Two “Texas Cowboy” brothers [Pine and Foster] set off on a trail of bank robberies, hitting a specific brand of West Texas banks that were responsible for making their dying mother's life even more stressful by threatening to foreclose on her property, denying her future grand children a prosperous future in potential oil mining on the property. The brothers travel to Oklahoma to launder the money after each heist and then return to Texas to continue hitting other banks. During their crime spree, two Texas Rangers [Bridges and Birmingham] step up to investigate the robberies and close in on the duo who have suddenly started to leave dead bodies in their wake.
THE GOOD - Location spotting for the film was a complete surprise as I actually believed that the production produced the entire film in West Texas, when it was actually shot in Clovis, NM. This is one of Pines better movie roles where he doesn't portray an idiot trying to figure things out as the film goes along; instead, Pine is intelligent and delivers a solid performance that I was actually impressed with. The action scenes and few fire fights are well delivered and orchestrated in realistic intensity. Special Kudos goes out to the best scene in the film where a waitress - played by Margaret Bowman - presents a now notorious performance at a T-Bone steakhouse.
THE BAD - The pacing to the film is all over the place. The screenplay is atrocious and the pattern of character development, even though sometimes brilliant with a few secondary and glorified extras, Taylor fails to develop a few characters who are intentionally killed off for "shock value" and instead deliver their deaths with an unexpected thud. Bridges seems to have plateaued in his style/methods of acting, especially while delivering his lines between his teeth and often making his dialog a little difficult to understand.
POST MORTEM - Taylor has proven time and time again that he has the ability to create scripts that have a ton of flair [or flash], so long as there are big names involved in their production, women to disrespect, and high stakes to procure. However, even though all of his stories start off strong, they land flat when the time comes to bring the film to end and give a solid climax to the ending and this film is no exception. It's quite obvious that Taylor loves many of the characters he creates on script and has a hard time making the big decision to see some of them fail or get killed off; so many times in his film productions the bad guys often win or get away. His scripts are truly transparent and he often feels the need to hype his movies (and series) up with big explosions and fancy "military style" shoot outs. It’s no wonder why many of his television shows are falling apart now.
⭐️⭐️π«[2.5 of 5 Stars]