Showing posts with label The Oath: Outbreak. Show all posts
Showing posts with label The Oath: Outbreak. Show all posts

Tuesday, October 1, 2024

THE OCTOBER 2024 EDITION OF THE QSE.357 E-MAG IS RELEASED!

QSE.357 ISSUE 37 of 10/1/2024

42 Pages

ON THE COVER - Ramiro Avendano Mireless

MAIN ARTICLES

A Legend By Others - Five years ago, Ramiro [Ro] Avendano-Mireless had a strong following of supporters in Las Vegas, NV; five years before that, he had a cult follow him in San Antonio, TX. Today he's escaped the indie film grind, wasted $200K of investors money, while the people who religiously followed his footsteps remain punished by things he promised, planned, & stripped away. [28] pages of investigative reporting couldn't cover this whole story, but this time we have the names who followed, supported, and also turned him in.

Indie Film Rabbit Hole - Many film scams waste your time driving wedges between known indie actors in film communities.

Are There Streaming Platforms
Looking For Good Projects?
-
The answer is "No" - But read why
.

 YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2024 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

 Thank you for stopping by!

Saturday, October 15, 2022

QUANTUM STORM WIKI ON “ZOMBIE REIGN”

Zombie Reign [ZR] - also known as THE OATH - is a failed horror/zombie/action film [and/or series] project written and directed by Ramiro "Henry" Arrieta-Mireles Avendano. It was the only feature film [or series] idea ever attempted in development and/or production by the director. What the story or plot to this monstrous pipe dream was all about is just about anyone’s guess. But what is known about the story is that it was supposed to be about the military side of life just before a zombie apocalypse happens and how a group of people, led by a Marine Officer named Alvarez, who got together to fight and survive after the apocalypse occurs. Zombie Reign was supposed to feature Ramiro Arrieta-Mireles Avendano, Vincent Segovia, Cynthia Aline, Christopher Garrett, Michelle Holland, Taeko Baird, Brett Wilson Sr., Melissa Dawn Smith, David Perales Jr., Christopher Henry, Bobby Lee Osborn, Robert Lealies, Gigi Parker Hudnall, Brett Wilson Jr., Laura Careterro, Lester James, and Elizabeth Wilkinson, just to name a few.

 

Directed by Ramiro Arrieta Mireles Avendano

Story by Ramiro Arrieta Mireles Avendano

Starring Ramiro Arrieta Mireles Avendano

Cinematography by Ramiro Arrieta Mireles Avendano

Production Assistants  Gigi Hudnell, Taeko Baird

Production Company Holy Knight Productions

Countries  United States

Language English

Release Date NEVER

Budget

 

 

Zombie Reign [ZR] was supposed to be an ultra-low independent film [or series] directed and produced by Ramiro "Henry" Arrieta-Mireles Avendano between 2006-2016[?]. There were other titles to this huge pile of crap, once it was called “The Oath,” then it was changed to “Zombie Reign,” then it changed to “Zombie Reign: Revelations,” then back to “The Oath”...and on and on and on. The director told his cast that the original script was something that he put together when he was a young teen watching a movie on cable TV. The truth is, the script for ZR was stolen from someone else and was then modified by Avendano to make it look like it was all his. The director added characters to the original script, changing dialog often, and eventually the script lost it's focus on the story and plot. There were too many variances in the script writing, tons of cut and pasting, that all showed a pattern of PURE deceit, as all this project ever was was an attempt to have the directors name, “Ramiro Avendano,” up in lights.

THE FIRST TO GET INVOLVED
 
Every rendition of this tremendous pipe-dream had a marvelous assortment of production scum that was filled full of first time movie “know it all’s” and “secret connections” with imaginary people in Hollywood [or “LA”] waiting to see their efforts. How Avendano kept bringing in good, talented people into each new remake of the ZR project, over the course of ten years, is just one hell of a mystery and a possible story plot for an eventual film. Even today, the people involved don’t want to admit that it was all a sham and some are still holding on to the belief of this film project making millions of dollars off the tons and tons of video snippets recorded over the course of four years. There are also a few who were once close to the director who still hold on to the fantasy that someone will find the footage and bring it to the right people to launch it out to the world.
 
Make no mistake, good and honest people were brought into this train wreck with a plethora of good intentions and wild promises of instant success. You’ve got to feel sorry for the ladies who threw themselves onto the director [yes, the intimate kind], begging Avendano for spot in the BIGGEST…cough-cough…”film of the century.” The circle of people who followed the director down this rabbit hole found nothing but heart ache and a cult-like symbiosis which they couldn't escape, as all that was left were the memories of being harassed or mistreated on set by a few of the directors inner circle elite.

MAGIC OF THE HYPE

Even before the team on ZR had actual cameras and sound equipment to begin production, there was an upper level hype that was being pushed out on Facebook and other internet mediums. Avendano first started this creep show in Las Vegas, NV where he was probably eventually kicked out of town for it, and then it moved to San Antonio were "EVERYBODY wants to be an instant star" was exposed to his sham. This goof ball had everyone believing that he went to law school [in San Antonio?] and was to become a lawyer, but that he was too focused on his real dream of becoming an “instant hit film maker" and making the film of his dreams, a zombie flick. With no money, no real job, no real friends, a pissed off ex-wife with allegations of sexual child abuse, and no real infrastructure in the film business, this idiot held extensive auditions, made casting calls, spread the news about his movie production, got laid, ate for free, and best of all, had a career in film making without ever making a film!

When the actors and crew started to question the director about how his “dream” could become a reality without any real film equipment, Avendano would put together a nice looking pitch video for ZR, made with Quicktime Movie Maker [which is not even Hollywood standard], and he would bedazzle his cast and crew with mesmerizing hopes that this thing was truly going to work. Of course, he had help. With the saucy looks of Cynthia Aline-Chamblin and Taeko Baird by his side, steaming up the cast and reinforcing them with the dreams of real success, what person could pass up taking a chance to work with these lovely ladies? If details needed to be hashed out, Avendano would send out another go-to girl, Gigi Hudnall, to reinforce the legality of the entire production and why things were being kept in such low-key fashion. This is absolutely no lie, and many of the cast members who were finally able to strip themselves away from this clan of deadbeats can give you even more gory details about how they were controlled with noting but talk and hype. Of course, the ones that don't want to talk about it are either the ones that also got scammed out of money or they are still holding on to hope and don't want to piss Avendano off.
 
THE INNER CIRCLE

Not to beat a dead horse [again], but for years, Avendano was seen editing the ZR movie on his personal laptop; but no one ever saw one second of what he was actually editing. Even worse, those closest to him never saw a segment of the movie that was being edited and put together by this breathtakingly awesome first time director. The pathetic mentality of a few in his inner circle kept fueling the fires of future success through highly aimed hopes and dreams; all of which were never going to come to fruition. With personalized social circles, Avendano became a godlike entity who would promise so much success if one just simply followed him, listened to his word, and believed in his dream just like everyone else around him. His people began to give to him freely without him asking for anything. He was, and still is, untouchable to blame by his deepest followers.

TENSION SURFACES FROM AN UNLIKELY SOURCE

Then, like a bad sub plot, the entire ZR film project fell under scrutiny when a couple of losers by the names of Tim Miller, and an out of state idiot, Johnny Lepper [of Buffalo, NY], got involved in a smear campaign against Avendano. They both alleged a ton of wrong doings against the amateur director and provided falsified evidence of text messages and background checks insisting that Avendano had conspired to commit fraud, that he had a spotty past, and that he had sexual assault charges made against him on a previous film project. Even farther, these two bozo's were able to get their claims published in the local publication of the San Antonio Current with the help of staff writer, Kiko Martinez, who slandered the director openly. All of their allegations in the article were were proven false and slanderous, leaving The Current to settle out in civil court against a lawsuit filed by the director in San Antonio, TX. But Avendano didn't need anyone outside of his production team trying to help ruin his reputation, he was destined to eventually do that all by himself.

GREENER PASTURES IN LAS VEGAS

Things really got really ugly the night after a ZR: Revelations film premiere in San Antonio fell flat on it's face even before the opening credits rolled. The shyster director was bold enough to pre-sell DVDs of the ill fated film to his own cast and crew, and then he ran off with the money and hid at his mothers home in shame. Shortly after that, Avendano packed up his goods and moved back to Las Vegas, where he sat quietly for a time; slowly building up his new army of cast and crew on the substandard movie idea and script he still had in his possession. Then, when the time finally came where Avendano was on the set of his new zombie film project, and with the help of an investor found by one of his old loyal cronies who also wanted to be an instant star, Lester "Les" James. This investor pumped a load of cash into Avendano’s “dream film project” – and some began to feel that this could finally be it? Was this the answer to all of the promises Avendano made to so many people in the recent past? Oh, and you know that he had reached out to the old folk who once supported him in San Antonio, asking them to come out to Las Vegas and help him on a now "legitimate" production of the film.
 
He told his old cast and crew from ZR that he was going to pay up on his old promises, but only a few listened to this bravado. Some who actually rejoined him on the set of “The Oath” in Las Vegas were Christopher Garrett, Melissa Dawn Smith, Bobby Osborn, Lester James, and a few others. The rest seemed to have learned their lesson the first time and gotten smart to the directors real ploy of lies and stayed distant. But even though distant, those left behind in San Antonio still held on to the BIG dream of having success and making millions of dollars, so they could retire and not have to work anymore.

BUILDING THE HYPE AGAIN

Again though, it was only a matter of time before Avendano began to gloat and over-hype this new rehashed pipe-dream. The new cast and crew of The Oath [in Las Vegas] was excited to be receiving a paycheck and getting on this wild ride that would eventually lead them to “stardom.” The director had people running around training all the time with airsoft weapons. He boldly presented videos of himself on Facebook, running around and enjoying the splendor pretending to be training like real Special Ops military men. You think he was doing this for hype?...No sir, he was doing this to show those people back in San Antonio that this new venture was "the real deal” and that those who stayed behind were missing out. [*] He was now a master scam artist, even using his "inner circle" to help him procure true working professionals in film to assist in the production of "The Oath" in Las Vegas, NV; one of them was veteran actor, Tony Todd, who was paid handsomely for his ten minutes of work. The best thing is, those professionals quickly realized the sham and walked away from the project before they became too deeply involved.

LAS VEGAS EASILY FELL PREY

Think about this; Avendano had big cash for a movie budget, but he spent a majority of it on himself, his wife, his mother; eating expensively, tossing cash about in Las Vegas like it was growing on trees...like having herpes. It was only going to be a matter of time before the director had a relapse of "the stupids," and he would  fall flat on his face again. And he did just that. First, after he ran out of budget money, he pawned off all of his studio equipment, just to use the money to buy more lavish foods from fancy restaurants. When some of the smarter actors begin to question his motifs, Avendano never gave a straight answer, and then began to slowly cut people off from his inner circle.

All of the directors crude decision making began to worry the cast and crew. His narrow minded actions were not only destroying all the work the actors put into the film, but he was also ruining the names of some good people in Las Vegas who initially supported him blindly; those being Socorro Jones, Cheryl Prater, Tonya Todd, TJ Wimbs, Aaron Castillo, Scott Harris, and a few others. By the time this group got together, shared notes, and tried to arrange a meeting at Jones' home to talk about what Avendano [or Roe] was actually perpetrating, it was too late. Even though part of this group of actors claimed to be in contact with the prime investor [via phone calls and Zoom meetings] for over nine months in 2020, hoping the investor would come and save them, the investor proved to be just as worthless as Avendano and never took a stand to make things right. As a matter of fact, the investor seemed to also be afraid of Avendano, almost as if the director had something to use against the investor that could being him down. [*]

The problem with the investor was that he was preoccupied with sponsoring another film production in Texas, claiming to several people in Las Vegas that he was working hard to keep his other production there in-line, due to having a director and crew who didn’t know what they were doing on set. What the actors in Las Vegas didn’t know was that the investor had never produced, properly invested, or made a movie in his life and that he was stringing the actors in Vegas along just to bring a “heroes attention” to himself, just like Avendano did. In truth, the other film he sponsored in Texas was HAVOC 114; a production where he had absolutely no say, the film was already “in the can” and entering post editing; and which would eventually win a ton of international indie awards. [*]

Right after this, going into December of 2020, the director released news that The Oath was scheduled to be released nation-wide, but for only two days. He claimed that he was going to welcome the cast to one of the many premieres of the films release. Of course, no one bought it and Prater made sure that the director knew it. The director had over stepped his own B.S. and his production was on the verge of losing everyone...except for Jones, who would hold on to the bitter end, even after she complained to her staff that her reputation was "on the line" with this disastrous pipe dream of a film; commendable to some, to others just more proof that some people couldn’t let go of the directors “possible” chance at success.

WAS THE DREAM NOW OVER?

What did the director learn from this new shit show; that there’s always some sucker out there who desires instant fame and money, MORE than he did. And it’s a fact that Avendano didn’t lose an ounce of sleep over any of his decisions.

HOW WORKING WITH AVENDANO EFFECTED PEOPLE

What about the people back in San Antonio who once supported Avendano in the cult-like venue of mutual existence in the now faded dream? What effect of being exposed to someone else’s pipe dream going to do to them? Well, Brett Wilson Sr learned to gloat about his acting accomplishments and he became a person trying to fill his ambition of being an "instant star" in any project that came his way. Recently, and with so much hype, he had to jump on board the fame-train and he claimed credit in parts of film projects that just weren’t true. On IMDB, he claimed he was a “second assistant director” on the film Praying Mantis, which he wasn’t. He also claimed to be a “co-creator” and “co-writer” to Havoc 114, which he definitely wasn’t. He was so consumed with the idea of being some huge talented actor that he nominated himself for “best actor” in Havoc 114's Independent Film Festival run, when he was at best only a supporting actor. Today, he’s directed his first feature film that has won some independent film awards and, of course, it was the best film since Swiss cheese was ever invented. So yeah, Wilson Sr learned a lot from Avendano about hype and boasting a project that was far from actually being perfect.

What about the other San Antonio supporters, you might ask? Well, the word is if Taeko Baird is in a film project, there’s always some type of drama that follows it. And yep, she’s also in Wilson Sr’s new indie film that has and will also go nowhere, even though someone has filled their heads with the idea that there’s a "distribution deal" in the works and millions of dollars are riding on it. But if Baird is in this film as well, and if she’s personally involved with any part of the management, its a sure bet that the film project will suffer from her idiocy of needing to know everything in the film business. Well, what she also learned from hanging out closely with Avendano is to always keep copies of contracts and legal work that can be quickly spruced up, copy and pasted, to make it seem authentic, original, but more importantly, look legitimately legal.

Gigi Hudnall has tried to play it safe by laying low after the failed ZR premiere in San Antonio; a smart move if you ask me. And what was her relationship with Avendano?...well, sources say it was pretty deep and personal. She was in charge of selling DVDs at the ZR premiere and collecting all the money sales. When the premiere failed, she didnt even attempt to pay back the money she so eagerly accepted.  And she was in deep enough to have her and Baird constantly fighting over the scraps of power and position to stand at Avendano’s side when ZR made the big bucks. Who won that fight we’ll never know, but it was Cynthia Aline-Chambliss who eventually married Avendano, trumping out everyone wanting to be at his side, but she too got smart and eventually [and very smartly] divorced him for greener pastures. Aline-Chambliss is now said to be happy and a mommy with a good husband who truly cares for her.
 
SO, WHAT NOW?

In the end, this ZR movie, plus The Oath, were never made. No one ever saw a completed film nor was anyone ever given copies of the film to help some of the actors bolster their own demo reels.

The twenty-something minutes of crap that was actually previewed just never had a chance of standing on its own, even as a web series. The sound was bad, the film format was not of any film standard I’ve ever seen, and there was a bunch of badly planned green screen moments that were absolutely hilarious and not prepared properly. Constructive criticism is sometimes the best medicine for first time filmmakers to realize where their skills actually lie. For this director to work on ZR for over ten years, just goes to show that Avendano was too chicken-shit to show anyone the real truth about his dream; that he couldn’t direct or capture anything on film to help save his life. 

Anyone can look back at all of the actors, new and old, who brought so much talent to his pipe dream that it will make anyone truly wonder who was building up all the hype in San Antonio and Las Vegas…surely, it was all the people who sold their souls and wanted instant fame.

The only good thing that came out of ZR and The Oath were the circle of friends who bonded together over time and became small pockets of tightly knit family, who often still contact each other for support, giving each other updates on the happenings in their lives. 

RIP Zombie Reign.

BLOG WRITERS NOTE: Two solid years of investigating this useless piece of shit project and every event stated on this wiki has documentation and witnesses to prove it.

Saturday, January 11, 2020

YOUR DIRECTOR IS CLAIMING A "NETFLIX" DEAL ON THIS NEW PROJECT...???...

D. R. Quintana, D. R. Quintana-Lujan, writer, journalist, film maker, director
Houston, Texas - We've been approached on more than one occasion about what the rules are concerning Independent Film projects who are claiming they have a contract deal with Netflix, Amazon, or a distribution compan far away agreeing to help stream this new project or put it out in store on DVD/BlueRays, so they can receive big checks from investors and the like, bringing the project to the next level of success. A lot of new actors and some talented veteran thespians are often dragged into these projects, that sometimes work on scenes for six months to a year, but eventually die out after some investor backed out or the director and his production crew were unable to make a trip to "LA" [Los Angeles] to meet with the right people.

A large majority of these new Indie films start off with a bright burn of fast cash that all seems legit. A smaller percentage manage to contact some big name in Hollywood; usually an actor from the 80's or 90's that's still trying to make payments on his/her new home or a new car. With all of the cash flying around, the local Indie actor sees very little and extras on the set are just an after thought to brag about it on their resumes or IMDB page. But was all the effort worth the trouble?...Many male directors look at casting strong local talent as an open door policy to attracting "hot babe" actresses who just want to stand in the limelight and garner local attention, which can be plenty of pay enough to sate their thirst for being the "big name" in town. Besides, just knowing that the Netflix or Amazon deal is on the wings now, is just a bonus - "Everyone in the world will get to see my work in front of the camera!"

Well boys and girls, I really hate to break it to you on this blog, but NONE of the streaming services like Netflix, VUDU, HULU, Amazon.com or distribution companies work this way; and for sure, investors don't sign paychecks to anyone in the payroll for projects they helped fund. Although investors maintain ownership of a project until they're paid back in full with the percentage of interest promised in a contract, the production team has to maintain the projects budget through a project manager who ensures the entire project's budget is maintained and every cent accounted for and that it is NOT being used for personal again. They also ensure that the project has insurance to cover any loss in the production. Most veteran thespians should already know all of this, but sometimes their minds lax a bit and they slip through and they wind up grabbing a hold of hope.

Director
Hope won't save anyone's ass should the project fail to produce a promised project and funds are misused and not reported to the investor(s). Case in point is an Indie project called "LEGENDS" out of Los Angeles, where Adam Joiner was able to acquire a little of $14Million in investments from South Korea and China with a brilliant script, through a studio company he called Dark Planet Pictures. The entire thing was sham and Joiner was living the high life until he was arrested by the feds; buying two homes and a beach house in Manhattan with the big money. There are accusations that he swindled more people in the U.S. with this project that had a long list of talent that was going to take part as the production team and cast. You can read more about this true story here. And you have to remember, this guy had previous film credentials and, at one time, was even a winner of an Oscar.

Here in Texas, the claims that an Indie film project is being "seen" by Netflix have been brought more times that anyone can count. In Houston alone, it's part of the status-quo; some projects brought up on prior blogs that wound up being bad productions that eventually were only released on the Internet, having some "small change" views on YouTube.com and they turned out to be webisodes of bad formatted shows filled with acting performances you'll wish you never spent time viewing. We posted warnings about film directors claiming "Netflix status" on more than one occasion, but it seems that either the word just isn't getting out or people would rather ride the wave of sex, film and fun until the magic dries up. Some those choices made by first time actors/actresses prove to be a huge burden and many are never seen again in the Indie film making world.

How do you protect yourself?...well, the first thing to do is to do research on the film's director and crew that you've chosen to work with. What previous works have they submitted to Netflix, Amazon, etc. If they have no previous experience, do your best to ask the right questions; "How did Netflix find out about you and contact you?" - "Can I see some of your previous works?" - "Who's going to be the production manager?" - "Is there a budget?" - "Are there camera requirements for the submission?" - If you get crummy answers [or non-answers] to any of these legitimate questions from the director, then you should have a good sense to know that you could be wasting your time on this film project.

Every streaming network has a format that is required prior to accepting any film project that is submitted; especially the type of camera and data sizes for streaming purposes. There truly isn't a point of contact with the streaming service and they never call anyone about the progress of the film as they only accept completed film projects that have all of the proof as required on their home pages; anyone can look this up. The information posted under their submission procedures doesn't change just because you're a director or producer.

And take warning, if you're in an Indie project that has an actual budget that has money being spent everywhere, be sure that the director isn't also the editor, leading actor, and project manager in the project. If any these things are currently occurring in the film project your in, it's time for you to take any losses you may have incurred and step away.

Thursday, July 4, 2019

RAMIRO AVENDANO ADDS ANOTHER FAILURE TO HIS ALREADY BADLY TAINTED RESUME...

 DAMN, ALREADY AN UPDATE TO THIS BLOG!!! - Please read below

THE OATH Series

DIRECTOR/WRITER: RAMIRO AVENDANO

STARRING [We guess] – Ramiro Avendano, Tony Todd, Jose Rosete

Story/Plot - Totally unknown. But apparently Avendano plays an ex soldier who is caught in the middle of a zombie outbreak where he alone is the hero and has to find people to aid him in his fight to survive???...it doesn’t sound all that original.

Well, here we are again. After two years of boasting that he would make his BIG film debut, but with a new production team, a real budget, and some Hollywood talent to brag about that he was able to secure, Ramiro Avendano made it clear on IMDB that his newest attempt at producing a professional production would be released for all to see on July 4, 2019. But instead of proving a point, he’s only done the same old shit that everyone who has searched this blog has learned...that he has failed to do anything but hype his own crap that will never see the light of day.
After such a weak trailer (released on THE OATH’s Facebook page) what will be the excuse this time, I wonder? (1) Ramiro has to take the footage to LA to have some professional editors put it together? (2) Ramiro has to hold back the release because...say it with me...”the powers that be at Netflix or Amazon said that they want to see more episodes?” (3) Tony Todd found a real producer in the business who wants to give the series a view first?...oh, the excuses will be plentiful and those in Ramiro’s “inner circle” will completely understand, I’m sure. (4) There’s another possibility that Avendano will push back the release date a few months to buy him time to put something together. Like always, he has a history of pushing release dates back to try and give him some time to try and impress only those around him and his inner circle.

UPDATE!!! - And Avendano does not disappoint as he has changed the release date for THE OATH Series now to October 2019, which is only just a few months away. We have received a few emails that have solidified the opinion within some of the cast and crew that Avendano is grasping for time and more funding to try and complete the two episodes of the series and get them out for release. Any chance of him holding a premiere in Vegas is planned only as a private viewing and probably only at someone’s home with a few cast and crew members allowed to attend. Another rumor [that is now a fact] surfaced from an email that alleged Ramiro and some of his team members planned to re-visit San Antonio to film some scenes to fill in gaps in one of the episodes. Emails have alleged that Avendano has asked several old cast and crew member to assist and mostly all have declined. He handled all camera duties and oversaw all material needed to be completed on a weekend schedule.



With Avendano's personal obsession with Automated Dialog Replacement [or ADR] that also derailed production efforts on another film, there is more confirmation that Ramiro arrived with his wife [Cynthia Chambliss-Avendano] to solely record some lines with local friends in san Antonio and film some small scenes; he in return has asked at least one of the actresses to promote herself as a star in a network series that will be released in October; something Ramiro had asked his old cast and crew to do during the Zombie Reign [ZR] campaign of film production. This is sure to spark a hefty response of older ZR actors and crew who were promised to be paid by Avendano for all of their hard work. But it’s obvious that Avendano will make no plans to visit old cast and crew members to pay them for their services over the course of two to three years that they worked for him. It's even more obvious that that he did not come to San Antonio to actually film, as he doesn't have any permits to film in Texas and he knows he's under a watchful eye now.

The funny thing is, where Avendano truly believes that there’s this mass following that is patiently waiting for his film to hit the streets has only been a fabrication of the dream world that he has built up in his mind. He has started to claim to his cast and crew that OATH will be released on NETFLIX, which is an invalid statement, as his production on OATH and it's Facebook page has already broken most of the rules for submission requirements to the streaming network. True, he has access to some names, but they would never have showed up unless he had a paycheck for them – that includes some old San Antonio talent that he brought to Vegas to impress with some new equipment and crew; no one in their right mind owes any favors to this nobody, that couldn’t produce a film whether he’s had a cool million dollars to waste on any film project or his now infamous lunch appetites and exclusive budget on fancy eating at high priced restaurants. What is clear at this point is that Ramiro certainly does not know what he's talking about and the admissions process for OATH will not let him select a release month for the series IF it was approved for acceptance.

We only learned about the release date to THE OATH Series a few months ago and we jotted down the date on our day planners just to keep an eye on the premiere – if there would even be one – and see what all of Avendano’s new hype would present. With the forty some odd Facebook followers [possibly the cast] who follow his posts, we’re pretty sure that a little over fifty people would have showed up for any type of premiere.

We’ve seen this Titanic sink before, once a pretty gruesome death. Even now, the crew in Las Vegas has grown ill of Avendano’s apparent lack for basic film principles and they’ve begun to jump ship before THE OATH Series has even been completed. There are rumors that Avendano’s team failed to secure film permits in Vegas, also as much as filming on locations without permission, and some other odd behavior that will be released on a later blog after we’ve confirmed some of the oddities with the actual people who witnessed them.

But for now, this review will stand as a COMPLETE waste of everyone’s time. I might be willing to change this review should the project ever actually hit a network or big screen for proper review.


UPDATE! - The OATH Series has only a handful of episodes that are sparsely completed and emails from the Vegas cast and crew have alleged that only two episodes are actually close to being complete, but still require a lot of filming to have them completed for submission to NETFLIX, who requires at least six fully completed episodes to be considered for acceptance into that streaming service contract with the network. And Avendano, who seriously does not know what he's doing or saying, does not have anything that fits withing the required format for submitting to NETFLIX. 💫 [.5 of 5 Stars]