Wednesday, August 31, 2022

QUANTUM STORM WIKI ON “BIANCA: 2029”

 

BIANCA: 2029 – The Wild Card is a 2015 SciFi, dramatic/action web series written and directed by David Quintana-Lujan. It is the third web series idea and pitch produced by Quintana-Lujan, this series was the second web series [in development] produced under the studio name, Quantum Storm Productions. In the near future, aliens [from deep space] are running loose in America. Some of these aliens have good intentions and others want to take over the world. Bianca Wolfe is hired by an organization that regulates the free living aliens who roam the countryside and sends her out to arrest, detain, or eliminate any alien that poses a threat. Not everyone is aware that these aliens exist within their society, and now one police detective, Mr. Williams [Kelly Raymer], is curious to Bianca’s motifs, often wondering why she is above the law at every turn. BIANCA: 2029 features Kacey Kelley, Kelly Raymer, Katie Garza, and Jacob Hubbard.

Directed by D. R. Quintana-Lujan

Screenplay by D. R. Quintana-Lujan

Story by D. R. Quintana
               Kacey Kelley

Based on Characters by D. R.  
                                 Quintana-Lujan
                                 Kacey Kelley

Produced by D. R. Quintana
                 Michelle Kelley

Executive Producers  Barbara Johnston
                        D. R. Quintana-Lujan

Starring Kacey Kelley

Cinematography by D. R. Quintana-Lujan

Edited by D. R. Quintana-Lujan

Music by Snowflake

Production Company Quantum Storm Productions

Running Time 12 minutes

Countries  United States

Language English

Budget  $2,700

 

BIANCA: 2029 is an ultra-low independent web series directed and produced for development by David Quintana-Lujan during the summer of 2015 after a teaser trailer was released in 2014 during the Ghosties premiere. The entire web series was developed and filmed in Montgomery County, Texas. This series concept was fallout from the successful “Secret of Angelika5” web series that was quickly coming to a close. The director-producer wanted to start a more action packed series with more of an adult theme to every one of the new episodes planned for production. Transitioning to this new series meant that the studio would need to bring in a new cast and also require cross ever episodes with Angelika5.

Originally, Bianca Wolfe was created as a comic book character that Quintana-Lujan developed in the 1990’s under a graphic serried entitled, DEADLY FORCE; so bringing this character to life was a long time dream.
The director-producer approached Kacey Kelley with the idea to produce an off-shoot series after the end of the fourth season of Angelika5, where Kelley was more than excited to extend the characters development, especially after she was introduced in the fourth season of the hit series. Kelley was given copies of the original Deadly Force graphic novel and also encouraged to openly share ideas for the character and began full time training to toughen her up for the role during the final weeks of shooting Angelika5. The director-producer sought out to find an investor-producer to help out with the running costs of the show and found Barbara Johnston more than ready to be part of the shows production effort.

In February 2015, Quintana-Lujan met Kelly Raymer at an independent films event in downtown Houston and admired the actors look and tall lanky build. He thought to himself, “this guy would make a really badass bad guy or a micromanaging dickhead,” which is where the idea of creating Mr. Williams was first established. Through a mutual contact, Darla Redwine [of Ghosties], Raymer had actually attended the Ghosties premiere [the year before] and wanted to work with the film’s director-producer on a new project, if the chance ever came up. Raymer was a respected comedic actor in the local Houston film scene and wanted to play a larger role in films, so when the director-producer first approached him about a new project, Raymer was ready to say, yes!

March 2015 brought the idea of Quintana-Lujan making changes to the first rough script for episode one. Where his previous works were more dramatic in the story telling, the director-producer began working on the dark comedic parts of a storyline where the “aliens on the run” might be more quirky in explaining that many of the authorized aliens don’t like the less intelligent aliens running around the planet making their race look bad. With the help from Kelley, the lead character would be portrayed as “tired of doing her job, but if no one else wants to step up to do it and get paid she might as well stick around.” This new philosophy in the character helped the script develop to an all new format in writing which the director-producer had never worked with, so several episodes were completed in only two weeks.

In May, Angelika5 wrapped up what would be the final season and the studio jumped to working on Bianca: 2029. Locations were set and Kelley was excited to get the project started. With only two weeks to prepare, the director-producer began to fill the rest of the cast. He found Jacob Hubbard working at a sandwich shop in the Woodlands, TX. He was fascinated with Hubbard’s facial features while he was telling tall tales or jokes with the local customers. Hubbard had no acting experience but was willing to try his best on camera; that was all Quintana-Lujan asked from him. Next he stumbled onto Katie Garza through the recommendation of Raymer who had met Garza on another indie production, and after a minor audition, she was brought on board to play Raymer’s partner. One actor who didn’t make the first episode due to having a stroke a few weeks prior to filming was Kevin Kretz, who was set to play Bianca’s alien Bail Bondsman who hires her to hunt down aliens.

Shooting of the first episode began in June on a hot day. The location for the first episode was filmed on Kelley’s fiancés home barn in Montgomery County, Texas. Most of the first scenes covered Raymer and Garza on camera, but the rest of the episode skipped to introducing Bianca Wolfe in all of her action packed and comedic splendor. The entire production took less than six hours to produce, and with the help of Kelley’s mother, Michelle Kelley, the production quickly moved from one scene to another. Unfortunately, at the completion of the production to the first episode, Kelley’s mother disclosed that she had terminal intestinal cancer but didn’t want to share the news until the first episode was complete. The episode was edited together in less than a day and two weeks later was released on the studio website as a teaser episode.

The first [and only] episode produced for the potential series was released to raving reviews by both the local indie film scene and at least five indie film critics. The episode received over 16,000 views in the first week after it was posted, most of the views were from overseas and many were centered by “instant fans” in Japan. After the studio website crashed and was lost, the series episode was posted on YouTube where it lost most of its momentum. The director-producer was so impressed by Kelley’s portrayal of Bianca and performance on film that to this day, no other actress has had the technical skill, ability, or commitment to play Bianca Wolfe on film.

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QUANTUM STORM WIKI ON “GHOSTIES – THE WITCHES SPELL”

GHOSTIES – The Witches Spell [Ghosties] is a 2014 paranormal, dark comedy short film written and directed by David Quintana-Lujan. It is the first film produced by Quintana-Lujan, and the first feature film produced under the studio name, Quantum Storm Productions. In the present time, a group of teenaged ghost hunters have struck out seeking ghosts during the summer. After they are introduced to a real black witch, who gives them a spell in passing, do the young team of ghost hunters begin to actually see the paranormal images of people who passed away. But are the ghosts truly real or a joke laid out by the local graveyard lawn keeper who’s tired of kids breaking into the property looking for ghosts? GHOSTIES features Jessica Yanker, Alan Berkowitz, Fabritzia Faustinella, Matthew Jasso, Kacey Kelley, Robin Galley, Travis Coker, Mary King, Angelica Grayson, Daniel Erik and Warren Lightsey

Directed by D. R. Quintana-Lujan 

Screenplay by D. R. Quintana-Lujan 

Story by D. R. Quintana 

Based on Characters by D. R. Quintana-Lujan 

Produced by D. R. Quintana
                  Darla Redwine 

Starring Anisah Khan, Ashlyne Redwine,
            Katelyn Merricks, Haley Coker,
            Emily Thompson, Tanner Fontana 

Cinematography by D. R. Quintana-Lujan 

Edited by D. R. Quintana-Lujan

Set Assistant Joan Yanker

Music by ASIA
             Randal Behan
             Zeca Mahoney 

Production Company Quantum Storm
                            Productions 

Running Time 48 minutes 

Countries United States 

Language English 

Budget $8,500 

 

 

GHOSTIES – The Witches Spell [Ghosties] is an ultra-low independent film directed and produced by David Quintana-Lujan in May of 2014. It was entirely filmed in Montgomery County, in the state of Texas with a soft budget of $8,500. Most of the cast were young teenagers [or "tweens"] and their mothers all helped with the production requirements behind the camera. 

Copyright 2014 Quantum Storm Pictures
After the director-producer completed the third season of his webs series “The Secret of Angelika5,” he was looking for a new project to work on to break away from the “quick film format” that was being used on his successful web show. In February of 2014, he made contact with a woman named Glenda Rovito who introduced him to a new group of actors in the downtown Houston area. After attending a film premiere for Matthew Jasso’s action feature film, “BACKLASH [2011]“ the director-producer was introduced to a group of teen girls at the premier who looked like a talented and excited bunch. One little redheaded girl stood out of the bunch who caught the director-producers eye, Ashlyne Redwine, who was loud, proud, full of energy and had a positive strength that the director-producer could work with. Later the same night, he was introduced to her mother, Darla  Redwine, who was looking for a project that her daughter could star in and both began talking about working on a project together. Through the one contact with Redwine, the director-producer realized that he would have access to an entirely new group of talented young actors. The director-producer went home and began to look for a script that would fit the format of having an all teen cast. 

Copyright 2014 Quantum Storm Pictures
A week after discussion project possibilities with Rovino, the director-producer settled on rekindling an old short film idea he created in 2006-2007 while he was living in New England, entitled “Ghosties.” This short film project involved a group of young girls who searched for ghosts and used an old book of spells that helped them conjure up ghostly spirits. The director-producer re-worked the scripts, added a few new characters, and then produced a third script in the short film series as a feature film. The scripts were shared with some of the parents, who immediately signed on to add their teenaged child to the possible production. Rovino’s teenage daughter, Drucilla, who had already worked brilliantly with the director-producer in an episode of Angelika5, was first selected as the lead for the new film. This did not sit well with a few of the mothers of cast, mainly Darla Redwine and Kaylyn Merriks, who felt that Drucilla was an amazingly talented and trained young actress and felt that her performance in film might overshadow the other children in the cast. Now in a position that he might lose access to a large group of young actors prior to signing contracts, the director-producer removed Drucilla from the production and changed the script so that there wasn’t just one teen leading the cast in the future film. 

Copyright 2014 Quantum Storm Pictures
In mid-March 2014, the director-producer met with several mothers and contracts with releases were happily signed by the small group of moms. The meeting was important as filming requirements were discussed in great detail. The team covered wardrobe, filming locations and possible casting additions to fill in the adult roles in the film that were still not cast. Alan Berkowitz and Jessica Yanker were brought in from the cast of Angelika5, Matthew Jasso was brought in after he promised to make a film with the teen girls at his February film premiere, Fabritzia Faustinella was contacted to read for the role of the Black Witch. So much material matters were brought up in each new meeting, that the pre-production phase for the film moved the filming dates up a full month. The director-producer felt confident that filming could start in May and shared the news with the mothers of the cast, positioning the entire production in the town of Montgomery, Texas. 

Copyright 2014 Quantum Storm Pictures
To the surprise of the entire cast and crew, the film began production on the second weekend of May 2014. The cast and crew spent the day of the first day of production filming at various locations in Montgomery, Texas. First was a stop at a Karate studio, which was actually a fitness center that was owned and operated by Eddie Enriquez, who also played a role in Angelika5. At the end of the first location, a new talented, natural actress, Emily Thompson, was added to the cast. Her audition with the director-producer forced him to make the decision to bring her to the production and add her as a character to the script. The second location was at a storage center where the director-producers own family van was parked inside a storage room to simulate night time, where the teens took turns delivering their lines. The third location was a night shoot at the Lightsey Ranch, a water front property that was also used extensively on the set of Angelika5. Over the course of the first night of filming, a cold front moved into the area which helped quell the sound environment as the crickets and frogs fell silent during filming. Furthermore, the cold front brought in thick clouds that prevented the moon from casting light on the sets, and thus the conditions were perfect for filming. 

Copyright 2014 Quantum Storm Pictures
After the first weekend of shooting, the teen actors were wiped out and they completed over 60% of the film. The director spent three more weeks working in the remaining scenes and also performing ADR to some scenes to ensure the sound was pristine in the final phases of editing the film together. One scene that was a required flashback in the plot of the script, was shot separately from the rest of the production. This scene concerned the role of the leading ghost, “Beheaded Betty,” who was played by Kacey Kelley [also of Angelika5] was shot over the course of two hours at a historical park in the town of Montgomery. This one scene in the film catapulted the feature in ratings from a G rating to a PG rating; as the character apparently commits suicide after her lover never returned from a cattle roundup. 

Copyright 2014
With Ghosties finally “in the can” and editing all but done, the film would be released to the public in August, one week before school started in the local area. Ticket sales were handled online and the studio team prepared t-shirt and poster sales for the films premiere. The first showing of the film was presented at the Alamo Draft House in Katy, Texas and, unlike most independent films in Houston, Texas that were premiered at a bar, this premiere proved to have had the largest attendance in the city’s history as every seat in the auditorium was sold out, there was standing room only, and the management in the theater claimed that food sales went through the roof. Every attempt to build the excitement was presented to the masses that arrived to view the film, most of who were teenagers too. Houston’s Independent films known favorites, Nicholas Nicholson, Hector Luna, and Irving, Texas’ Steve Luke were in attendance and gave the premiere startling reviews. The performances of Alan Berkowitz and Fabritzia Faustinella eventually won awards for Best Supporting Actors and the director-producer won awards for Best Film and Best Producer.

With the films huge success came a little bad news as one mother, Kaylyn Merrick and her daughter chose not to be part of the films premiere as her teen child was cast in a 48 Hour Film Festival and didn’t want to associate with the rest of the cast’s success at the premiere. Even though some of the cast members were heartbroken that one of the co-actors didn’t make the premier to complete a team photo, the reception following the premiere removed all doubt as the young cast was welcome with wave upon wave of cheering fans and instant local stardom. This one premiere proved that Ghosties was a big hit with the teen genre and, if proper measures were taken to promote a solid production, that there was a large potential for children’s movie productions within the independent film scene in Texas.

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Tuesday, August 30, 2022

QUANTUM STORM WIKI ON “THE SECRET OF ANGELIKA5”

Copyright 2014 Highwaymen Editions Ltd

THE SECRET OF ANGELIKA5 [ANGELIKA5] is a 2009 SciFi, dramatic web series written and directed by David Quintana-Lujan. It is the second web series produced by Quintana-Lujan, this series was the first produced under the studio name, Quantum Storm Productions. In the near future, a young girl, Angelika McAdams [Brittany Clark], awakens after having an aneurysm [or stroke] and is raised by two adoptive parents who took care of the young girl, keeping a close eye on her recovery. Along her new life start, she makes new friends, centering her juvenile tendencies with a close neighbor, Brianna Fuller, who introduces to nothing but constant trouble, drama and teenage concerns. Angelika is frequently visited by a ghost-like woman, who calls herself “Ms. Rachael,“ who is a harbinger of the future, or maybe just a figment of her imagination. With each new visitation of this “harbinger” a coincidental set of migraines occur that eventually end up giving Angelika incredible super power abilities. Her best friend, Brianna [Angelica Grayson],has the reverse effect and she too begins to have visitations from a paranormal group of beings called “the Vapor People.” As the two girls begin to grow with their abilities, it becomes a struggle for power between good and evil. The powers from the future are then introduced, but we learn that they have hid themselves in the deep past, hiding from a powerful foe. Can Angelika unite with her friends to help unlock the secret of her abilities and defeat the evil plans of the “Vapor People?” ANGELIKA5 features Angelica Grayson, Jessica Yanker, Maque Garcia, Saira Ramos, John St. Germain, Eddie Enriquez, Alan Berkowitz, Patrice Kentimenos, Kacey Kelley, Mary King, Larry Carrell, Matthew Jasso, Shelley Boozer, Caterra McAlexander, and Rainey Beaumier

Angelika5 Promo Poster Copyright 2013
Directed by D. R. Quintana-Lujan 

Screenplay by D. R. Quintana-Lujan
                    Brittany Clark
                    Angelica Grayson 

Story by D. R. Quintana-Lujan
            John St. German

Based on Characters by D. R. Quintana-Lujan

Produced by D. R. Quintana-Lujan                        
                 John St. Germain
                 Jennifer Lightsey

Executive Producers Barbara Johnston
                            D. R. Quintana-Lujan
                            Barbara Clark 

Starring Brittany Clark & Angelica Grayson 

Cinematography by D. R. Quintana-Lujan 

Edited by D. R. Quintana-Lujan
              Andrew Quintana 

Music by ASIA
             Randal Behan
             Zeca Mahoney

Production Company Quantum Storm Productions 

Running Time 22 minutes per episode 

Countries United States 

Language English 

Budget $45,000 (52 episodes)


THE SECRET OF ANGELIKA5 is an ultra-low independent web series directed and produced by David Quintana-Lujan from March 2009 to December 2014. The entire web series was developed and filmed in the county of Montgomery in Texas. A large casting call was made to find every actor in the show, over 100 teens tried out for the series and only three were picked; those being Brittany Clark, Angelica Grayson, and Rainey Beaumier. A casting call for the parents in the show was even tougher, eventually landing spots in the series were Maque Garcia [picked because of her deep Spanish accent], Saira Ramos [for her approachability], and Eddie Enriquez [for his soap opera good looks]. Because the series was being developed in south Texas, the director wanted a heavy cast of Latino talent in key roles. 

SEASON 1

Copyright 2010 Quantum Storm Productions
Seven locations were used, most owned by the parents of the teenage actors, the introduction of the Lightsey Ranch and lake property, and one prime home owned by the Grayson family in Waller County. Each of the 52 episodes for the series was estimated at $870 per episode, each averaged five hour shoots on the production set per day, and the scripting was purposely written for twenty minute episodes; as the director-producer believed [at the time] that shorter “fast paced” episodes was perfect to watch from the internet. Filming of episode one began in February 2009 with a small cast and crew after a long and exhausting talent search to fill roles. The series co-writer, John St. Germain, played the part of Angelika’s father for the first season. Over the course of three weekends, the production team completed four episodes and also worked on the "season ender" which was planned as the eighth episode. Production teams remained small in the first two seasons to keep the cast ready to move from one location to another to complete as many scenes as possible in one day.

Episodes were immediately released upon completion and the cast screened every new episode before they were launched on a studio website. By the first summer of production, all eight episodes were viewable online and there was an instant rush of viewers who watched the first season, trying to figure out what the secret of the series was all about. Meta data for the series was impressive as the first season reached out to over 80,000 fans from various countries. 

Because the director-producer was stationed overseas for most of his Navy career, promotional advertising was produced by spreading the work through contacts made across Europe and western pacific locations during his military career which helped bolster the existence of the low budget show worldwide. What also helped was that the sultry, Maque Garcia, was also a local celebrity in Houston, Texas; as she was recognized as the weather and traffic correspondent on the local Latin network stations. Her popularity brought in higher numbers of views from the local community which helped bolster a new line of fans who followed newly released episodes to the series every weekend.

Copyright 2014 Highwaymen Editions LtdHelping to bring in new fans to the show, the opening credits for the first season used the music track of “Ride Easy” from the world known rock band, ASIA. The director-producer was able to legally procure the use of the track for the cost of $150, which was a complete surprise to the lead singer of ASIA, John Wetton, who absolutely thought the track was perfect for the opening credits of the show and wrote a letter to the studio about using the track. Search engines for the title track from ASIA’s song helped boost the existence of the show at every turn and the studio considered the first season a complete hit with over 85,000 in the first year of the show. 
 
SEASON 2

Copyright 2015 Highwaymen Editions LtdSeason two [2010] introduced new characters and actors to the show. The director-producer was so impressed with the minor success of the first season, he began to expand the writing in of new characters and bending story arcs into several different directions; but said that all of the story arcs were required to build solid character development and bring the show to one final confrontation at the end. This new season saw the departure of John St. Germain as Arthur McAdams and the studio hired the talented Larry Carrell to fill the void. Another new actor, Daniel Gallehugh was brought in to play villain in the series, which brought a lot of heated opinions towards the potential violence in the series. The studio lost the rights to use the ASIA track from the first season, due to a shift in the policies from the bands distribution rights and their publisher. The director-producer immediately commissioned a new track from an indie music source to fill the void. Season two was well received, but was not as successful as season one. Season two ended the series in a wild, but very strange manner which left many of the shows fans in a proverbial lurch. 
 
SEASON 3

Copyright 2011 Quantum Storm Pictures
Season three [2011] brought a new track for the opening credits performed by ASIA entitled “Light The Way” which came from their most recent “Omega” album, which brought a lot of excitement to the show. This season also introduced a character “Sabrina” as the third lead of the show, played by Jessica Yanker of Sugarland, TX. The writing to this season was more focused and the cast had more chemistry with the lineup than the previous seasons. The series story line shifted, giving insight that the entire environment in the series was more of a holographic world [or a dream] more than reality. With a solid promotional push, one character, Deputy Blair [played by Mary King] got a lot of attention and became an instant fan favorite of the show when she was introduced in the third season. King performed her part brilliantly for never having any previous acting experience. She was used in several other projects outside of Angelika5 and was instrumental in helping create a short film entitled, Sparkies. The new episodes of Angelika5 were extended to twenty-five minutes and each episode told a complete story, closing arcs that were once toyed with in the writing department. 
 
EXTENDED PLOT LINES

Copyright 2015 Highwaymen Editions Ltd
A pair of “Razor Episodes” – smaller short film episodes that present a separate, but important plot to the main series – were released by the studio the same year and during a break in the production cycle. A pair of episodes were put together in a relatively short time and all were produced in the town of Montgomery, TX. A super being, Tamara Amvet [played by Shelley Boozer] tries to prevent a group of traitorous soldiers from entering a secure holding chamber of humans who have been frozen in suspended animation. Her methods at handling the mercenaries seem a little harsh, but Amvet is only trying to prevent a larger problem from surfacing. Boozer was so excited about playing the part, that she practiced the part of playing a super hero with telekinesis by using large stereo magnets to move metal objects around. The two razor episodes were both dramatic and very dark, a far departure of what the director-producer was producing in the main web series. Could these razors have opened a subplot showing that the entire inhabitants of Angelika’s town are actually asleep? 
 
FROM COMIC BOOKS TO VIDEO

Copyright 2022 Highwaymen Editions Ltd
Season three also introduced new characters that were developed by the director-producer in a comic book entitled “Deadly Force” released under Blackhawk Comics in 1992 and brought into the show. The lead character Bianca Wolfe was performed brilliantly by Kacey Kelley, was part of a military team who infiltrated the town through a “dream like” doorway, where they were aware of a different world outside of the town where Angelika lived. The Bianca Wolfe character was performed so well by Kelley, the director-producer began production on a spin-off short film called, BIANCA: 2029 released on YouTube and was well received by fans. The team was searching for missing combat members who were “captured” by an alien force. One character named Tamara Amvet, played by Rachel Epps [previously played by Shelley Boozer], was gifted as a top level telepath with the abilities of telekinesis and played a significant part in focusing the story arc for the new season. None of these new characters ever crossed with Angelika during the series run, but opened the possibility that the entire town was not what it seemed. 
 
CRAZY ENDING TO A SEASON

Copyright 2013 HIghwaymen Editions Ltd
Season three ended in stunning fashion, presenting the power of the “Vapor People” dragging one of the lead characters, Brianna, away into a secrete passage in her own room and then being replaced by a dopleganger. The entire season received high marks from critics and fans alike, viewer numbers returned to the high 80K area as season one did. As the studio and the cast began to plan schedules for the next season, Larry Carrell stepped out of his role as Arthur McAdams to work on a film project of his own and would later be replaced by the talented actor Matthew Jasso in season four. Jasso's entry into the series changed the dynamics of the Arthur character and brought in an action packed version that helped boost the production standard of the show. During the season break, the director-producer began production on a film called “Ghosties” with an all new cast of young teens; some cast members from ANGELIKA5 made cameos in the film. The change of pace from shooting web series to feature films took a strain on the director and he extended the hiatus of the web series to rest.

SEASON 4

Copyright 2015 Highwaymen Editions Ltd
Season four [2012] introduced the idea that the harbinger “Ms. Rachael” was a time traveler, who was being sent back in time to inform Angelika of impending danger that could shift the balance of power [of good versus evil] towards the darker forces of evil. Each new episode showed Ms. Rachael showing Angelika how to use her power to influence people around her and how changing moments in the past could make for a better future. A new evil character named “Melissa,” performed by Patrice Kentimenos, introduces the “Vapor Peoples” last dire attempt to win the battle against good. A splinter episode is presented as the season ender, showing that the group of resistance fighters who traveled into the past to hide from an alien presence, have equal evil operatives in their circle who desire to return to the present. 
 
WAS THERE A SEASON 5?

Even though season five were written and planned for production, the series final season was never completed. The director-producer has a movie script which he has been trying to pitch for production. He has contacted many of the main actors from the series to help complete one full feature film to complete the series, but no movement to start production has occurred since 2016. Over 88 various local actors performed parts in the series and at least one episode was filmed in Midland, Texas, with an all new cast, far outside the production locations, cast and crew in Montgomery, Texas. 

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Monday, August 15, 2022

INDIE FILM "FIRST TIME" FILM MAKERS ALWAYS TRY "FAKE IT UNTIL YOU MAKE IT" TACTICS?

Houston, TX - Yes, the title to this blog says it all. It happens more often than not and those "first time film directors and producers" who develop a love to split the lines between what is an actual good film and what kind of crap they filmed; trying to sell it as the next best thing since soggy bread floating in a dark swamp, that NO ONE will ever see. In the local indie circles, there's always some egotistical schmuck with cash who thinks they can change the way indie films are produced and make a multi-million business out of their first film. The gimmick always seems to have a little too much planning, a little too much foresight, and always only ends up with a ton of pointless hype that never fills anyone's daily feed on their personalized Internet platforms, like Facebook or Instagram. These "first time film makers" think they can squeeze into an industry by flattering people with their ingenuity, but will learn quickly that even the most brightest amateur has seen their "production crap" before and they are not fooling anyone. - This is where narcissistic producers and their director usually go to die from existence.

There's been a saying within the first time film maker community that "directors are a dime a dozen" and that "many film teams exist that can produce better quality films" with better effort, with better production teams, or even better actors. The realization is that if it were that easy, everyone would be doing it and not just as a glorified hobby. Keep in mind that these first Indie filmmakers absolutely have no prior film making experience nor are they apt to following an established format for producing or arranging film teams. They often claim to have all the answers but have nothing to show from prior experience. There is a pattern that most believe they can "fake it until they make it" with nothing but hype, useless independent film award stamps, and a production effort that is anything but professional and entertaining to anyone outside of their own little circle. - That's the price for NOT learning the film making system or making solid contacts within the filming community.

First time filmmakers are always trying to impress in areas that they've never worked or been exposed to before. Many feel that they've got a taste for making full feature films because of some prior exposure to film production with another film team or that they viewed some "how to" documentary on YouTube or searched the steps to film making on Google. The truth is, being an Indie film maker gives film teams "an out" from following the more progressive way[s] to make a film and where their productions can take short cuts and cut through a bunch of red tape which would usually slow a production down or hinder their films from being shot without a permit. Film permits are not always required, but many industry distributors that require a license for a film will need them to confirm a deal. First timers often feel that they have the right magic on the first go-round in their film production and expect to "ring that bell" and get distribution deal for making millions of dollars on their first film. How many times have I heard the phrases, "We're working on a distribution deal..." or "We have a meeting with a distributor..." after producing their first film. It's truly pathetic. - That's the price for NOT knowing how to build a solid, knowledgeable production team on your first film.

But just how good is a first timers premiere film production? - I guess that all depends on who you ask. If you ask the first time filmmaker and his team, they'll tell you that their first attempt at making their film "...was a huge success;" made to a standard that blows any competition away. The biased film teams friends and family will tell you that they'd "...buy a DVD or pay a ticket" to watch it again. Asking someone not affiliated and unbiased to the film team will often tell you that "the film blows..." and that they "...wasted an hour and a half of their lives" watching it. I know that these groups of people will make you feel uneasy to spend the time to watch the first time film; you'll remember right off that first time filmmakers have no experience in doing anything to produce and promote their films when they premiere. They often just rent a room or auditorium and try to fill it up with people  that they know and who will be supportive. These amateur teams usually get updates from their "first time director," who will post something on their Facebook page and try to get people to be part of their following. But in the end, these newbies will end up calling their family and close friends, begging them to come to the premiere and watch their show - That's the price of NOT actually knowing how to market or produce a proper trailer for your first film.

Many first time film makers reading this blog will come to an instant realization that I am "pointing them out" or "made a personal attack against them," by berating their progress and success in completing their first film. What these newbies truly need to do is ask themselves, "Why do they think that they're among the top of the list in the category of indie films?" Part of the major step in making films is having the dire courage or "nut-sack" to have their film reviewed and critiqued by other seasoned filmmakers who have a plethora of films under their lifetime portfolios. If you produce a film but cannot face the criticism of a proper film review, then it's high time you hang your hat in the field of film making and quietly step away. A bad review isn't something to hold on to and let it bring you down, it's something to grow from; a stepping stone for you to learn from. Hence; "When a child first learns to walk, they will  fall and fall hard. But they will learn to get back up on their feet and try and try again." No one has ever been lucky enough to get it right the first time; even though there are a few idiots out there that will tell you that they did. And of course, there are plenty who think they have that "one instant plan" that logically should work. . - That's the price for NOT knowing who to go to for a proper review of your first film.

It isn't a crime to seek out to go make your first film. Just don't wind up believing your own hype and try to garner a successful career through fictitious means. I mean seriously, awarding yourself a trophy or bragging about indie film awards that you won after you nominated them yourself and paid money to receive...that's real success? Besides there are real and more professional indie film teams out there producing top quality films with sensational scripts, fabulous actors and crews.

Below are a few things to remember should you be bold enough to get your film reviewed or critiqued by people who actually knows what to look for in the local Indie film scene

****SIMPLE FILM REVIEW NOTES TO REMEMBER****

Movie Review Picture
To give your audience a feel of what to expect in your film, let your opening credits and the musical them track lead them down a road of emotions that help you build the mood for your film project. Keep the flow consistent and the lettering stationary and very clear to read; no more than three seconds per credit, and then extend the time frame for the leading title to about five to eight seconds. This shows that your proud of the title and how it is eventually going to grow on the viewers. Keeping the rhythm of the film moving with good pacing will show the viewers the flow of the films production and the professional atmosphere of the first scenes leading into the ten to fifteen minute mark. If you're claiming your film has action, then this is the best time to present it to the masses. If your film has a creepy sense to it, prove it within the first ten minutes. Indie film critics always look for these fundamental parameters in your film. Establishing character development follows the opening and you'd better lay in thick but very subtle. Let the viewers figure out our characters for themselves and you shouldn't spend any time having dialog define who anyone is and what their story arcs are.

Without the formats listed above, you audience is going to crash on you. Especially if you're just slapping credits up on the screen to some song you paid good money for, thinking the small crowd and film critics will be impressed with your amateur opening and want to see more. Furthermore, if you're spending so much time trying to layer in a ton of actors in the first twenty minutes of your film, the views and critics will die and stop paying attention to the rest of the film. Sure, there are always slow parts in film, but some dialog is important to put out and you should always put the slow part of your film in the middle, giving your actors time to establish themselves with their performances. As a producer, you should have a test audience pre-screen your film and give you an honest and brutal review. This group of people shouldn't have a bias or be part of the production team; for obvious reasons.

If you've done everything right, the audience should be focused and wanting more from the production than what's being presented. Think of it this way, if you have a huge plotline that you feel will hook the audience with fear or a sense of anxiety, then be sure to hold that hook until the right time. Delivering your plot too soon might bring the house down too early and leave your film in the proverbial lurch. But holding the hook and delivering a fast punch will bring the entire production to a climax that can be felt by everyone in the audience. Having an experience of holding screenings of your film and viewing their emotions throughout the preview can be such an exhilarating experience; especially if you planned a funny scene and see that your writing within the production actually works. Remember, I'm not talking about you [the director or producer], your family or your friends...I'm talking about the people outside of your comfort circle.

Without any of the post production adjustments hinted above, your viewers are going to tank at the end of the credits and not want to see your next film. They will also wonder who produced this mess and also question the type of production that can be saved after the mess they've witnessed. In the last 15 years, I've personally witnessed indie films crash after all the hype they pushed on their own people. Films that won awards in the indie film festival circuits were actually far  worse than the films that only went from production to presentation. I've learned that films which enter film festivals have a tendency to never be seen by anyone that really matters in the Indie film circuit; and most of these films go directly to IMDB.com and boast about their productions. I find it such a squirrely scam to see these production teams without a nut sack to present their films out right. They often claim that their film is being seen by someone "in LA" that doesn't want the film released just yet. It's such a cheesy and stupid excuse, but what ever makes scam artists go away...well, just go away!