Tuesday, April 23, 2024

"DRAGONSLAYER" IS STILL ONE OF THE MOST EPIC FILMS EVER PRODUCED!

In 1981, one of the best films [that still holds solid ground today] was released in theaters and I am one of the lucky ones to have seen this ground breaking film in theaters when I was a teen. This film was produced by both Paramount and Disney and was the first time that Industrial Lights and Magic [ILM] helped make a film outside of Star Wars, not that I knew any of those consequences back in the day. All I knew is that Hollywood had the magic to make things look extremely real and also make large beasts [the the dragon in the film] seem to move in a lifelike prowess through the use of ground breaking puppetry and "go motion" techniques that revolutionized the way special effects would forever make creatures come to life...for a while.

The DRAGONSLAYER [1981] movie was directed by Matthew Robbins, written by Robbins and Hal Barwood, and produced by Barwood and Howard K. Koch. The epic sound track was composed by Alex North and was nominated for best music in 1981. What this movie had that was most impressive were the sets, wardrobe, and a strong cast that brought their dark script to life. Veteran actor Ralph Richardson portrayed the aged and retired Sorcerer Ulrich to so much perfection, that his performance solidified the future expectancy for any future films that presented a master of magic; including later films like Harry Potter and the Lord of the Rings trilogy.

The movie starred Peter NacNicol, Caitlin Clarke, John Hallam, Peter Eyre, Chloe Salaman, and Albert Salmi. In my opinion, NacNicol's role as Galen was badly cast and should have been given to an actor who had a far more heroic look to him. Over the years, I held this strong opinion until I actually had the opportunity to read a copy of the actual script and screenplay, which actually called for a more younger student for the Sorcerer. Given the educational background and training that NacNicol carried under his belt, I accepted that perhaps at the time, he was the better choice to helm the lead for this film. For the moments of horror and terror presented in the film, the part of the lead required an actor with extensive skill in theater performances, which NacNicol was know for.
 
What makes this movie even more interesting to preview, are the inanimate objects that were also characters in the film; objects in the possession of the lead character were important to tell their tale and were awe inspiring to watch when they were introduced. These items were the Sorcerers necklace, which seemed to move on its own and assist the young Galen on his journey, to the Dragonslayer Spear that was introduced as an illegal weapon, made sharp enough to injure or even kill the dragon, and a shield made from dragon scales that helped the young man survive several fireball attacks from the beast at large.
 
I've often felt that the antagonist, King Casiodorus Rex, was also duly and masterfully played by Eyre. And I have to say that there's just something about playing an English king that not only requires the ability to act like one, but to look like a pompous asshole who is above the law at every turn. The only weakness he shows is the love for his daughter Princess Elspeth, played by Salaman, which forces his hand to be the young Galen to help save her life. That part of the films screenplay was just perfectly performed and presented in the film.
 
The films real strength comes from the belief that Galen looked up to his master Ulrich, like any young boy who looked up to his father. The chemistry between NacNicol and Richardson was laid out brilliantly in the first acts of the film. There was genuine admiration and love between the two, and the director caught those sequences so well, it made me actually care for both the characters throughout the films presentation. The Sorcerer was presented not only as a wielder of magic, but as a wise elder who was teaching a young boy the rights and wrongs about life and the reasoning for taking magic as a power with great responsibility.
 
After spending a few hours studying up on the films production, Disney was under pressure of a growing controversy over presenting some violence, some adult themes and brief nudity which were approved by the Paramount side of the films production. But in my opinion, the violence and adult themes were necessary for the film to deliver it's realistic, dramatic side of story telling. And as for the brief nudity, I thought it was stylish and a "slam dunk" technique that was needed to separate the eventual dilemma between two main characters who would eventually become the romantic part of the film.

I often thought that the casting of Caitlin Clarke as Valerian was the perfect touch for the film. Her rugged and tough personae was a magnificent touch on this film. Most of the early parts of the film presented her playing a male lead, then switched to the romantic role for quirky Galen, played by MacNicol. During that era of filming, I'm pretty sure that there were limited actresses who could have filled her part and played of being "a man" of the village. In my youth, I truly thought that Galen was a male until the naked reveal. Clarke looked tough as nails, then gentle and frail when she needed to be.

The big bad guy was actually the dragon, named Vermithrax Pejorative. A lot of ground breaking design, development, and production went in to make this behemoth come to life, including the addition of two World War II-era flame throwers that were used for the dragons fire breath effect and several vocalizations of wild animals, most predators, some farm and zoo animals, that were manipulated for the dragons roar and screams. A large part of the films budget went to creating a life sized head, neck, a part of the wing span, a large leg and tail. Outside of 1976's successful King Kong movie, this had never been attempted before, especially when you add the addition of the "go motion" filming techniques used to bring the entire creature to life.

DRAGONS SLAYER has everything that any real mystical adventurer would want to see in a film that tells the story of magic, sorcerers, swords, and dragons. I found writing this blog entry on this film entertaining, just looking up all the source data and liner notes on how this epic film was put together. I know that this movie is on the top ten list of best movies ever seen by at least one of my sons. It is surely one of my top films that I got see in my youth during the boom of Hollywood's growth in special effects. Watch this film, you will definitely not regret the experience!

Thursday, April 11, 2024

"RESIDENT ALIEN" IS THE PERFECT DARK COMEDY PRESCRIPTION

Series Review - RESIDENT ALIEN [2021-24] - SyFy - [PG 13] - Created by Chris Sheridan. Based on the comic book of the same title by Peter Hogan and Steve Parkhouse. Stars Alan Tudyk, Sara Tomko, Corey Reynolds, Alice Wetterlund, Linda Hamilton, Levi Fiehler, Judah Prehn, and Elizabeth Bowen. Currently three completed seasons.

Harry Vanderspeigle [Tudyk] is a doctor visiting a small town doctor, holding a deep dark secret from everyone there. After taking over as the towns lead doctor, he is on a mission to hide himself within the human population while he searches for an alien ship that brought him to earth. This doctor is actually an alien that was on a mission to destroy all life on earth with a deadly weapon. While trying to hide himself on earth, he gains the friendship of several local townspeople who are unaware of his true intentions. But his presence is also known by a dark organization inside the military that want to find his ship and also capture him to "study him."

THE GOOD - The actors performances keep this awesome series rolling in the right direction each season. Tudyk is at home playing the lead in this series, often pushing his performance level to new heights and he certainly look at home in the series. The supporting cast are a league of new talent who also have their own moments of splendor throughout each new episode. Special kudos go out to the performances of Wetterlund and Elizabeth Bowen who bring a special magic to their roles and increasing the humorous level of zaniness this series delivers with epic proportions. The CGI and visual effects are top notch and the practical effects make the series seem more believable at every turn.

THE BAD - Even though she's credited for being in the series, there isn't enough Linda Hamilton to see in the series.

POST MORTEM - For a dark comedy SciFi series, this show is top notch! I find it hard to believe that I only found out about this series this year after it's been running for three years. It's fun entertainment and I've belted out many laughs in each new episode. Don't take this series to serious though, there are some parts of the show that are just to silly to accept as reality based. The entire Resident Alien series can be binge watched in about three days.

⭐️⭐️⭐️⭐️πŸ’« [4.5 of 5 Stars]

Saturday, April 6, 2024

LARRY CARRELL'S "THE QUANTUM DEVIL" STINGS WITH INCREDIBLE VISUALS, BUT IS STILL JUST AN INDIE FILM

Movie Review - THE QUANTUM DEVIL [2023] - [R] - BlueRay - Directed by Larry Carrell. Written by Carrell, Woody Kieth, Zeph Daniels. Starring Niel Dickson, Tyler Tackett, Tamara Radovanic, Edward Apeagyel and Robert Englund. Budget $2Million [In Carrell dollars, of course]

A team of scientists, Led by Doctor Cernovich [Dickson], meet up in Europe to break a quantum barrier and travel into a new dimension. As the barrier is broke, each scientist involved with the barrier experience past experiences and confront an evil alternative or an aggressive result of scenarios that could have happened in the real world. The team of scientist are exposed to demons, large beasts, and some thrilling monster/gore that were not expected during their trip into the inter-dimensional unknown.

THE GOOD - The build up of tension and horror were far better than expected. The wardrobe was phenomenal along with some startling CGI effects and other small visual effects that were layered into some scenes, giving you the feel that the film truly was produced in an older-stylistic European setting. The cinematography was crisp and some of the camera angles were a leap from previous Carrell films.

THE BAD - A large part of the film had a campy feel in many of the performances of the large cast if characters. A lot of "old style" camera effects and monster performances gave some scenes at times that "Thriller" music video look and was just silly and awful. One very noticeable thing was that a lot of the CGI monstrosity that suddenly appeared into a scene never actually interact with the cast, most of it was designed only as epic flash in an attempt to boost up the look of the production, but had no real result to the film or the arc of the plot in general. Oh, I can't forget to mention the blood and gore that was just all over the place in some scenes...It wasn't as bone chilling as it could have been.

PRODUCTION BREAKDOWN

←  Lighting
   Camera Work
←  Screenplay
   Sound
↑   Wardrobe
   Use of Visuals
  Time Lapse
  Editing
↑   Rule of Thirds
  Locations
  Music
←  Ending/Follow through
 
POST MORTEM - This is a good film. Carrell's direction in bringing this film is a huge step in his growth as a filmmaker, but I feel that the casting was the larger part of the films "missing element" for proper success. The addition of Englund was well added to the film, but his part didn't make a significant impact for lifting this slasher/monster movie success. The Quantum Devil is a slasher/monster movie that fits right up there with some older classics, but since there hasn't been any real headway outside of the small slasher/monster film community about it's existence, the sparkle of this film will fade pretty quickly until the next Carrell film gets released.

⭐️⭐️⭐️πŸ’« [3.5 of 5 Stars]
 
Joseph TRAM
Joseph_TRAM @ 10:51pm 4/8/24 - Here you go again, taking aim at a hard hitting film director [something you're not] and trying to bring him down with one of your reviews that has very little attention from the film community you alienated so long ago. Larry has worked hard, devoted all of his time to creating the next best film. He left the Houston scene so long ago and I'm sure you don't have anything but a few films to brag about. Leave the film making to the true filmmakers. I'm pretty sure no one would hire you to produce  film anywhere in any film group. So, go back into your little hideaway and stay put. I know you won't be letting anyone know that some people do call you out!

DRQ Response
Dave Q - Crom laughs at your fore winds! Since Larry Carrell has posed himself into the realm of wanting to be a big name in the film industry, where I agree that he may be in the small world of the slasher film genre. But now being a public figure, his work is open to review and critique by any person who works in the field of watching movies and providing a solid, unbiased review. As far as I'm concerned, I gave him high marks in production, story telling, and cinematography. The star rating reflects his overall work, and yeah, I'm the one who approves the star rating. Not every film Larry makes is enjoyed and liked by everyone and even his rating on Rotten Tomatoes proves my point. You and Larry's team of misfits need to "suck it up" and take each review for what it is...an honest assessment from person[s] who aren't kissing ass from the crazy ride Larry provides.
 
And for the record, this is a monetized blog with an outreach to more countries than you can count. This blog has a large fan base of subscribers and is also followed by several members of the same company that help produce Larry's new movies. Next time do some study before you try shaming me into not posting your comment. Our blog brings the receipts with constant meta data tracking people who come to this blog, and with the help of reader input, we post our numbers proudly. Before you go off shooting at the mouth about defending your favorite director, have the insight to know that you might make an ass out of yourself by being misinformed.
 

Monday, April 1, 2024

THE QUANTUM STORM .357 E-MAGAZINE FOR APRIL 2024 IS RELEASED!!!

               QSE.357 ISSUE 31 dtd 4/1/2024

38 Pages

ON THE COVER - GKar-Gkar Magic

MAIN ARTICLES

Why Indie Viking Films are never Completed - You've seen the advertisements, the film trailers, even some of the prepared wardrobe, but where are all of the completed indie viking films?

Were you promised success in indie films? - Read the story of four indie actors who were promised huge success in indie circles and were dumped shortly after the indie film they helped produce left town.

Second Chance Filmmakers - A filmmaker completes his/her first film, what now?

The word on the Indie streets is that networks are looking for original works? - Houston has at least three professional projects that are currently streaming online. We chatted with the producers of these shows to get the inside scoop on what to expect for 2025 and beyond!

 YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2024 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

 Thank you for stopping by!
 

Monday, March 25, 2024

“ROAD HOUSE” NOT WHAT WAS EXPECTED, BUT WORTH THE WATCH…

 Road House Poster

πŸŽ₯🎞️Movie Review🎞️πŸŽ₯- ROAD HOUSE [2024] - [R] - Amazon Prime - Directed by Doug Liman. Screenplay by Anthony Bagarozzi and Chuck Mondry. Story by Baragozzi, Mondry, and David Lee Henry. Starring Jake Gyllenhaal, Daniela Melchior, Conor McGregor, J. D. Pardo, Arturo Castro, and Billy Magnussen. Budget $60 Million.

Fans of the 1989 release can calm down a little. This new reboot of Road House introduces a man named Elwood Dalton [Gyllenhaal], an ex-professional UFC fighter who crosses the line during his last match and winds up pulling scams in bars to make money. He is approached by a "desperate" female bar owner in Key West to help "clean up" a bar she recently acquired, even though it's against his better judgement and time, he takes the job and helps clean up a bar called "The Road house" from a bunch of thug bikers who do nothing but start havoc in the establishment. Word quickly spreads that Dalton - a now Ex-UFC fighter, is working as a bouncer and suddenly his new job takes him into the confines of a world filled with dirty dealings, a crime syndicate, and a mysterious mob boss who is imprisoned but able to send a heartless killer [McGregor] to take out the bouncer.

THE GOOD - There are very - and I mean very few - elements from the 1989 version of the film that still landed into this film. Some of the fight choreography was excellently captured and there is some well placed humor in the film. I was totally impressed how Gyllenhaal bulked up for the role, sometimes looking a little unreal. The sound was good, the lighting excellent, but the locations for this one-time epic was anything but impressive.

THE BAD - Some of the fight scenes went too long. Every bar fight is a little far fetched and not realistic. There are some plot points that don't make sense and the write up for the  "romance angle" just never caught fire. There are absolutely NO hot babes in this film - at least compared to the original film - but if you're into seeing the naked booty of McGregor, then this movie is for you.

POST MORTEM -  The ham for this film was overcooked. For a reboot, the writers did their best to sneak in a few lines and scene setups from the original film for nostalgia, but other than that the film was completely original and could have been titled something else. There was a lot of star potential in the film, but no one stood out as much as Gyllenhaal. One thing is for sure, unlike the original film, I'll probably never see this movie again. There's nothing in this film that makes me want to watch it again...oh, and SPOILER ALERT, looks like there's going to be a sequel...puh!

⭐️⭐️⭐️ [3 of 5 Stars]

Friday, March 22, 2024

"OPPENHEIMER" DELIVERS A MIND ALTERING PLETHORA OF DRAMA

πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - OPPENHEIMER [2023] - [R] - Directed by Christopher Nolan. Based on the biography "American Prometheus" by Kai Bird and Martin J. Sherwin. The films screenplay is also by Nolan. Produced by Emma Thomas, Charles Roven, and Nolan. Starring Cillian Murphy, Emily Blunt, Matt Damon, Robert Downey Jr., and Florence Pugh. Budget $100 Million.

A dramatic mystery filled story about the life of J. Robert Oppenheimer [Cillian] who helped develop the first nuclear weapons that ended World War II. From his mysterious childhood through maturity, Oppenheimer was considerably enthralled with the mechanics of Quantum physics and understood the impractical factors and problem solving steps to deliver the stages just required to understand the small details to produce such a weapon. He puts together a world-wide team of scientists and builds a small town in Los Alamos, New Mexico to help develop each stage of the first U.S. Atomic weapon. After the weapons development and successful delivery at two targets in Japan, Oppenheimer was scrutinized by the U.S. Government as being a communist and it as alleged that he was sharing information with communist spies who were known to exist in America.

THE GOOD - Director Nolan spared no expense to encircle this film with so much detail, that the great detail in presenting a 1940's feel to the film demanding him to switch filming formats from color to black and white at times. The large part of this feature film was delivered with practical special effects, which in my opinion truly brought the actors to actually "feel" their characters plight during the testing and eventual development of the atomic weapon. Nolan's masterful eye with the epic scene capturing through cinematography was pristine and totally epic at all levels of cinematic presentation.

THE BAD - With a large talented group of veteran actors, I'm surprised that no one performance stood out amongst the cast. Cillian lost a lot of weight to portray the part of Oppenheimer, but his performance throughout the film wasn't his personal best. The editing to the film is all over the place, there are flashbacks and flash forwards that tend to feel a little confusing, but it was a little niche that Nolan is not truly known for in his directing methods. There may have been too much work in the production to keep in line with the era presented, like the diligence of the governmental oversite committee who questioned every step of Oppenheimer's "compartments of security" measures that were ill developed, and seemed to slow down the progress of the film. There were too many dramatic pauses and audio effects that were meant to deliver a deafening tone that in my opinion was just over used. And once again, the mumbling and low voices during dramatic dialog killed the intended intensity of each critical moment in the film.

POST MORTEM -  This is a good film. Maybe the film is too good for it's own good, but I don't feel that this is Christopher Nolan's best work. I understand that this film won a slew of awards at the Oscars, but I'm sure there were better films released in 2023.

⭐️⭐️⭐️πŸ’« [3.5 of 5 Stars]

Friday, March 15, 2024

"MASTERS OF THE AIR" DELIVERS A LOAD OF HYPE...

πŸŽ₯🎞️Series Review🎞️πŸŽ₯ - MASTERS OF THE AIR [2024] - PG13 - AppleTV - Produced by Steven Spielberg, Tom Hanks, Gary Goetzman. Created by John Shiban, John Orloff. Based on Masters of the Air by Donald L. Miller. Starring Austin Butler, Callum Turner, Barry Keoghan, Nate Mann, Anthony Boyle, Bel Powley, Francis Lovehall, and Ncuti Gatwa. 9 episodes. Budget $250 Million.

Based on the historical legacy of the 100th Bomb Group during WWII, just a few months prior to D-Day, this series follows several air crews who partook in some dangerous, and many times deadly, missions to bomb sites against the Germans. At the beginning of the heavy bombing campaigns, thousands of young pilots and their crews were given missions that offered very little safety, air cover, and a plethora of personnel who were ill trained to prepare themselves for capture and eventual imprisonment by hostile forces that didn't have any honor in treating prisoners. By the end of the war, many pilots who were considered killed are found to be alive and instant heroes of the war.

THE GOOD - Incredible details in production bringing back the 1940's with stunning wardrobe, air planes, and locations. The air battle sequences were intense, again showing just how bad some of those brave young men had to deal with being attacked by enemy forces. The CGI was pristine and the movie production did an outstanding job in presenting flight operations that looked very real, capturing the essence of being in tight spaces, and the aftermath of returning home in a damaged plane, only to seeing the plane and the crews, patch up the aluminum aircraft and head out again on another dangerous bombing run. There were some epic bomber fly-by scenes that screamed for attention by the viewer of the magnificence of those huge military planes.

THE BAD - There is a LOT of bad acting and mumbling by the actors in this film. Butler does an okay job in his role of Major Gale "Buck" Cleven, but his overall delivery in the series is anything but that of a glorified extra. Most of the film is narrated by Boyle's character Major Crosby, but it isn't made quite clear until the latter episodes. The air battles were short and could have been extended. There's bad character development and the names of all of the other characters, and believe me there were many, aren't even memorable. The series seems to just touch the surface of a good story arc and then toss you in another direction without any explanation. With the exception of the narrator some events, there is no continuity of time and some of the main characters in the beginning of the series just disappear until mid way through the series; there's no flashback story, which would have been a big part of explaining what happened in the series.

POST MORTEM - Masters of the Air is an okay series, but honestly there's nothing to brag about and I feel that more effort was put into the production of "Band of Brothers." I understand that this series was based on a book, but the underlying truth is that a lot happened in-between episodes that surely should have been presented, at least in flash backs, to give a better understanding of what happened to many of the air crews after they were shot down. I think that more time could have been expended on clearing up all of the mumbling dialog and clearing up the sound from other scenes. I wouldn't spend too much time trying to watch all of the episodes in just one day, you might be disappointed in what you experience.

⭐️⭐️⭐️πŸ’«[3.5 of 5 Stars]

IS “MONEYBALL” THE PERFECT FILM?…

Moneyball Poster

MONEYBALL [2003] starring Brad Pitt and Jonah Hill could in fact be the best film ever made. Of course, that is my opinion, but the facts that lay in the film are a tremendous effort of delivering a solid film from an idea that sparked a new generation of sports films. A slew of sports films began to follow shortly after Moneyball proved that a new format that depicted the "behind the scenes" world in producing a professional team from the managements point of view could work on the big screen, and boy, what a mark the efforts of the films production team made on future Hollywood films.

Some films die after all of the post promotional work and release have passed, but Moneyball has proven to have a long life of exceptional praise in the streaming world. The film has bounced effortlessly from Amazon Prime, to NetFlix, to HBO MAX, and back again. Pitt was supported by a tremendous cast who brought some interesting characters to life and the chemistry was natural and presented well on screen. Only one other film, FOREST GUMP [1994] with Tom Hanks, ranks high on my list of films that I can see again and again, and not get tired or bored with the films direction and message. I feel like I've seen the film for the first time each time I watch it. Do you want to know why?...because the film is flawless in the directing and editing. And even though I know that the writers and directors took some liberties to separate fact from fiction, the film still delivers it's message with impunity.

Like Forest Gump, I just don't think that no other actor could have masterfully played the role of Billy Beane, like Pitt. For some strange reason, there's a feel in the film that Pitt was on his game as an actor or the character was just perfect for him. In most part, Pitt pushed every minute of this film so far that he chose to step in as a producer and keep this film alive. Every sequence of this film was captured brilliantly with the best lighting, sound, and cinematography. Every part in this film brought out the best in each new actor signed on board, including Kerris Dorsey who played Beane's daughter "Casey."

The big message in this film is that Beane learned a valuable lesson, even though he was a wise manager to his assistant and had all of the answers, he earned the right to understand that, "One can win big even through losing." If you haven't seen Moneyball, or you aren't a big fan of sports, you should see it. You'll be entertained and you'll also wish that things would have worked out for the Oakland A's!

Monday, March 11, 2024

"PEICES OF 8" ENTERS HIGH IMPACT ZONE OF SUCCESS!

Montgomery, TX. - Recently in the ill darken indie film society of Austin, Texas has there been so much talk about a mini-series that has taken the Goth community by storm. Filled with a new line of young actors who stuck to the commitment of filming for over two years and devoting to working within a small team ethic, the fruits of their labor have captivated the film scene in two of the largest cities in Texas, making the return of mini-series web productions a tremendous broad step in the right direction.

PIECES OF 8 [PO8] had very little to offer in it's initial inception, but a script re-write and several intimidating scene locations took the new venture into dark territory, drowning the visual aids with a dark, murky abyssal tone that would bring a spine tingling chill to anyone who watches the mini-series gasping for air at times. Is this article just just another attempt at boosting interest or embellishing the studios attempt at releasing a new indie film?...well, of course it is. But even more spellbinding to present in this write up is that Meta Data has proved that PO8 has already crossed over the 100K threshhold in streaming, making this film more profitable than what the entire budget took to get the whole project into production.

Producers Patti Weisler Hall and Barbara Johnston are truly awestruck as the series not only covered the expenses of production, but that a strong fandom has begun to follow the series at such a high expectancy, that there's already talks about putting forth a second series and starting that production sooner than expected. A strong case of the prime success of this feature project is largely due to the new format in production, which was once considered a "No-No" within the indie filming community but was used extensively throughout the series production. So much so, that the studio will be starting production on a SciFi series in May entitled, OPERATION ISCANDAR, after that series also fell under an extensive rewrite that forced the studio to cast another new line of actors to get the production lined up for pre-production.

Series developer, D. R. Quintana, has had very little to say about what has caused the studio to rewrite scripts and change the direction of his studio teams production efforts on at least four different planned studio releases that have now been indefinitely shut down until further notice. In every new direction change, it seems that the planned projects have either been completely dismantled or one project was transferred into another project, further bolstering storylines and plots to each new project, even further challenging the character development towards a higher plane of existence than previously planned. PO8 not only pushed the studio to "aim high" with the actors performances, but it also used set locations that challenged the crews lighting throughout the entire presentation. 

The producers claim that a lot of PO8's new strength came from Quintana being recently influenced by the production efforts seen in Season 4 of TRUE DETECTIVE, shown on HBO MAX, starring Oscar Winner Jodie Foster. That series was glamorously filmed and all of the outside scenes were filmed entirely in the natural dark. Some might say that PO8's director had the same experience while filming the studios vaunted feature, ZERO-ZERO-ONE, that is still under a myriad of re-shoots and re-casting over 40% of scenes and changing the dynamics of the plot and story by adding a new ending to the film. None of ZERO-ZERO-ONE's cast believe that the mass changes in the film were intended as overkill, but all desire to see what the changes will do to the original script that was chopped away, and for good reason.

PO8 has not only opened new doors for the director to enhance his filming technique, but it has also proven to be the foundation for reinforcing the studios desire to punch out more projects in the near future, will limited production time and budgetary costs. In a project filled with so many well planned practical effects, PO8 is not only mostly free of green/blue screen effects, it has proven that the all actors were given free realm to perform in a theater type environment, that proves that these actors can act, and not pretend to act, hoping that split scene can bring magic to a performance that might lack substance. The studios new filming format reinforces that the theater-style approach has cut production time and costs in every take of the series.

But "why time traveling vampires?" one might ask. According to the director, the idea has never been attempted before. It is suffice to say that any idea of seeing a vampire film or series always has a presentation of immortality, seeing one character live through a millennia of time progressing forward, but never backwards and u sing the past as a reason for justifying the taking of ones life force who was to die in a horrendous historical event, say a fire, a plane crash, or other catastrophe. PO8's success also lands on the wardrobe choices of John and Jennifer Lindsey, who provided and altered many of the costumes in this futuristic vampire opus, directed and written by Quintana.

The studio continues to efficiently advertise it's projects, producing cutting edge ads and also design a platform for viewing new releases on  a new indie film streaming service that is independent from high cost hosts that usually bog down indie films upon their release; making it hard for fans to see the film. In retrospect, the studio has surely distanced itself from the badly arranged glut of indie film teams that continue to release low budget B-films that absolutely have no chance in the marketing or gaining the thresh hold Meta Data required to comfortably succeed in gaining the needed respect of consistently high viewing numbers within the streaming monetary world of professionally successful indie films.

Maria Pesito
Contributing Writer, Studio Advertiser Mgr

Saturday, March 9, 2024

"A WEREWOLF IN ENGLAND" FAILS AT ALL LEVELS

A Werewolf In England Promo Poster
πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - A WEREWOLF IN ENGLAND [2020] - PG13 - Directed & written by Charlie Steeds. Cinematography and editing also by Charlie Steeds. Produced by May Monteiro, Jeremy Rothwell, and Charlie Steeds. Starring Reece Connolly, Tim Cartwright, Natalie Martins, and Jessica Alonso.

A dark comedy/horror British indie feature film about an 1800's demon slayer [Connolly] that is arrested and being transferred to a larger city to defend his life is exposed [by chance] to a countryside Inn that collects fresh warm bodies for a group of werewolves that devour newly acquired tenants with fierce and ultra-bloody attacks leaving very few people alive over one night of mayhem.

**This film has a low Audience Score and Viewer Rating. Aspect Ratio was captured at 2.39:1 which is WAY OUT of any allowed format in the U.S. No official budget information was released or found concerning this indie film.

THE GOOD - This movie has a beginning and an ending. The productions wardrobe was impressive presenting a somewhat believable Victorian-era England.

THE BAD - Bad acting, terrible monster effects, lots and lots of badly planned practical effects filled with blood and shitty gore.

POST MORTEM - Indie filmmakers have given this feature high reviews, so much so, that it persuaded me to watch this pile of shit and try to seek something good to say about it. Outside of two indie films produced in San Antonio, Texas between 2021 and 2023, this shit fest has the top spot for the crappiest and dumbest film that I have ever reviewed.

SUPER DOGSHIT πŸ’©πŸ’©πŸ’©πŸ’©πŸ’©[5 Poops]

Friday, March 1, 2024

THE QUANTUM STORM .357 E-MAGAZINE, ISSUE 30 FOR MARCH 2024 IS RELEASED!

QSE 357 Promo Poster QSE.357 ISSUE 30 dtd 3/1/2024

42 Pages

ON THE COVER - Dale Fusco, Producer.
Photo by D. R. Quintana.

MAIN ARTICLES

Retired Military Vets in Texas Indie Films - From Producers to directors to actors, some retired military veterans are stepping into the indie film society, bringing more realism into war torn indie films. A few badass veterans share their story's about making their mark in Texas.

DVD/BlueRay Discs are no longer relevant - Read about what indie film studios have done to stream their films. Earn more by following a few rules prior to streaming your film.

Where are the plot makers? - Five indie films were reviewed and most missed their mark because of lackluster plot lines. Does your film need a better story and plot?

Protecting your copyright - Another Texas indie film was preyed upon by some shady people who thought they knew what copyrights were all about. Get some legal advice from the professionals on handling copyright complaints!

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