Showing posts with label Houston Amateur Films. Show all posts
Showing posts with label Houston Amateur Films. Show all posts

Friday, December 1, 2023

QUANTUM STORM .357 ISSUE 27 FOR DECEMBER IS RELEASED!

QSE.357 ISSUE 27 dtd 12/1/2023

62 Pages

ON THE COVER - Beatrice "Bibi" Coltzer, Model.
Photo by D. R. Quintana

MAIN ARTICLES

What's missing in Indie action movies - With a thorough review of over 50 indie films produced in Texas, the studio lists 20 of the biggest issues missing in producing a solid action film.

Seasons Greetings Photoshoot - We present seven of the most talented actors/actresses who work hard in the Texas indie film scenes.

Stunt Teams are looking for work! - Here is a list of semi-professional stunt teams with their own production insurance who want your business...and guess what, they are worth it!

Christmas Music Videos - Not as easy to produce as one might think, but there are perks to making a good holiday video to present your skills to the right film studio. 

YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2023 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

 Thank you for stopping by! 

Saturday, April 1, 2023

QUANTUM STORM .357 ISSUE 19 IS RELEASED FOR APRIL 2023

 

QSE .357 Promo Cover

QSE .357 ISSUE 19 dtd 4/1/2023

38 Pages

ON THE COVER - Shots from various local film projects. Used by permission.

MAIN ARTICLES

Marketing Your Indie Film - From Advertising, labeling to trailers. We show you how you should hire professionals to promote your Indie film prior to it's release.

 Behind The Scenes Special - Take a peek into new production efforts for HAVOC 114 Redux and a special look at the alien behind GREY PANIC.

Special Look - The "Spring Break" spectacular is here! See if your favorite local model made the top ten!

PodCast Radio News - Houston PodCast shows are gaining popularity, here's a peek into a story set for release in April.

Summer Fever is Building - Is your production team planning a big indie film project for the summer? Let us know so we can spread the news. Email us here.

  YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2023 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

A LOOK INTO HOUSTON’S TOP POD CAST SHOWS IS MOVED TO THE APRIL EDITION OF THE QSE .357 E-Magazine!
 
HAVOC 114 Redux Promo Ad
EPIC NEWS UPDATE - The Studio presents news that production efforts have resumed for HAVOC 114 Redux. Additional scenes have been added to the feature to extend the length of the film. The studio is also planning the release of a new trailer and music video this summer!

Thank you for stopping by!

Wednesday, March 1, 2023

QUANTUM STORM .357 ISSUE 18 IS RELEASED FOR MARCH 2023

 

QSE .357 ISSUE 18 dtd 3/1/2023

42 Pages

ON THE COVER - Stock Photos
Photoshop by K. Santos

MAIN ARTICLES

Viking Indie Films - Several indie film productions in Texas have taken the Viking genre to the next level with fantastic details in wardrobe. Four indie film teams prepare to release their projects in the fall.

Promoting Your Film - Now that your film is complete and ready for preview. We present the steps to help you promote your film and get fantastic results.

Special Look - We're preparing for our "Spring Break" spectacular! Meet some of the male and female models we will present to you this year.

Indie Film News - Two interesting indie film projects currently in production. Meet the production crews and their actors.

Sneak Peek - Houston PodCast shows are gaining popularity, here's a peek into a story set for release in April.

 YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2023 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

A LOOK INTO HOUSTON’S TOP POD CAST SHOWS IS MOVED TO THE APRIL EDITION OF THE QSE .357 E-Magazine! 

Thank you for stopping by!

Wednesday, February 1, 2023

QUANTUM STORM .357 ISSUE 17 IS RELEASED FOR FEBRUARY 2023

QSE .357 ISSUE 17 dtd 2/1/2023

42 Pages

ON THE COVER - Cynthia Torres
MAKEUP BY - Lana P.
PHOTO BY D. R. Quintana

MAIN ARTICLES

Valentines Is No More? - Once the heart of America's passion, the tradition of Romance might be dead.

Promoting Your Film, The Right Way - New film producers are scrambling to learn how to advertise their film; we provide some of the best recommendations from established producers.

Special Look - Lighting for your production photos. What gear we recommend.

Acting Courses - We list the top five acting schools in Texas, plus their costs to attend, instructor certifications, & success track records.

Indie Film News - Four interesting indie film projects currently in production. Meet the production crews and their actors.


 YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2023 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

NEXT MONTH - A LOOK AT HOUSTON’S TOP POD CAST SHOWS! 

Thank you for stopping by!

Tuesday, June 9, 2020

PLEASE CALL MY AGENT FIRST...

Award Winning Director/Photographer

Houston, Texas - The Independent Film Scene [IFS], or "film industry" (if it means that much to you), can be a gritty world for an actor who is struggling to learn the ropes about what it takes to work in front of a camera during a production. What might impede progress or success is the fact that most Indie actors refuse to take leading roles when their openly handed out to them; most starting actors that have only filled the roles of an extra or "just a guy in the background" have a lot of doubt in their abilities and this can damage the expected growth of their capabilities and real experience in the field of acting.

Seasoned film directors and casting agents have an eye for what sells and usually a particular script will send off a vibe for a new actor that's required to complete the initial plan for the plot and get the entire film project started on the right foot. So often more than not, the director and his team will start looking through tons and tons headshots. When a good script is approved for production, a search will begin to find a talented lead. They won't be looking for what can just be seen in someones acting credentials, but there's also a search for a certain look in a part; with a certain spirit that can been at first glance, perhaps it's something in the eyes or the smile. 

At the beginning phases of casting, actors aren't graded on the format of their headshot; the team only wants to be sure that the actor presented in the headshot is someone who can walk through the doors of an audition with complete confidence. If the director and his team feel that the looks fit and the actor is malleable, then the right actor has been found to start production even before an audition needs to be arranged.

Actress, ModelMany will agree that the way an actor looks can make a director of a project actually go out of the way and reach out for a particular actor to fill the role. With the existence of Facebook and LinkedIn, directors have direct access to actors information and headshots in a matter of seconds. There's a lot of information to sift through, so to make immediate contact with an actor can prove to be the best "bite" than an actor can have in their career of working with new production teams. At this point, the director certainly doesn't care about your resume or the lack of your abilities; he wants to meet up with you, feel your interest through contact and see if you have the same caliber personae as your headshot, to see if you can help with his image of the film to launch in the right direction.

This is not the time for an amateur actor to hesitate or doubt their own abilities or throw down the old, "you need to contact my agent first" pitch. Actors should do their research prior to making a big final decision, but always respect the initial contact as a positive thing with all of the hard work you've put into your Facebook or LinkedIn page.

Think about this for a moment; and we are speaking about amateur Indie film projects, not local commercials or roles as extras in some feature film where no one will ever see you in the film, a high percentage of new actors believe that there is a career in acting, but almost 98% of new actors have to maintain a real job working 40 hours a week to live comfortably, pay the bills, and do acting gigs on the side for lunch money. The other 2% of these new actors who "claim to be making it" in the movie industry, and unless they are a real leading actor in a film or television series, are probably lying about their success and have outside jobs, making a living outside of the acting world. Some of those same actors develop jobs to help "assist" other actors break-in to the acting world, claiming that their ingredients of success are easy to pass on and they can guarantee that their hands-on training or contacts "in the business" can guarantee results if they pay for their services.

Read and enjoy the truth
This is from a local Houston-based

acting agency whose notorious for 
having favorites in their clientele.
Always keep in mind that some agents can do tricky things to keep your 'planned' career anchored down with very little movement. Make no mistake that some agencies have their favorites, and those with crisp, sharp looks often get the better gigs, even though you may be more experienced for the part or even more talented. It's a funny thing, but if one of their favorites bring in heavy cash flow more often than not, they will be chosen for submission even if you were the original contact for a project. If you find yourself struggling to get work from your agent while others "get the gigs," then perhaps you should consider dropping the agent and managing your own career; you know that it is possible to do that until a better agent comes along.

Consider this blog as fruit for thought. I always suggest that new actors should always start off their careers in theater arts and hone their skills; especially if you want to know the in's and out's of production, direction, performing under pressure, etc. Yes, it's a whole lot tougher to work in theater and win the big leading roles, but the experience in just watching whats going in the pre-production, operational side of each new show is more experience than anything you'll learn as an extra in a film production. If any acting agent tells you different, then you need to start looking somewhere else to earn good paying gigs; especially if you need the cash without giving away a third to an acting agent and still having to pay taxes on the rest!

Good luck in what you decide to do!

...Ride Easy!
D. R. Quintana

Tuesday, April 7, 2020

A TRUE CRASH COURSE FOR BECOMING AN INSTANT NEW ACTOR/ACTRESS...

Houston, Texas - One day your out hanging with friends and family, taking pictures out in a backyard or at a lake and someone says to you, "Damn, you look like a model in these shots, have you ever thought about modeling professionally or becoming an actor?"

Surely, you should brush off that little question and take it as a nice gesture of admiration for your good looks and move on with your business. But most people can't shake that kind of admiration off; they lose sleep over it thinking to themselves, "I'm a pretty as she, or handsome as he, why don't I get out there and go for it?"

True, why not go for it? Everyone is 100% sure that Brad Pitt and Daniel Craig started off the same way, right? Now that some Hollywood actresses like Megan Fox and  Jennifer Aniston are starting to age, there could be room for you in Hollywood, right? Man or woman, you've gone out at turned heads at Christmas parties, family reunions or just walking into some mall in your favorite town. You're so good looking or so pretty that you're often asked if your a professional model, actor or something, so this must be the new thing you should try to build up your vanity.

Well, the honest truth is and it's also a damn shame, that to be a professional actor, there are a lot of steps that you have to make to separate yourself from all of those other people that feel that they too can live a comfortable life as an "actor." In the Independent Film Scene [IFS] circles, there are people who have quit their jobs and stepped into the world of acting to try and live off of it. Sure, some have kept a busy acting career taking gig after gig, making a $100 here and $250 there and living with their mom, or a friend, or a lover. But is that really the career you're looking for?

In Houston alone, Indie actors are a dime a dozen and if you're not chose for a spot in a commercial or an Indie film, another one is called in on a hot minute and masters the role you failed to attain; it happens all the time. Reputations in the IFS are so brittle, that it only takes you mingling with the wrong film team one time to get you written off and it happens all the time in you local city/town. With a simple search you'll learn right away that everyone is a professional and that everyone knows the odds and ends about acting, knowing what you need to get started and who you need to train you for that next level performance. If you find yourself in this position, taking advice from other actors, your on the wrong track for success. 

Look at the picture to the left, and I mean really look at it. What do you see in that actress? What's the first thing that got your attention to look at it the first time. Your answer should have been, I don't know what she's doing" but the next thing you should agree to is, that whatever she is doing, she believes it 100%; that's what an actor is supposed to do in a film or commercial, actually believe that that moment is real to us all, even though it's not. By the way, that photograph is a direct shot from a web series that received fandom all over the web and was produced in South Texas. At the time, the actress was a teen and since then has moved on to bigger and better films. But her first real leap was landing a role that garnered a lot of attention from local talent agents and scouts that were looking for an actress who believed in her talent to being a role to life. Do you want to be like her?

First of all, let's take a look at you. Go step up to a mirror and look at yourself for ten minutes. If you have one quality that you think might separate you from other actors in your local area, what do you think it is? About 99.3% of you didn't get off of your chair or off of your phone to do what I suggested; you are the ones that need to stop reading this blog and go back to working on local "low budget" 24-hour, fast food films that will go no where. No-no, don't get up now. I'm sure you'll find true success out there as an extra in a local film or something.

For that .7% of you who did stop reading, got up and looked into the mirror at yourself, well, you're being honest with yourself and for the first time I'm sure you saw a quality that stood out in the first two minutes. Your next step is to harness that quality and bring it out to life, where you can master the emotion, the fell, and the dire consequences should it ever leave your side. And how pray tell do you do that, well it's called "theater arts." Yeah, that's right - go find a local theater and learn what it takes to act in front of large crowds, learn what it takes to follow direction, and even better, what it takes behind the scenes to help get a production off the ground. Every Oscar winning actor has partook in theater to hone their skills and make them who they are; and I mean everyone!

The prestige received by an actor to be asked to move from one city to another, is one of the rarest and life consuming rewards that a thespian [actor] can receive in their lifetime. For example, Mariah Carey was a waitress way before she became a professional singer. She worked hard, often sang in a cafe in front of her patrons to make the day go by and people admired her looks and her talent. She still went to school and had many ups and downs before she was given a chance to perform on stage, which finally led to a record deal. I'm not suggesting you should work at a cafe, but please don't quit your day job to become an actor; the easy gigs don't pay enough and most of the gigs you get require an acting agency that is willing to sift through it's clientele to get to your file and give you a job; and remember that your not the only good looking guy or gal that the agency has in it's filing system.

Models fall under the same principle too. The main problem in the modeling field is that there's just so many formats and genre's that its really hard to break through unless you have a photographer who has broken through the local muck with the same modeling agent you have and can score you some big gigs. Outside of that, you'll just be another file in a drawer somewhere, so do your best to break your own rules and get creative; playing it safe in the modeling field will kill your attempt at making your mark with agents looking for the next level model to pass the big gigs to on a regular basis.

But back to acting, most new actors turn to Indie film projects after they've considered themselves ready to dive into the next level of acting. Indie films should be considered as amateur as a high school play and not taken with the attitude that "this indie project is different and it's going to go somewhere." Indie films rarely go anywhere and it's been proven that only .038% of all indie films actually break out and become huge hits at film festivals. Don't believe what you've just read? Then go to an Indie film festival and see for yourself. You'll find that every Indie film is a winner of something, that there's a BIG TIME actor that performed and/or produced a few, plus those films are never released to the general public outside of festivals and have been in festival circulation for a few years.

There is a risk of failure that might surface should you also "play it safe" on roles that may be too short, just in the background, just a voice over, or just a standby. You're going to have to learn to be patient on sets for projects you've been assigned. Most new actors want that "action packed" feel of landing a role in a new Indie film project, but most Indie films fail to have such an impact on a new actors career and many may feel the stale taste of the Indie pop scene that resonates actors to bad films like a bad bad plate of finger foods being passed around at a party. That is the point where new actors quickly realize that this IFS is not for them and they give up. So sad, but it's true.

Okay, so what can YOU do to prevent such things from happening to YOU? - Good question and it's about time you asked. Follow these [10] steps required to start your acting career in the right way. Don't skip over anything you don't understand, look them up and watch YouTube videos as required.

1. Get into performing in front of large crowds in Theater Arts/stage plays. You'll learn about mastering your expressions and emotions, pre-production efforts, script reading and delivery, dialog enhancement, voice projection, and makeup. If you haven't gone to a Renaissance Fair and experienced life performances, perhaps you should!

2. With time, patience, practice, and refining your skills, work to become a leading actor in a theater stage play. Be the center of attention and show your talents to a live audience. Feel the power of your work and the prestige of being respected for your skills to amaze the crowd.

3. See a real acting coach that teaches theater arts and take courses about transferring your stage skills to film. This may be a little expensive, but well worth the rewards as you plan to

4. Only use an Acting Agent for resourcing outside local Independent film projects. If you want to work in local commercials and even in prime time advertising, use an agent to help you get those projects. You might have to fight your way through the agents long list of favorites who are ahead of you, but believe in your self and continue to plug away. If your lucky, you might become one of your agents favorites and get issued a few gigs each year.

5. Consider working in ultra low Indie film projects for free and in a volunteer basis without a contract. It may surprise you the number of leading actor gigs you can land on a variety of projects in a short time. Be sure to always sign release forms to protect your image; remember that you can always change or add items to any contract tossed at you. Always use the term, “Actor retains control of own image, for purposes of marketing, promoting, and especially commercialized poster sales” to protect you, should the low budget indie project gain strength with a real investor or producer.

We wish you the best of luck in your dream of becoming a professional actor. Remember that having a solid foundation to your craft is the best and fastest way to secure confidence in yourself!

Ride Easy!

D. R. Quintana


Saturday, January 11, 2020

YOUR DIRECTOR IS CLAIMING A "NETFLIX" DEAL ON THIS NEW PROJECT...???...

D. R. Quintana, D. R. Quintana-Lujan, writer, journalist, film maker, director
Houston, Texas - We've been approached on more than one occasion about what the rules are concerning Independent Film projects who are claiming they have a contract deal with Netflix, Amazon, or a distribution compan far away agreeing to help stream this new project or put it out in store on DVD/BlueRays, so they can receive big checks from investors and the like, bringing the project to the next level of success. A lot of new actors and some talented veteran thespians are often dragged into these projects, that sometimes work on scenes for six months to a year, but eventually die out after some investor backed out or the director and his production crew were unable to make a trip to "LA" [Los Angeles] to meet with the right people.

A large majority of these new Indie films start off with a bright burn of fast cash that all seems legit. A smaller percentage manage to contact some big name in Hollywood; usually an actor from the 80's or 90's that's still trying to make payments on his/her new home or a new car. With all of the cash flying around, the local Indie actor sees very little and extras on the set are just an after thought to brag about it on their resumes or IMDB page. But was all the effort worth the trouble?...Many male directors look at casting strong local talent as an open door policy to attracting "hot babe" actresses who just want to stand in the limelight and garner local attention, which can be plenty of pay enough to sate their thirst for being the "big name" in town. Besides, just knowing that the Netflix or Amazon deal is on the wings now, is just a bonus - "Everyone in the world will get to see my work in front of the camera!"

Well boys and girls, I really hate to break it to you on this blog, but NONE of the streaming services like Netflix, VUDU, HULU, Amazon.com or distribution companies work this way; and for sure, investors don't sign paychecks to anyone in the payroll for projects they helped fund. Although investors maintain ownership of a project until they're paid back in full with the percentage of interest promised in a contract, the production team has to maintain the projects budget through a project manager who ensures the entire project's budget is maintained and every cent accounted for and that it is NOT being used for personal again. They also ensure that the project has insurance to cover any loss in the production. Most veteran thespians should already know all of this, but sometimes their minds lax a bit and they slip through and they wind up grabbing a hold of hope.

Director
Hope won't save anyone's ass should the project fail to produce a promised project and funds are misused and not reported to the investor(s). Case in point is an Indie project called "LEGENDS" out of Los Angeles, where Adam Joiner was able to acquire a little of $14Million in investments from South Korea and China with a brilliant script, through a studio company he called Dark Planet Pictures. The entire thing was sham and Joiner was living the high life until he was arrested by the feds; buying two homes and a beach house in Manhattan with the big money. There are accusations that he swindled more people in the U.S. with this project that had a long list of talent that was going to take part as the production team and cast. You can read more about this true story here. And you have to remember, this guy had previous film credentials and, at one time, was even a winner of an Oscar.

Here in Texas, the claims that an Indie film project is being "seen" by Netflix have been brought more times that anyone can count. In Houston alone, it's part of the status-quo; some projects brought up on prior blogs that wound up being bad productions that eventually were only released on the Internet, having some "small change" views on YouTube.com and they turned out to be webisodes of bad formatted shows filled with acting performances you'll wish you never spent time viewing. We posted warnings about film directors claiming "Netflix status" on more than one occasion, but it seems that either the word just isn't getting out or people would rather ride the wave of sex, film and fun until the magic dries up. Some those choices made by first time actors/actresses prove to be a huge burden and many are never seen again in the Indie film making world.

How do you protect yourself?...well, the first thing to do is to do research on the film's director and crew that you've chosen to work with. What previous works have they submitted to Netflix, Amazon, etc. If they have no previous experience, do your best to ask the right questions; "How did Netflix find out about you and contact you?" - "Can I see some of your previous works?" - "Who's going to be the production manager?" - "Is there a budget?" - "Are there camera requirements for the submission?" - If you get crummy answers [or non-answers] to any of these legitimate questions from the director, then you should have a good sense to know that you could be wasting your time on this film project.

Every streaming network has a format that is required prior to accepting any film project that is submitted; especially the type of camera and data sizes for streaming purposes. There truly isn't a point of contact with the streaming service and they never call anyone about the progress of the film as they only accept completed film projects that have all of the proof as required on their home pages; anyone can look this up. The information posted under their submission procedures doesn't change just because you're a director or producer.

And take warning, if you're in an Indie project that has an actual budget that has money being spent everywhere, be sure that the director isn't also the editor, leading actor, and project manager in the project. If any these things are currently occurring in the film project your in, it's time for you to take any losses you may have incurred and step away.

Tuesday, October 29, 2019

TRAILER REVIEW OF RAQUEL'S LEGACY IS JUST COMEDIC...SERIOUSLY

🎞 🎥 Trailer Review 🎥 🎞 - RAQUEL'S LEGACY Trailer -

Directed by Sandra DelCid
Starring: Sandra DelCid, John Macaig

Oh my, where to begin, where to begin...

SUMMARY - There's nothing to report as there is no feature film to present after this really BAD trailer.

This is a look into the Houston Film Industries latest movie production which I know for a fact is only a trailer for a film that actress/director, Sandra DelCid wants to bring to life after she wrote a book concerning the sex trafficking epidemic that is occurring in Texas on a grand scale.

At some point during the last year, I was approached about helping to produce a “trailer” for DelCid's script on this particular project, which I only turned down because I don't like working on "trailers," which are actually called "pitch films" or "sizzle reels" in the professional world of film making. DelCid is a woman who is dying to be a leading actress in a film, but she has limited acting skills, never attended acting classes, and shouldn’t expect the world to bend to her desires because she wants to feel famous again. Take note that she's played extra's in some recent feature Indie films and claims to have taken notes on how to produce films professionally.

What's funny is that I'm not sure where this trailer is going or what is intended to be done with it, but it's lackluster presentation and choppy scenes with an apparent amateur camera operator, who doesn't know anything about the “rule of thirds,” failed miserably in capturing any of the scenes with finesse or actual implied professionalism. Most of the scenes look like the camera was set up into position on a tripod and the capture button was activated, having no one behind the camera. The trailers editor had problems [or didn't even attempt to] with killing the sound on the scenes of the trailer while the musical track's volume was raised in an attempt to drown out the sound of the actors.

I will say that there are a few good captures of scenery with different camera angles seen in the trailer; but those are few and far in-between to actually give a better review of what DelCid is trying to sell in this trailer. The rest of the trailer is just a grouping of what not to do when your filming, editing, and presenting something that has not been color corrected for mass effect. One the best kudo's I can give this failure of a trailer is that DelCid did decide to release something that she put together alone with her money; something she truly felt obligated to do since there were very few people to work with her project unless she paid them for their time - and in Houston it's a sad fact that many local "actors" - claiming to be seasoned SAG actors - demand to get paid for shitty performances in "obviously amateur" Indie film productions. Even now, the actors who were paid by DelCid refuse to post her trailer to help support her film project; so much for the team effort!

DelCid's persistence to get her book turned into a movie is commendable, but she should leave movie making to film directors who know what they're actually doing both in front and behind the camera. Once an amateur actor/actress beings to listen to local Houston SAG "actors" about what is the right way to produce a film; i.e. rent cameras, pay actors, etc. - the project will become a lost cause and drama will drown out any chance of success. The producer/director of this trailer should know that there are many talented non-SAG actors in the Houston Film Scene that would have done a better job performing in a sizzle reel and who would have even done all of the work for free. One doesn't always have to pay actors to perform for projects that will never see the light of day; and those that do just burn cash that could have been used for something else.


PRODUCTION BREAKDOWN
← Lighting
Camera Work
Screenplay
Sound
Use of Visuals
Time Lapse
Editing
Rule of Thirds
 Locations
Music
Ending/Follow through
 
LEGEND   ↑ Excellent   ← Needs Work    ↓ Poor

POST MORTEM – Since I know that there is no feature film or short film for this trailer, I cannot find it in my time to do an accurate evaluation of a film that doesn't exist. But more specifically, this is a good reason why trailers/teasers/sizzle reels should never be produced unless you have a real project to make into a completed film BEFORE releasing something to preview.

⭐️ 💫 [1.5 of 5 Stars]