Showing posts with label Houston Film Hit. Show all posts
Showing posts with label Houston Film Hit. Show all posts

Wednesday, August 31, 2022

QUANTUM STORM WIKI ON “GHOSTIES – THE WITCHES SPELL”

GHOSTIES – The Witches Spell [Ghosties] is a 2014 paranormal, dark comedy short film written and directed by David Quintana-Lujan. It is the first film produced by Quintana-Lujan, and the first feature film produced under the studio name, Quantum Storm Productions. In the present time, a group of teenaged ghost hunters have struck out seeking ghosts during the summer. After they are introduced to a real black witch, who gives them a spell in passing, do the young team of ghost hunters begin to actually see the paranormal images of people who passed away. But are the ghosts truly real or a joke laid out by the local graveyard lawn keeper who’s tired of kids breaking into the property looking for ghosts? GHOSTIES features Jessica Yanker, Alan Berkowitz, Fabritzia Faustinella, Matthew Jasso, Kacey Kelley, Robin Galley, Travis Coker, Mary King, Angelica Grayson, Daniel Erik and Warren Lightsey

Directed by D. R. Quintana-Lujan 

Screenplay by D. R. Quintana-Lujan 

Story by D. R. Quintana 

Based on Characters by D. R. Quintana-Lujan 

Produced by D. R. Quintana
                  Darla Redwine 

Starring Anisah Khan, Ashlyne Redwine,
            Katelyn Merricks, Haley Coker,
            Emily Thompson, Tanner Fontana 

Cinematography by D. R. Quintana-Lujan 

Edited by D. R. Quintana-Lujan

Set Assistant Joan Yanker

Music by ASIA
             Randal Behan
             Zeca Mahoney 

Production Company Quantum Storm
                            Productions 

Running Time 48 minutes 

Countries United States 

Language English 

Budget $8,500 

 

 

GHOSTIES – The Witches Spell [Ghosties] is an ultra-low independent film directed and produced by David Quintana-Lujan in May of 2014. It was entirely filmed in Montgomery County, in the state of Texas with a soft budget of $8,500. Most of the cast were young teenagers [or "tweens"] and their mothers all helped with the production requirements behind the camera. 

Copyright 2014 Quantum Storm Pictures
After the director-producer completed the third season of his webs series “The Secret of Angelika5,” he was looking for a new project to work on to break away from the “quick film format” that was being used on his successful web show. In February of 2014, he made contact with a woman named Glenda Rovito who introduced him to a new group of actors in the downtown Houston area. After attending a film premiere for Matthew Jasso’s action feature film, “BACKLASH [2011]“ the director-producer was introduced to a group of teen girls at the premier who looked like a talented and excited bunch. One little redheaded girl stood out of the bunch who caught the director-producers eye, Ashlyne Redwine, who was loud, proud, full of energy and had a positive strength that the director-producer could work with. Later the same night, he was introduced to her mother, Darla  Redwine, who was looking for a project that her daughter could star in and both began talking about working on a project together. Through the one contact with Redwine, the director-producer realized that he would have access to an entirely new group of talented young actors. The director-producer went home and began to look for a script that would fit the format of having an all teen cast. 

Copyright 2014 Quantum Storm Pictures
A week after discussion project possibilities with Rovino, the director-producer settled on rekindling an old short film idea he created in 2006-2007 while he was living in New England, entitled “Ghosties.” This short film project involved a group of young girls who searched for ghosts and used an old book of spells that helped them conjure up ghostly spirits. The director-producer re-worked the scripts, added a few new characters, and then produced a third script in the short film series as a feature film. The scripts were shared with some of the parents, who immediately signed on to add their teenaged child to the possible production. Rovino’s teenage daughter, Drucilla, who had already worked brilliantly with the director-producer in an episode of Angelika5, was first selected as the lead for the new film. This did not sit well with a few of the mothers of cast, mainly Darla Redwine and Kaylyn Merriks, who felt that Drucilla was an amazingly talented and trained young actress and felt that her performance in film might overshadow the other children in the cast. Now in a position that he might lose access to a large group of young actors prior to signing contracts, the director-producer removed Drucilla from the production and changed the script so that there wasn’t just one teen leading the cast in the future film. 

Copyright 2014 Quantum Storm Pictures
In mid-March 2014, the director-producer met with several mothers and contracts with releases were happily signed by the small group of moms. The meeting was important as filming requirements were discussed in great detail. The team covered wardrobe, filming locations and possible casting additions to fill in the adult roles in the film that were still not cast. Alan Berkowitz and Jessica Yanker were brought in from the cast of Angelika5, Matthew Jasso was brought in after he promised to make a film with the teen girls at his February film premiere, Fabritzia Faustinella was contacted to read for the role of the Black Witch. So much material matters were brought up in each new meeting, that the pre-production phase for the film moved the filming dates up a full month. The director-producer felt confident that filming could start in May and shared the news with the mothers of the cast, positioning the entire production in the town of Montgomery, Texas. 

Copyright 2014 Quantum Storm Pictures
To the surprise of the entire cast and crew, the film began production on the second weekend of May 2014. The cast and crew spent the day of the first day of production filming at various locations in Montgomery, Texas. First was a stop at a Karate studio, which was actually a fitness center that was owned and operated by Eddie Enriquez, who also played a role in Angelika5. At the end of the first location, a new talented, natural actress, Emily Thompson, was added to the cast. Her audition with the director-producer forced him to make the decision to bring her to the production and add her as a character to the script. The second location was at a storage center where the director-producers own family van was parked inside a storage room to simulate night time, where the teens took turns delivering their lines. The third location was a night shoot at the Lightsey Ranch, a water front property that was also used extensively on the set of Angelika5. Over the course of the first night of filming, a cold front moved into the area which helped quell the sound environment as the crickets and frogs fell silent during filming. Furthermore, the cold front brought in thick clouds that prevented the moon from casting light on the sets, and thus the conditions were perfect for filming. 

Copyright 2014 Quantum Storm Pictures
After the first weekend of shooting, the teen actors were wiped out and they completed over 60% of the film. The director spent three more weeks working in the remaining scenes and also performing ADR to some scenes to ensure the sound was pristine in the final phases of editing the film together. One scene that was a required flashback in the plot of the script, was shot separately from the rest of the production. This scene concerned the role of the leading ghost, “Beheaded Betty,” who was played by Kacey Kelley [also of Angelika5] was shot over the course of two hours at a historical park in the town of Montgomery. This one scene in the film catapulted the feature in ratings from a G rating to a PG rating; as the character apparently commits suicide after her lover never returned from a cattle roundup. 

Copyright 2014
With Ghosties finally “in the can” and editing all but done, the film would be released to the public in August, one week before school started in the local area. Ticket sales were handled online and the studio team prepared t-shirt and poster sales for the films premiere. The first showing of the film was presented at the Alamo Draft House in Katy, Texas and, unlike most independent films in Houston, Texas that were premiered at a bar, this premiere proved to have had the largest attendance in the city’s history as every seat in the auditorium was sold out, there was standing room only, and the management in the theater claimed that food sales went through the roof. Every attempt to build the excitement was presented to the masses that arrived to view the film, most of who were teenagers too. Houston’s Independent films known favorites, Nicholas Nicholson, Hector Luna, and Irving, Texas’ Steve Luke were in attendance and gave the premiere startling reviews. The performances of Alan Berkowitz and Fabritzia Faustinella eventually won awards for Best Supporting Actors and the director-producer won awards for Best Film and Best Producer.

With the films huge success came a little bad news as one mother, Kaylyn Merrick and her daughter chose not to be part of the films premiere as her teen child was cast in a 48 Hour Film Festival and didn’t want to associate with the rest of the cast’s success at the premiere. Even though some of the cast members were heartbroken that one of the co-actors didn’t make the premier to complete a team photo, the reception following the premiere removed all doubt as the young cast was welcome with wave upon wave of cheering fans and instant local stardom. This one premiere proved that Ghosties was a big hit with the teen genre and, if proper measures were taken to promote a solid production, that there was a large potential for children’s movie productions within the independent film scene in Texas.

 ***If would like to request to add or change in information on this Wiki, please let us know here.

Wednesday, January 25, 2017

THE AFTERMATH OF LARRY CARRELL'S "JACOB"

Jacob Poster
In 2011, the Houston Film Scene was much in astir about a local filmmaker [Larry Carrell] who put "the best" of what Houston, Texas had to offer in one film and through some daring production shams and scams, as he was able to put up the cash to make his dream film come true. Give this man some pretty impressive "ambition points" as he set out to do something and make it look big as possible. In a few months, he had a written script, a few thousand dollars in his pocket, and he tore away at Houston to make this dream come to life.

There was ton of double-dipping going on prior to the production of his film JACOB; the filmmaker infiltrated several local films and evaluated talent in them, then sucked the talent right out of those productions to bring into his film, all of the time promising huge success and big contracts. Quite truly, the film was the talk of the town...at least in the local independent film scene.  But when the first premiere hit the streets, it was a complete disaster of 'unfinished mastery' missing sound, filled with incomplete scenes, and presented scraps of an unfinished film to the cast, crew, and their families...and like most amateur indie film actors in the vast landscape of "wanting to be stars," no one complained about it all during this initial premiere. Instead, local actors and their families stood proudly and took pictures afterwards; smiled and boasted the films "huge success."

Just a month prior to the first premiere of Carrell's JACOB, a local short film produced entirely of teens, boasted huge success at several "Sold Out" premieres which seemed to jeopardize Carrell's potential future film success with his uncompleted film. During JACOB's first premiere in Houston, most of the attendee's in the seats were just the cast, crew, some family and a couple of local indie film critics who were begged to come see the film. People outside of the films clique who attended were not impressed with what the film presented and Carrell knew that. Some of the people in attendance openly complained that the price paid for tickets should have been refunded...and of course, even though he [Carrell] was ashamed, nodding in agreement with them promising something would be done about that, that never happened and Carrell and his team pocketed the cash with a nice grin and went on about their business.

Carrell Picture
You see? that's the way "real" film business is run in Hollywood and Houston should do the same. For him being someone who always tasted the long reach of top fame, Carrell was finally on the right road to success, not caring what or who was standing in his way. People in his inner circle began to believe that his attitude was the right one to have if you truly wanted to step into the real world of movie success.
 
But through diversity and patience, Carrell and his team continued to push forward. Over a period of months [up to even a year] they added scenes to the unfinished film and were able to scrounge up a known Hollywood name to bring more credence to the film. None of what is written here is fabricated...it's the truth. Through thick and thin, the film made it's way from one convention to another, then eventually onto Netflix. The film crossed the oceans and landed a following in Europe, where the title of the film was changed to "Sister." The film won countless local Indie awards and practically over night Carrell's clique grew and some names were added to the "producers" list who seemed to jump on the bandwagon ride of success...and all were very proud of the end results; which weren't easily attained. None of the local actors in the film have ever been paid for their work...not that they expected anything due to the shady contracts they signed.

So, in the end, Carrell got his film made and he got the attention and money he dreamed about...sort of. Below are comments made on the films IMDB page. You have to get passed the comments posted by the cast and crew to see what the real thoughts are by the REAL people who previewed this "fine masterpiece" of 80's horror. 

I still have yet to see this film, so I cannot review it properly....but I thought it was best that you, the reader, know what your getting into should you choose to decide to watch it yourself.

D. R. Quintana
Editor








Tuesday, November 22, 2016

"HER CRY" FAILS TO IMPRESS...AT ALL

Houston has had it's long-ass-list of Indie film flops, many of which I wouldn't even dare review on this blog to contaminate your lives, and unfortunately this mega-mega flop is right down there with them. 

HER CRY [(2013) from Dark Lightning Films] is no doubt another slap in the face to real filmmakers in the local area. This hour long schlep of crap won a couple of awards, one being a Houston REMI for best "mystery" and "thriller"... REMI's are the prime example of "participation awards" given to anyone who submits a home video as an indie film.

Directed by Damir Catic, HER CRY tries to tell the Urban Legend of La LLorona, a Mexican story concerning a female spirit who appears during rain storms and thunder claps and tries to drown people who hear her cries out in the wind. The story is brought out through "found footage" and is not brilliant in it's adaptation of the legend, nor in it's screenplay. This is definitely a "hold a camera in you hand" type of film; don't expect anything else out of it.

I'm not sure what it is about having shaky camera footage and bad sound dubbing that was supposed to make this amateur film scary, but I wasted a little over an hour of my life [89 minutes] just trying to get through to the end credits. The acting is atrocious and definitely not what I expected to see from one of Houston's "brightest award winners" for that year...or any other year for that matter.
The absolute worst part of this film was the lighting; many segments just in the opening scenes which were poorly shot on camera without any attempt at bringing light to scene...a dire attempt to use darkness as a scary tool, I'm sure. There was use of an infrared night camera [of sorts] for some shots, but the techniques used with it were very poor and not thought out well at all. Some child actors were brought into the film who seemed to have no training or concept of working on film, seemed to give the film an amateur feel that brought no charisma to any scene at any time. These big failures make me wonder who accepts a film for preview by the awards team in Houston.
Again, the blame for this crap film goes directly to the production staff and it's director. Editing was inconsistent and the sound jumped from static to clear sound; to muffling; to garbling; leaving me with the impression that two to three people were involved in the final editing, and just trying to put something together to complete a film.

In the end, the film had a clever idea in a story but it was delivered with an overall feel of "an awkward kindergarten play that deserved an award for participating in a localized event where the production team were lucky that all of the actors just happened to showed up at the last minute."

I would honestly warn you not to waste your time on this little indie "train that couldn't." If you decide to want to watch it, you'll have to pay to see it.



[2 of 5 Stars]



BE SURE TO ALSO CHECK OUT

THE MINOTAUR - BIONICA -
 MMA CrossFire 
BLOGS!