Tuesday, April 1, 2025

THE APRIL EDITION OF THE QSE.357 E-MAGAZINE IS RELEASED!!...

QSE.357 ISSUE 43 of 4/1/2025

48 Pages

ON THE COVER - Solvo Torres
Photo by D. R. Quintana

Making Easter HOT Again!
[Pg 5]
Some of the best Texas models strut their stuff in this multi-full page spreads that are sure to knock you out of your seat! There are Easter models of many choices to see, come and take a look.

Summer Indie Film Surprises!
[Pg 23]
From Dallas to San Antonio, TX, the indie film circuit is starting to pump out new films for every genre and film format. We list indie films that are sure to capture your imagination, and a few to stay away from for good reasons.

Actor Headshots Do's and Don't Do's
[Pg 41]
After many years of warning new indie actors about the scams that exists in Texas concerning head shots, a few slipped through the fingers of warning and have wound up paying big bucks for under-formatted photos. Be smart, don't be a victim!

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Friday, March 28, 2025

STUDIO TEAM TRAVELS TO GERMANY TO ASSIST WITH A WWII SHORT FILM!...

 DER SCHWARZE PANZER

Looking out at the production setup for a fantastic Indie film in Stuttgart, Germany, it was incredible to see all of the work that was being pushed for a production that crossed over the collaboration between four studios, from three different countries. I was honored to be given the chance to be part of this war epic that is based on the real life experience of WWII soldiers on both ends of this dark battle that took place at the end of the war.

On the second day of filming, I was allowed to use one of the US Army's old 50. Caliber Machine guns that was mounted on a Sherman tank! I left rip to 150 rounds of real ammunition and feel the real power of American weaponry that was used during WWII. To be exposed to such terrifying fire power and seeing the destruction at the other end just made the whole experience terrifying to analyze what other monstrous weapons were being used by both sides of the bloodiest war in world history. That war was fought by men, young men at that. My exposure to only one of the weapons in that war was enough for just the change for me to have a nibble of the excitement of pulling the trigger under supervision. I'm pretty sure I wouldn't be able to do it on my own or in a war time atmosphere with an enemy force firing back at me. I say, leave those experiences to the men who were there and pray that today's youth isn't given the chance to have to ever face it alone.

We were on the set of an Indie Film being produced in Germany by some talented men who were put together to get both sides of a battle produced to film. The film, Der Schwarze Panzer presents a story where a platoon of US Army soldiers are being hunted down by a black Tiger Tank, that's being run on independent operations by a five man German team, some Hitler youth's, the oldest being 17 years old. Real American actors were flown in to play the part of the US Army platoon, while German actors filled in German roles to tell both sides of their tactics during the battles. There were no women involved in this film, besides the ones behind the cameras.

Due to the NDA's signed before the production, I was not allowed to show photos of me on the mocked up Tiger tank, but I can say that what the production team looked pretty damn close to what was used during WWII. As a matter of fact, all of the uniforms, weapons, and locations were all carefully chosen for this film. Our team, MICRO Entertainment, were welcomed to assist in close up tank operations, soldier movements, camera setups, and screenplay. Me being an experienced producer, I was able to assist the production with financing the American actors and also preparing them for their introduction to the German actors, most of whom are actually part of the German Army and large majority only spoke broken English.

During free time, I was allowed to clown around with the cast and shoot rounds from some of the many real weapons used on set. During our two weeks in the city of Stuttgart, we had a lot of hard days, with many nights walking around the large city and celebrating with the local townsfolk. It was one hell of an experience and I was very proud to work with the entire cast, the small production team who built the sets and made many of the war torn scenes look real and dated to the actual time of the events that occurred at the end of the war. We hope that our input into the American soldier side of the film will make an impression on the people who watch the film. Der Schwarze Panzer will be one hell of a film!

Kelly Bleichner
Producer/Contributing Writer

Saturday, March 1, 2025

THE MARCH EDITION OF THE QSE.357 E-MA IS RELEASED!!

 QSE.357 COVERQSE.357 ISSUE 42 of 3/1/2025

44 Pages

ON THE COVER - Promo Photo

Televisions Best 70s & 80s SciFi Shows!
[Pg 4]
SciFi Series like Battlestar Galactica, Buck Rogers, Six Million Dollar Man & Bionic Woman topped the charts with impressive writing and special effects. We list the best shows and rank them out against one another.

Spring Break Bikini Shoots Are Here!
[Pg 18]
Probably the studios best summer swim wear issue ever! Some of our newest male and female models strut their talents in this superb photoshoot which was produced in South Padre Island, TX.

Ghost Hunters Dream Film Project
[Pg 32]
The city of Mineral Wells is one of the oldest and scariest towns in Texas. Introducing a film team who is preparing to produce one hell of a scary documentary on the towns long list of haunted places. We present an in-depth behind the scenes preview.. 

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ZERO ZERO ONE AD

Saturday, February 1, 2025

THE FEBRUARY EDITION OF THE QSE.357 E-MAG IS PRESENTED!

QSE.357 ISSUE 41 of 2/1/2025

38 Pages

ON THE COVER - Kristina Lyons
Promo Photo by Micro Photography

MAIN ARTICLES

Superhero Madness Continues
[Pg 5]
Take an in depth look inside the studios line of new films that require leading actors wearing some fancy uniforms. From horror to SciFi, the studio continues to impress fans with different looks and fabulous super suits!

The Last Horror Movie For 2025
[Pg 21]
The studio is deciding to limit the formula in formats and stick strictly to producing action and dramatic films. But this last horror film is sure to make a mark!

Where Did Kolchak Go?
[Pg 34]
A new collaboration with a studio team from Dallas, Texas, is gaining strength as the studio prepares a new web series based on the 1970's television series, The Night Stalker. 

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Wednesday, January 1, 2025

WELCOME TO 2025 WITH THE NEWEST ISSUE OF THE QSE.357 E-MAGAZINE!...

 

QSE.357 ISSUE 40 of 1/1/2025

44 Pages

ON THE COVER - AI Reformatted Photo
Promo Photo by Micro Photography

MAIN ARTICLES

AI Is Changing The Internet Forever
[Pg 4]
In today's ever changing and growing multimedia environment, AI is starting to prove that anyone can be an artist, a commercial advertiser, and even a one man indie movie studio producer. But what is the cost.

Modeling Inconsistencies Continue
[Pg 21]
There's an increase in models filing charges against "instant" photographers, who do not release cache's of photos upon a models request, even after the Statute of Limitations have expired.

Unexpected Change In A Indie Film?
[Pg 34]
Indie film actor in Texas are now being held accountable for their decisions to step away
from a film in progress.

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Wednesday, December 25, 2024

“WICKED” IS A MUSICAL MASTERPIECE!

🎥🎞️Movie Review🎞️🎥 - WICKED [2024] - PG - Directed by Jon M. Chu. Written by Winnie Holzman & Dana Fox. Songs by Stephen Schwartz. Starring Cynthia Erivo, Ariana Grande-Butera, Jonathan Bailey, Ethan Slater, Bowen Yang, Michelle Yeoh, and Jeff Goldblum. Budget $150 Million.

This film is a quasi-prequel to The Wizard of Oz. Following the death of the Wicked Witch of the East, Galinda [Grande], the Witch of the West, recalls the earlier life of Elphaba [Erivo] and the trials and tribulations she went through in her earlier years. Through many song and dance acts, an emotional story begins to unfold, presenting that Elphaba has had a hard life, being born with green skin and always been separated from her father and always a step behind her little sister, who was crippled at birth. Over time, she is exposed to going to a "school of arts" where she accidentally presents to the entire school that she has sorcerer-type powers [of sort] that catches the eyes of one of the leading members of the school faculty. During this time there is a political shift against talking animals, who were professors that taught many of the students in important subjects, forcing many of these teachers to leave the school. Later, after some training in her powers she is welcomed to meet the Wizard of Oz at the Emerald City. Elphaba realizes the truth about the Wizard of Oz and begins to rebel against the norms of the society that has been played as a "perfect society."

THE GOOD - Brilliant wardrobe choices and top of the line use of blue screen and practical effects. Singing seems live and dancing performances are well choreographed. The story telling and reboot of the original “WIZARD OF OZ” movie was brilliantly thought out and put to a proper screenplay. Outstanding use of lighting and cinematography!

THE BAD - There’s lots of Diversity, Equity, & Inclusion (DEI) casting within the large ensemble of extras in this film. Every other cut in the film shows a diverse breed of actors from straight, to gay, to transgender, to black actors galore. There is also a showing of “group inclusion” with bullying that hits deep against the leading actress. The bullying presented is very reminiscent of today’s issues with American youths in school ending with the obvious retort of a student whose “had enough.”

POSTMORTEM - This is a spectacular film. I’m not a huge fan of theater-stage type musicals and I was actually getting ready to walk out of the movie during the first 30 minutes. But the production suddenly twisted a direction that was more enjoyable to the male audience, giving a better story line to follow, building towards a disruptive plot line that brought the original film’s plot into view and makes you rethink the prior history; the back dealings that possibly occurred before Dorothy arrived to Oz. There are some tremendous, emotional and song performances by Erivo and Grande that are sure to win them Oscars in 2025.

⭐️⭐️⭐️⭐️ [4 of 5 Stars]

Tuesday, December 10, 2024

PEACOCKS "SPEAK NO EVIL" IS A SOUND THRILLER!...

SPEAK NO EVIL 2024
🎥🎞️Movie Review🎞️🎥 - SPEAK NO EVIL [2024] - [R] - Peacock - Directed & Written by James Watkins. Screenplay by James Watkins. Produced by Jason Blum through Blumhouse Productions. Based on the book "Speak No Evil" by Christian & Mads Tafdrup. Starring James McAvoy, Mackenzie Davis, Aisling Franciosi, Scoot McNairy, Dan Hough, and Alex West Lefler. Budget $15 Million.

A married couple, Ben & Louise [Davis and McNairy], are traveling in Italy where they meet a another married couple, Paddy & Ciara [McAvoy and Franciosi], who invite them out to their European villa for a week to relax in a quiet, ranch home for a time to reflect. Each couple has one child [Hough and Lefler] and they bring everyone together to breath in the fresh atmosphere. Ben and Louise find some small details that bother them throughout their stay, but Paddy has the ability to quell their fears and constant questioning of the little things they find. As time passes, Paddy becomes more and more aggressive, which threatens the visiting family and their child. Before anyone knows it, the visiting family falls into both mental and physical psychological danger, forcing them to try and outsmart Paddy and his plan to take over the mental stability of the family.

THE GOOD - Pristine and simple cinematography. Some of the overhead 4K drone footage is breathtaking. The sound and editing is top notch. I truly enjoyed the character development, presenting the strengths and weaknesses of all the mature characters being presented. Location spotting was perfect for presenting the story. This has to be one of McAvoy's best and sharp performances as a psycho, narcissistic powerhouse who seems to grow larger in mass as the temperament in the movie increases.

THE BAD - Not all of the film was apparently shot in 6K digital. There are some scenes that are washed out with a slight haze on the corners of the film. There was a lot of soft lighting [or natural light] that was used which increased the shadows on certain angles of the casts faces. Little use of steady-cams on some scenes that seemed to be short and rushed.

POSTMORTEM - This is a damn good film. The tension was high, so much so that I was on the edge of my seat throughout the intense scenes and there was a good closing at the end of film, ensuring that there would be no sequels. Franciosi was perfectly cast as a deranged wife who supported her husband to the edge of insanity. But supreme kudos to child actor Dan Hough, who didn't speak a word in the film, but delivered a dramatic, realistic  performance that helped seal the deal to present you a blistering dramatic film.

⭐️⭐️⭐️⭐️ [4 of 5 Stars]

Tuesday, December 3, 2024

RUN HIDE FIGHT [2020] IS A STUNNER OF A FILM!!!

🎥🎞️Movie Review🎞️🎥 - RUN HIDE FIGHT [2020] - R - DailyWire - Directed and written by Kyle Rankin. Produced by Amanda Presmyk & Dallas Sonnier. Starring Isabel May, Radha Mitchell, Thomas Jane, Eli Brown, Treat Williams, and Olly Sholotan. Budget $1.5 Million.

Zoe Hull [May] is an intelligent teenager who recently lost her mother. She was taught to track and hunt by her father [Jane], a military veteran, and is a proven survivor respected by teachers and most of the students at her school. On "Senior Prank Day" several mentally deranged students, many who have been bullied in the past by other prominent students as well as teachers, take over the school cafeteria by force, shooting and stabbing some students and teachers and forcing them to watch and record their terror on their phones. Images of the entire school shooting are presented online, as the school fails to act quickly enough to the shooters premeditated plans to kill many, spread dysfunction to their town, and escape in a fiery hell. In a moment of clarity while she could just run away, Zoe decides to re-enter the school and save as many students as she can; all while facing the demons of losing her mother to suicide.

THE GOOD - Casting was top notch. Isabel May performs at top level with a unique ability to shift emotions as the environment falls down around her. Some impressive low-budget effects, with solid directing during some intensely dramatic scenes. The sound was good. Cinematography was pretty impressive. Thomas Jane [also known to have once played "The Punisher"] plays a very believable military veteran and father, who sets out to take action to stop the school shooters.

THE BAD - For all of the violence, there's very little blood in the movie. Some of the scenes were shot in lower film quality and angles that keep the viewer from seeing the damage caused by the school shooters, which would have elevated the tension.

POSTMORTEM - This film is definitely a nail-biter. I was on the edge of my seat the entire time, cheering the leading actress as she progressed through the school trying her best to warn the other teachers and classmates. I understand that for many who actually lived through an experience like this film, it might be hard to see, but the ending is worth all the misery that was presented throughout the film, especially with recent events where police forces acted too slow. This low-budget indie film was purposely made to stun audiences depicting real events that brought a dark clouds in our nations weakness with the lack of student safety during school hours. 

⭐️⭐️⭐️⭐️💫 [4.5 of 5 Stars]

Sunday, December 1, 2024

THE LAST ISSUE OF THE QSE.357 FOR 2024 IS RELEASED!

QSE.357 ISSUE 39 of 10/1/2024

52 Pages

ON THE COVER - Rachel "Wilder" Whaley
Promo Photo by Micro Photography

MAIN ARTICLES

A Busy Year for the QSE.357 - WE have tons and tons of never before released photos and liner notes from cast & crew members regarding several promo photo shoots and film projects. There are some great memories openly shared and a special look back at some issues from 2022 & 2023.

Studio Leading Actors - The QSE Awards for 2024 are out and statuettes are getting ready for delivery! The QSE Awards list is enclosed with a special category for teenage actor awards.

What to expect in 2025 - Every year the QSE.357 E-Mag changes format, always bringing you the best entertainment for all of our subscribers. Our opinionated publication is spreading out to many areas of the globe, presenting stories
from a large number of studios.

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Sunday, November 24, 2024

"THE GAUNTLET" WAS 1977'S SILENT ACTION/DRAMA MASTERPIECE!!!

The Gauntlet
In 1977, Clint Eastwood directed a stunner of a dramatic movie called "THE GAUNTLET" which he also starred in, which broke away from the "Dirty Harry" film genre that was quickly making him more famous. He brought with him several known back up actors, including the sexy Sandra Locke, who turned on the sultry and sexiness side of herself to set her brilliantly as a character who lived life on the streets as a well known Las Vegas prostitute. As with most films of this time, it's hard to believe that Eastwood and Locke were not the first actors chosen to play the lead parts in the film. This movie was not received well by then established and influential film critics of the time, but Eastwood fans listed The Gauntlet as one of his best directorial productions.

With well developed characters written by Michael Butler and Dennis Shryack, a weathered Eastwood plays the part of Police Detective Ben Shockley, a deadbeat and alcoholic Phoenix police detective who is assigned to extradite witness, Augustine "Gus" Mally [Locke] from Las Vegas, NV to Phoenix, AZ. Shockley has been told by his superior that Mally is a "nothing witness for a nothing trial" and Shockley's mindset is that this is an easy gig to get his superiors off his ass for the moment. Throughout her characters introduction, Mally hints that her part in the trail is bigger and darker than what Shockley may comprehend, eventually leading to the fact that the mob has infiltrated the highest circles of the Phoenix police force and Mally has a big bullseye set out on her life. The two have considerable and coincidental bad luck at every turn, and even after learning that there is a Las Vegas bet against him making it to Phoenix, Shockley is out to prove everyone wrong and actually deliver the witness on time and in front of all concerned trying to end her life.

After Shockley and Mally fall for one another in one night of passion, he makes a daring attempt to deliver the witness by hijacking a bus and drive him at the witness straight up to the courthouse during broad daylight. This bus is driven through a large barrage of heavily armed police officers, who openly fire at the large bus in an attempt to stop the bus from arriving on time, or at all. Keep in mind that a large part of this films budget covered the cost of thousands of small explosive "squibs" that were drilled into place on not only a bus, but a home that were demolished through apparent gun fire. This special effect was established long before computer graphics existed. But the lifelike effect made a tremendous impression on movie goers at the time and is still an impressive special effect to witness on screen today.

The budget on the film was $5.5 Million but made an impressive $35.4 million at the box office. I honestly like this film and have watched it several times over the course of the last few years. If you get a chance to watch it, you should. Is it worth renting, of course. I guarantee that you'll be entertained and that Sandra Locke will impress you with the noteworthy sleaziness of her playing a true prostitute to form.

Tuesday, November 19, 2024

"THE SHIFT" WAS NOT AS IMPRESSIVE AS IT'S TRAILER

THE SHIFT
🎥🎞️Movie Review🎞️🎥 - THE SHIFT [2023] - AppleTV - PG13 - Directed & written by Brock Heasley. Produced by Brock Heasley and Ken Carpenter. Starring Kristoffer Polaha, Neal McDonough, Elizabeth Tabish, Rose Reid and John Billingsley. Budget $6.4 million.

Kevin Garner [Polaha] meets the love of his life, Molly [Tabish], at a bar just after losing his job. He's a recovering alcoholic who stumbles to get back on his feet, even after raising a small family. After having an argument with his wife, he goes to work, loses his job and on his way home he is in a car accident. He awakens to find himself being talked to a man called "The Benefactor" [McDonough], who approaches Garner, telling him that his life has essentially been "adjusted" for the needs of the Benefactors life plan. Garner is tempted at a change in his life, but feels that something is wrong and begins to pray to God for direction, which forces the Benefactor away, and Garner finds himself in a strange world, where everyone is afraid and unable to break away from a city filled with less spiritual people and godlike guidance in their lives. He begins to suspect that The Benefactor may be Satan, straying him away from a honest, spiritual life. He outsmarts the demon to find his way to a new life, a strong marriage, and a family that every man could dream for.

THE GOOD - There's a strong, modest start to the story telling. The plot is pretty strong with some shocking twists and turns. Visual effects are impressive and the sound is pristine. Neal McDonough looked comfortable bringing the character of The Benefactor to life, giving him a mysterious and dubious presentation.

THE BAD - Low Quality 4K cinematography with some very amateur camera tricks and special effects that all look pretty outdated. Poloaha's performance lacked a real life quality essential to make the character of Garner feel realistic enough to make you care. The supporting actors were plenty, but their performances were anything but marginal to effect the outcome of the films plot.

POSTMORTEM - After watching a one minute clip trailer to this film somewhere, I was driven to watch it and hope that the rest of the film delivered a dramatic, paranormal, and exciting product. The entire story fell apart after the plateau of the features most climactic arc, during the first ten minutes of the film. There are wasted efforts trying to present misdirection when the obvious plot line was presented after the initial introduction of The Benefactor. This isn't a good movie. There's very little entertainment and the director certainly fails to deliver a gospel-like message at the end of the fairy tale.

⭐️⭐️💫 [2.5 of 5 Stars]