is what is best to present to the Casting Director. Small details like capturing natural eye color, color of hair, and various facial balance is pretty important. Remember again, what is in your photo is what the Casting Director will want to see when you arrive for your first interview.

Every indie film scene has it's long list of both talented and amateur photographers that can give you what your looking for; most be it some much needed attention in your early acting career and a head-shot that will present you in a more professional light. Of course, the cost of getting a good shot will vary from pretty expensive, to sometime being way outside your comfort level. But having the best shot of your current self is well worth the cost. You might get lucky to find a good photographer who is also trying to build his own portfolio, be willing to take all of your photography needs for free, and maybe even a few more pics that are out of format, but that will give you depth in presenting your talents in modeling. You might find that some of these photos are more dramatic, colorful, and provide an insight into your deeper, marketable self image.

These photographers will usually use Canon [6D, 7D, 8D], Nikon, or Panasonic DSLR cameras, which are the standard for digital imaging. The cameras are set with larger lenses and high pixel capture rates that make photographs look crisp and provide a cutting edge look for your current actors head-shot. One thing that is guaranteed is that you will see a big difference in using a well trained photographer to keep your head-shots up to date. But if you choose to keep selfies to update your looks, well its all up to you.

**The photograph on the top right was taken with a Canon 8D.

WORKING WITH AN AGENT TO GET YOU THE RIGHT PHOTOGRAPHER

QSE 357 Professional Shot with DSLR

As stated before, there are no standard formats for head-shots. There's no indie film regulation, no requirement in the way the photo was taken, or that your head-shots require photoshop of any kind. All that is required is a current color photo [head-shot] which can be previewed by Casting Directors with a resume of your most recent works that make you qualify for any role that you are hoping to fill. 

I feel that it is important, that if your dropping your name down for a specific part in a film production, to at least be ready to include a solid portfolio of you looking the part, in case you are selected and wardrobe and makeup have to prepare their material attributes for preparing you for the role should you be selected. Keep in mind that if your selected to read for the role, it doesn't actually mean you got the part; so don't be to eager to post that "Booked it" claim on your Facebook, Twitter, or LinkedIn page.

If your a first time actor, trying to get into the mainstream of hiring an agent to help you boost your image in front of a camera, be aware that your decision to entrust your hopes into their operation will cost you money. Like any other business, your agent will always require you to get new head-shots by a local professional photographer they just happen to have ready to assist you...at some high cost too. Your agent won't hesitate to offer you access to the photographer at any turn, because they usually get a cut of the sales for their skills that you will require for any film project or model ad you might try to book. Will the work from this photographer actually win you the gig?...well, not really and not all the time.

Remember that agents have their favorite actors and models, who are often given first shots on any project, far before your recent work is submitted. Yes, having an agent may mean that you will be introduced to some dirty dealings, but always remember that agents always have a long lost of talent to dig through, just in case one actor fails to accept a job or if anyone is turned down. As a first time actor, there's a high probability that you will not be within the first twenty people on their list to call; all of whom have proven to be committed, faithful, on time, and willing to spend money when the need arises.

 **The photograph on the top left was taken with a Canon 8D.

IN HINDSIGHT...

QSE 357 iPhone 15 Pro Max pic
In the course of over 14 years, I have gone out of my way to provided head-shot services for over 755 indie film actors and models within the state of Texas. It's been more of a hobby than a business, most of time I have gone out of my way to help actors/models that could not afford professional services in building portfolios. Many of those actors have since moved on from working on indie film projects, with a healthy percentage that have moved on to bigger and better film and modeling jobs, all of which have brought good success to building solid careers in their professional fields.

The best part of their adventure has been learning what to do, who to turn to when they need professional help in updating their portfolios, and what equipment is best for capturing their newest works. I like that these talented folks have also learned that photographers are a dime a dozen and that no two are alike; someone is always better or even brings something new in bringing in what's best in capturing some of the most brilliant format styles with proper lighting and studio arrangements.

**The photograph on the top right was taken with an iPhone 15 Pro Max.

If you have any doubt about the type of equipment that should be used for your new shots, just take the time to do some study on your own behalf. There are some good videos on YouTube.com and relatable searches on Google.com to assist you in making the best decision for you; especially if your tight on funds.

So be safe, stay smart and...Ride Easy!

Monday, May 15, 2023

SPOTTING A NARCISSISTIC BOZO CLAIMING TO BE AN INDIE FILM "PRODUCER"

Dir. David Quintana-Lujan
Imagine yourself as an amateur independent filmmaker, trying to develop your first film with a bunch of friends. It doesn’t take a whole lot of effort for an established Filmmaker to bring a simple idea in front of a camera and create a good film. There is no rule that exists that states that a good film has to have a “registered film producer” or a bonafide executive to help your film flourish into success. But there are some assholes who will tell you that there are. 

These narcissists will also tell you that it takes real contacts in the movie industry to see your film prevail in the “vast movie culture” that is only privileged to a few people who “know the ropes” of the most successful movie infrastructures. But do these idiots really know what happens from the time an idea is created, to the time the pre-film is scripted, pre-produced, and screenwriting comes into play before the camera rolls? Probably not.

Before you drop your idea down to some local indie movie studio under some name like “Clownwork Pictures LLC” or “Run Down Doublewide Pictures” for assistance in getting funding or equipment for your film project, be sure your idea is somewhat realistically thought out. Don’t just sell yourself short to the idea that this thing you have will make enough cash to cure cancer or buy that big yacht to travel around the world to help share your film to a larger audience. Sometimes it’s just a good idea to keep things small and leave the bigger films to real professionals. At this point your only into a hobby, and in the indie film scenes, sometimes that’s the safest (and best) place to be.

BTS shot

Being successful in the independent film industry is a huge dream. There have been so many stories of how a local independent film broke into Hollywood, and had huge success with just a simple idea. Those ideas have even sometimes turned into classic themes that are accepted widely into the fandom of world success; you know the indie films I speak of?…The Blair Witch, The Wraith, El Mariachi, Superbad, just to name a few. These films had low budgets - most were considered ultra-low budget films - but were able to garner a lot of attention through some fantastic advertising schemes that were fresh and not heard of at the time. Even though more of the attention went to these indie films directors, several of the leading actors gained world-wide attention for their performances.

These films didn’t have big names at the time, just an idea that caught people off guard and sold a new brand of film to movie goers and brought in great success over time. Each new indie film that has broke through into fame status, has had production teams with little skill levels, but brought an idea that was uncontested and perfect in its delivery. These teams worked with talented creators that knew how to deliver their film with some training and foresight to lead their production team in the right direction.

QSP D R Quintana

What these famous indie films didn’t have were scam producers or wanna-be film executives who were dropping cash on a project because “that’s how it’s really done.” Nope, most of the time, these films launched because one member of the team knew how to bring a dream (or idea) to life with very little in their possession, having the clarity to stay focused and not add too much detail to the simple idea. These were good, honest people who exposed themselves to trial and error countless times, adjusting themselves, growing towards the maturity of a good film maker, and not clinging to the idealism of an amateur nobody.

Yes, unfortunately a large majority of amateur nobody indie film productions and producers exist; be aware that they are out there, and probably a whole lot more than you might think. I have been working in the independent film industry circuit for a little over 25 years, working with so many no-talent people who claim to know the insides and outs of how movies are produced, how they are sold, how they are distributed, and even claimed to have marketed some for big money purposes. A lot of these clowns believed the project could make millions of dollars and that everyone in town would eventually come calling to them for the next big film.

Unfortunately, most of the time, and I mean like 5% of the time, some of these talent-less individuals are able to actually get their film into a position to where marketing became a somewhat lucrative success, but none ever turned out real money or success. These self proclaimed professionals try everything to look the part of an industry specialist; registering studio names, certifying trademarks, claiming to have the best advice, but in reality they can only flash a paper trail to look the part, but what have they truly accomplished? At any point of their short career in indie films, NOTHING.

QSP Promo Shot

Narcissistic film producers (or Jimmies) love to claim the knowledge of the business of making films, but truly know nothing about it at all. You can usually check their registries online - because they truly want you to - and see what they’re all about. Most claim to have extensive knowledge in honing services such as filming, editing of film, film production, distribution of completed film, rental of film making equipment; i.e. cameras, steady cam, gimbals, lighting, drones, editing computer use, production guidance, supporting through any and all of the film making process. These wannabe's can't tell you what type camera is best for your film, except for the camera equipment they may already have in their possession.

Breaking their resumes down easily, any real film producer or film maker will tell you that camera's upgrade yearly and can tell you what cameras they prefer to film with; steady cams are a thing of the past and most are now shot with hand rigs; gimbals are only used with cell phones - not even sure why this is listed, except that it might sound technical; lighting rigs can be inexpensively bought at Walmart; drones are only good if you train yourself on how to use them proficiently; having a computer to edit your film isn't required these days; and as for production guidance[?] - doesn't one have to actually create, write, direct or produce several films to be filled with this type of wisdom? and what is "support through the process of the film making process?"...these all sound like suggestions from some guy who sat back and listened to what was happening on a film set, remembered a few tricks of the trade, and now thinks he's a professional film maker. Silly shit, isn't it?

What I like best is when one of these narcissistic producers or exec's claim they are licensed to educate anyone in the field of film making, whether it be sports or cultural activities, entertainment, and providing training in these areas. If your not smart enough to vet these idiots and learn that they never attended real college courses, or check that they completed a myriad of film projects, I recommend you quickly step away and distance yourself from any of their useless bravado. In reality, they have nothing genuine to offer you, except to get into your business and try to push you around for their enjoyment. Being in Indie film teams is only a glorified hobby; it shouldn't be taken too serious and everyone is still required to have a full time job to the pay the bills when the filming shuts down for the night, so why deal with the grief of exposing yourself to a Jimmie who is out to feel important in his own mind?

Iscandar Promo Shot

Honestly, just because a Jimmie can claim to provide an impressive long list of attributes for making films, definitely doesn’t necessarily mean they have "hands-on experience." Be sure to always ask for receipts; that’s ask for legitimate contact with known local indie film makers who have recently worked with this person or impressive group. You might be surprised what you find with just a simple search. Most of the time you’ll learn who is legitimately talented, who can truly help, and more importantly, those you need to steer clear away from. There are amateur loonies out there and they love to be in control of your idea…shit, just about anyone’s idea.

These Jimmies are amateur bozos who are born from a desire to feel important, be in charge, or have a narcissistic taste for absolute “instant fame” which empowers them to grow quickly like a weed and ride off the success of someone else’s efforts; becoming an offshoot of excitement that eventually runs wildly in a direction that serves no purpose, gives no sanctity to the reassurance of true potential, that most actors exposed to the idiocy can become damaged by the bombardment of imaginary success that is tossed at them on a daily basis. Jimmies love to express "how big this film can be!" and "the things we can build on with just this one film with you in it!"

And all of this is very true. So many bad indie films have imploded on themselves due to some person, sometimes even a small group, that run on a bad idea being the next big thing since sliced bread. Narcissistic indie film producers and execs are far even worse. They tend to believe the bad idea is the next big thing because they either paid into the project or because they claim they can elevate the success of the bad idea because they think they have that “big connection” that can change everything and bring the project to a whole new level. Most of a Jimmies connection is making random searches on the internet or trying something they learned from someone else. Part of their scam is playing the part, but not actually not knowing what the part is actually about.

And there’s never any proof of real success; just excuses of what could have been. There’s never that one real indie film project that ever made the real stir in the entertainment field either locally or outside of the small circle of the projects own production team. "Blame" is the constant tool of a fool and the only reward for following a fool is the realization that the infatuation all started because someone else was blamed for not being the right tool for the small idea.

Well, there you have it. Everything you need to know about spotting a know-it-all Jimmie trying to be something he's not. It's okay to dream big, but do it on your own dime and with the full control of the project you've decided to bring to life. The Quantum Storm .357 E-Magazine [QSE.357] actually lists names of some of the most notorious scammers in the indie film circuit who proudly parade as Jimmies in Texas. Be sure to reach out and become a subscriber to learn more about how to protect yourself in this field of film making we all enjoy partaking in.

Don't become another statistic in the wild world of Indie films, be only a film maker!

Ride Easy,

D. R. Quintana
Proven Director/Producer/Professional Photographer

Promo Shot on WIMC

Saturday, April 1, 2023

QUANTUM STORM .357 ISSUE 19 IS RELEASED FOR APRIL 2023

 

QSE .357 Promo Cover

QSE .357 ISSUE 19 dtd 4/1/2023

38 Pages

ON THE COVER - Shots from various local film projects. Used by permission.

MAIN ARTICLES

Marketing Your Indie Film - From Advertising, labeling to trailers. We show you how you should hire professionals to promote your Indie film prior to it's release.

 Behind The Scenes Special - Take a peek into new production efforts for HAVOC 114 Redux and a special look at the alien behind GREY PANIC.

Special Look - The "Spring Break" spectacular is here! See if your favorite local model made the top ten!

PodCast Radio News - Houston PodCast shows are gaining popularity, here's a peek into a story set for release in April.

Summer Fever is Building - Is your production team planning a big indie film project for the summer? Let us know so we can spread the news. Email us here.

  YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2023 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

A LOOK INTO HOUSTON’S TOP POD CAST SHOWS IS MOVED TO THE APRIL EDITION OF THE QSE .357 E-Magazine!
 
HAVOC 114 Redux Promo Ad
EPIC NEWS UPDATE - The Studio presents news that production efforts have resumed for HAVOC 114 Redux. Additional scenes have been added to the feature to extend the length of the film. The studio is also planning the release of a new trailer and music video this summer!

Thank you for stopping by!

Thursday, September 29, 2022

HOUSTON INDIE FILM "WEB OF EVE" PROVIDES PROFESSIONAL PRESENTATION

🎥🎞Movie Review🎞🎥 - WEB OF EVE [2017] - PG13 - Presented by SCS Films LLC and Lost Lions Productions. In an Independent Film Scene that is filled with a wild need for slasher film silliness, it was an absolute joy to stumble on this well produced gem, even though the producers consider their initial presentation a "first look" release. Directed by Shedrick Cortez Stokes, this indie film provides a rare look at how all indie films should be approached as a film project and produced using the best cameras, the right lighting, having a solid cast and providing the best sound. 

Written in dazzling format by Jai Aitch and Tammy Diaz, this film flows flawlessly from one scene to another, telling a detailed story an presenting a solid plot to keep the viewer enticed on what is going to happen next. The superb cast of the film including Sasha Jackson, Eddie McClintock, Lance E. Nichols, and Anthony Ray Parker, all performed their roles brilliantly, basting the required dialog with enough zest to keep things looking real and dark, something that I haven't witnessed from a local indie film in many-many years. Police Detectives presented in this film perform their parts like actual law enforcement officers; kind of what you expect to see in police dramas or CSI series. A lot of preparation went into this production, there's no doubt about that.

The plot and story seem diabolical, but very logical in its order to tell its tale. You’re brought along to follow a police detective on the trail of something dark and big. This film is about evil and how it intertwines between each character while revealing a dark "vampire-like" atmosphere that is just waiting to tear things apart at a moments notice. There are some outstanding individual performances and Parker really sold it to me as a demon-like entity that spins a web to ensnare his next victim. Even though this film is a short, the potential seemed unlimited and it is quite a shame that the entire film/series project was never completed. 

Kudos to the entire cast and crew. I do hope to see more projects and finished works from the production team and their crew in the near future. This is exactly the type of consistent indie film production the Houston Film Scene needs, if the fledgling indie film community continues to allegedly hone a film industry.

⭐️⭐️⭐️⭐️ [4 of 5 Stars]

Friday, July 1, 2022

THE QUANTUM STORM .357 E-MAGAZINE ISSUE 10 IS RELEASED!

 

INDIE FILMS DON'T NECESSARILY ALWAYS NEED A BUDGET TO BEGIN PRODUCTION. LISTEN TO INTERVIEWS WITH INDIE FILM PROFESSIONALS WHO GIVE YOU THE BEST INFORMATION CONCERNING HOW TO PRODUCE YOUR NEXT FILM.
Indie Low Budget Shoot
EXCITING NEWS! WE'VE BROKEN THE 18,000 SUBSCRIPTION MARK AND IT ONLY TOOK US EIGHT MONTHS. A BIG THANKS GOES OUT TO ALL OUR E-MAGAZINE SUPPORTERS. WE PROMISE TO CONTINUE TO PRODUCE TOP QUALITY REPORTING FOR YOU!
 
 BUT YOU MUST BE A SUBSCRIBER TO VIEW THIS NEW ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG
 
 Thank you for stopping by!

Sunday, May 29, 2022

STUDIO CEO MAKES A STATEMENT...

 Opinionated statement from the
QUANTUM STORM PICTURES CEO
regarding his work with
James McShan & Teamwork Pictures LLC

"...He is a very pathetic, weak man. His entire life he has realized that he is NOT the intellectual equal of most of the people he dreams to be associated with. He's a substandard human-being of very poor quality, character and intellect; so he's constantly searching for affirmation from people who will rub his shoulders, kiss his ass and tell him, 'You really ARE successful now"...please understand this, he wants to be constantly padded on his back and told, 'You're a transformative figure, you know everything'...when actually, he's never had any actual training or experience in the field of filmmaking, directing, screenplay, promotions, advertising, casting, photography, photoshop, music videos, or film production requirements of any kind. Like a true amateur, he only has an opinion; he uses a narcissistic edge claiming to know more, but he knows nothing of true value, just a few circus stunts that sound successful.

He spent a lot of his time befriending female indie actors from my Facebook page, using our temporary affiliation as an excuse to try and bolster his contacts throughout the local Houston area. Why he chose certain female actors to befriend is anyone's guess, but in my short time of being exposed to him, my opinion is that it was for more than acquiring actors for future indie film, of which never existed. He targeted one model friend of mine in particular, always asking - virtually begging - to get to meet her even though she was often out of country and not wanting to meet him or anyone else for personal reasons.

Now he spends his time bolstering a resume, claiming "professional studio certifications" and training in the indie film business, just because he funded a college film and a local San Antonio Indie film. All of his skills and talents are made up and not even self made, as he has no real history of making films or making any progressive productionary contacts in the business, except the ones that were handed to him by other actors in his recent list of films.

In the end, he'll fade away and still be the nobody he yearns to distance himself from; never realizing that he will always have the quality of a low-life idiot who just tossed some money around and demanded everyone listen to him because he did so. I resent the fact that I opened the door for this ass-clown to work with talented people in the indie film scene. It's a pathetic shame that talent-less narcissists like him exist in the Texas indie film circuit; he's not the only one, and this is what destroys any chance of solid film teams becoming successful in the Independent film circuit.

Remember that liars often lie in an attempt to distance themselves from everything they truly are in real life."

D. R. Quintana
Director/Producer/Writer

Creator of
The Secret of Angelika5 [52 episodes], Ghosties 1 & 2,
Ghosties-The Witches Spell, Pair of Aces, Bianca 2029,
Gravitron, Clockpeople, STB [22 episodes], Dungeons
& Dragons Journey Ends, Preying Mantis, La Fuerza,
Spectre Zero [3 episodes], Havoc 114 Redux, Iscandar,

Pieces of 8, Grey Panic

 

Here's some proof of his bogus "registered" certifications







Saturday, May 7, 2022

LANDING THE PERFECT LOCATIONS FOR YOUR INDIE FILMS

Blog Banner w/D. R. Quintana
It shouldn’t be a huge undertaking to land the perfect scene location for your film. In the case of indie film making, most production teams make the mistake of writing a script and then start looking for places to fill the scenes. When locations become the focus of a scenes success, they’re labeled as burdens of choice when the right place either can’t be found or the perfect place just couldn’t be confirmed prior to production. When a writer begins putting together a script, he should consider what locations, materials, wardrobe, running water and most importantly, power sources that are around for the planned project.

QSE .357 Feb Cover
A few months ago, one of our Quantum Storm .357 [QSE .357] E-Magazine  issues covered the importance of pre-production and what a good filmmaker should consider prior to establishing a production budget before estimating costs. Because listing the things that you already have in your pocket can save you a lot of money if you don't need to go out and search for it, get permits, permissions, or establish communication with the local community prior to filming. A good producer, with established prior experience, will have a list of things that could help out a project before pre-production has begun. A bad producer will have no idea where to start and a plethora of last minute searches that could hinder production efforts with a "winging it" mentality that will frustrate the entire production team every time a new location is needed.

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The job of a producer isn’t just to order people around to help find locations, but it's also the job of the producer to actually get off his ass and establish contacts with the local community, personally ensuring one on one contact, so that the locations can be attained at little cost as possible and even perhaps used for free in future projects. Bum Producers try to evade this part of their job and most of time struggle to make any contact with the right person(s); most of time it’s due to not having the right charisma or personality to mingle with the right city crowds or property owners.

In my years as a line producer; trust me I've worn man hats in my own indie film  productions, I’ve had my challenges to find locations for the right scene in a film. I’ve spent my time location spotting even when I’ve been out with my family on burger runs. The search never stops and I do my best to find the property or home owners to get the rights to shoot my indie film projects there as often as I can. Grimes and Montgomery Counties in Texas have proven to be some of the friendliest places to gain access to various, epic locations. I've produced a little over 30 indie film projects with locations that have extended the "script to film" environment to unexpected levels.

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One location, that I call my "go-to" location, when all else fails, has been the scene location called "The Lightsey Ranch." This property has been in almost every indie film I've ever filmed. The location is perfect; far from main roads, ambulances, fire houses, with a closed property, access to power, restroom, shower, and running water, plus plenty of room to maneuver. Even better is that it's located in a private community with strong supporting neighbors who know whats going on there from time to time, even late at night. The location has been used in various types of movies and web series productions, from ghost stories, to Science Fiction, to murder mystery, to paranormal, and even a zombie movie or two.

Recently, we started working on two new projects at the ranch [one SciFi, the other a paranormal film] and with the new greenery starting to sprout this spring, we expect to catch some great scenes out there. Be sure to check out next month's issue of the QSE .357 because we will be presenting a trailer and some in-depth behind the scenes looks at several studio projects!

I've worked with a few Bum Producers recently who have attempted to take me to court and take control of the Lightsey Ranch property by filing court papers and threatening a "demand of a lean" on the property. Yeah, their desire to make use of the property to make films is so childish and over the years I had to make legal changes to keep the property off the ownership of the film maker [me] and the private film studio that I own and operate. Believe me, it happens and greed is out there, so always cover your ass and don't trust anyone in the indie film business, especially when they claim to have money and know the business!

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What has been lost over greed is the importance of the positions are in film teams. Remember that producers establish the materials for the director to use and deliver the kind of project a good script can emphasize. Executive Producers being in cash flow and investment opportunities. Seldom to producers actually take part in being in the filming development phase of the production, unless he's staked his reputation in monetary value for the projects delivery. If that is the case, then that producer is called a "pigeon toe" - essentially, "...some asshole who gets in the way a lot..." of the production efforts and slows everything down by constantly demanding certain changes to the films production because he found something else to add to the film; or more commonly, he's found another investment opportunity by adding some person, location, music track, or other useless item to the film.

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Finding a good location that can be used time and time again is gold, folks. New directors need to absorb the fact that Bum Producers love to use the same locations over and over again from one film to the next, with little artistic flair in the projects they choose to support. Before you agree to work with any producer, check out the work they've done before; more especially the materials they brought to other projects. You don't want to step on any toes using scene locations that were used in another movie in the same way.

That's why it's very important to have an experienced, strong and knowledgeable director to lead the production team and who isn't afraid to say "No!" to a producer every once in a while. Successful film teams can't look up to a "suck up" whose always kissing a producers ass just to keep him around for "this" or "that" reason.

Stay strong, my friends. Continue to search for those new and interesting film locations!

Ride Easy,

D. R. Quintana
Editor in Chief

Sunday, April 24, 2022

FAILURE TO UNDERSTAND FILM ASPECT RATIOS MIGHT TANK YOUR FIRST FILM

Indie films suffer all the time due to first time film makers failing to use proper film formatting when they present their first project, whether its a film released on the internet or their film trailer released for anyone to see on an international level, making an impression on people [and indie judges] will come from how you present your film. This blog is presented to you from the notes of any first semester of film school. Your knowledge of Aspect ratios and compression etiquette can help you make the first best impression at the start of your presentation...so take notes!

Aspect ratios in film and television have changed over the years, but the one thing that stays consistent is people's desire to create and show their work in the proper format. So if you're making movies, short films, commercials, TV shows, or just shooting with friends, make sure you know the aspect ratio where you're going to upload or project. 

Whether you're watching a show on your iPhone, setting up your new 70in 4K television, or sitting your butt in a theater, aspect ratio matters. The aspect ratio refers to the size of the image displayed on your screen. While this sounds technical, aspect ratios can help storytellers add another layer to their repertoire. Also, for independent filmmakers and huge studio directors, the right aspect ratio can attract more viewers and create a buzz around your film or TV show. 

There's a lot to learn when it comes to aspect ratios. Like which aspect ratios matter in social media and which aspect ratios make sense for Netflix and Amazon versus theatrical. The aspect ratio of an image describes the width and height. It's usually written as two numbers separated by a colon, as in 16:9. It can also be written with an “x” between the numbers. Like 3x4.
 
Aspect ratios have changed over time, depending on what people use to view media. As screens got bigger, aspect ratio adjusted. As they got smaller, it continued to happen. Over 100 years ago, the very first films were projected in 4:3. The standard film strip was run through a projector and light behind it through the image onto a wall. The 4:3, or 1.33:1, was the literal measurement of the strip.

As film evolved, so did the aspect ratio. Film strips eventually became 1.37:1, and that became the standard for cinema across the globe. 1.37:1 was the ratio officially approved by the Academy of Motion Picture Arts and Sciences in 1932. They made it the standard and people started calling it the Academy Ratio. In the 1950s, TV became ever more popular. People started going to the theater less, and theatrical distributors knew they needed to make a change. So they went even bigger, with Cinerama.  

Cinerama was the first widescreen format to be introduced after the Academy Ratio became a standard in 1932. It involved projecting images from three synchronized 35mm projectors onto a deeply-arced screen. It utilized aspect ratios of 2.59:1 to 2.65:1 to make images seem huge.

CinemaScope used aspect ratios of 2.35:1 to 2.66:1. It only had to use one projector to get the image on the screen, so it was preferable to Cinerama. Developed by Earl Sponable, who was the head of research at 20th Century Fox, CinemaScope was last used in 1967, the term "scope" is still used by projectionists and filmmakers to refer to any movie that uses anamorphic lenses or with an aspect ratio of 2.35:1 or more.

It's funny to think that even in the 1960s, theaters were trying to find a way to get people to watch less television and to come to the movies. Especially since we're having similar troubles today. Nowadays, if you want to go to the theater to see something projected, you can choose from 35mm or the much larger 70mm.

70mm has caught back on recently, since Tarantino, Nolan, and Paul Thomas Anderson have all elected to have their films projected in the huge format. 70mm boasts an aspect ratio of 2.76:1 – twice as large as the standard 35mm film. 70mm was what put Ben-Hur on the map in 1959, and now it's a way that filmmakers are getting people out to see the spectacle. 70mm is often combined with IMAX formats. 

The modern IMAX design uses 70mm film that is shown horizontally with a massive 15 perforations per frame, giving it approximately six times the resolution of 35mm film. The average IMAX screen size is approximately 72' x 50' (22m x 16m), which is significantly larger than traditional movie screens of approximately 50' x 20' (16m x 6.1m).

TV boxes were 4:3 until widescreen televisions debuted in the 2000s. Many older programs had to convert their 4:3 shows to 16x9. But people who watched movies on TV rejoiced. The theatrical experience had finally come home. And as TVs grew in size, aspect ratios began to reflect the change.

So now we're in the digital era. We don't have to rely on the size of the film stock to reflect our aspect ratio. And if you have the money to shoot in 70mm, you still might not want to. People are creating lots of different media content. We're shooting shorts, digital series, movies, TV shows, commercials, Instagram videos, Facebook posts, and Snapchats

If you're going to do it for the 'gram, you should do it with the right aspect ratio. Instagram has specific guidelines for what works on its site. 

  1. Square (1:1)
  2. Standard Horizontal (16:9)
  3. Alt Horizontal (1.91:1)
  4. Vertical (4:5)

We all love to shoot stuff to post on Facebook. Whether its the trailer for your new venture or a web series, you want people to be able to like and share the best content. Facebook supports:  

  1. 16x9
  2. 9x16
  3. 4x5
  4. 2x3
  5. 1x1

You can upload phone videos, movie trailers, and fluidly share videos from all other social channels if they occur in the aforementioned formats.

Like Facebook, Twitter is a great place to get your message out there. It's great to get retweets and social engagements. Twitter is one of the best places to get your message put to the people and to interact individually. Twitter supports the following aspect ratios: 

  1. 1x1  1200 X 1200
  2. 2x1 1200 X 600
  3. 3x2 1200 X 800

So here's the deal: lately, some streaming services have been cutting off almost 25% of movies by reformatting them to fit 16x9 televisions. While this practice is supposed to stop, with letterboxes being added to share the proper format, you should still be aware. If you're creating content for Netflix, Amazon, or HBO, you should know their aspect ratios. That way you'll know how your work is presented on the screen.  

Netflix, Amazon and HBO shows almost everything in 16x9. So if you're trying to watch a movie that's natively in 2.39:1, you're going to get the black bars. They also have been known to use 2:1 aspect ration. This aspect ratio is also used in many new Netflix series and is less wide than scope, but still gives the viewer the sense of a wide screen.

Okay, we've gone through lots of different kinds of aspect ratios, but now it's time to talk about how aspect ratio can help your story. Think about how Christopher Nolan used IMAX and 70mm to give Dunkirk the largest aspect ratio possible.  Making Dunkirk huge wasn't just to drive people to the theater. It was to envelop audiences in the heat of battle, to make them feel the pressure of these men, and to give the entire story scope. 

Squeezing that movie into a more boxy proportion makes you feel the claustrophobia of the world we're in. We're under pressure and going through our passion with Reverend Toller. It also gives the movie a more classical feel. It's a throwback, like the church, and an homage to Hollywood of yesteryear. 

Your aspect ratio is not just a mathematical tool. It's also a way to enter your story and add another layer. First time film producers should consider a director that knows the required formats to any project that lands a prospective film project. It takes more than learning the lingo to get your film in the right Aspect Ratio to impress the right people. Don't shoot a film just to shoot it on video, learn to do the shit the right way before you come off looking like some amateur idiot in the local Indie Film Scene. So think about what you really want to do before you start shooting!

Good luck out there!

D. R. Quintana
Director/Producer