Wednesday, January 1, 2025

WELCOME TO 2025 WITH THE NEWEST ISSUE OF THE QSE.357 E-MAGAZINE!...

 

QSE.357 ISSUE 40 of 1/1/2025

44 Pages

ON THE COVER - AI Reformatted Photo
Promo Photo by Micro Photography

MAIN ARTICLES

AI Is Changing The Internet Forever
[Pg 4]
In today's ever changing and growing multimedia environment, AI is starting to prove that anyone can be an artist, a commercial advertiser, and even a one man indie movie studio producer. But what is the cost.

Modeling Inconsistencies Continue
[Pg 21]
There's an increase in models filing charges against "instant" photographers, who do not release cache's of photos upon a models request, even after the Statute of Limitations have expired.

Unexpected Change In A Indie Film?
[Pg 34]
Indie film actor in Texas are now being held accountable for their decisions to step away
from a film in progress.

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Wednesday, December 25, 2024

“WICKED” IS A MUSICAL MASTERPIECE!

πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - WICKED [2024] - PG - Directed by Jon M. Chu. Written by Winnie Holzman & Dana Fox. Songs by Stephen Schwartz. Starring Cynthia Erivo, Ariana Grande-Butera, Jonathan Bailey, Ethan Slater, Bowen Yang, Michelle Yeoh, and Jeff Goldblum. Budget $150 Million.

This film is a quasi-prequel to The Wizard of Oz. Following the death of the Wicked Witch of the East, Galinda [Grande], the Witch of the West, recalls the earlier life of Elphaba [Erivo] and the trials and tribulations she went through in her earlier years. Through many song and dance acts, an emotional story begins to unfold, presenting that Elphaba has had a hard life, being born with green skin and always been separated from her father and always a step behind her little sister, who was crippled at birth. Over time, she is exposed to going to a "school of arts" where she accidentally presents to the entire school that she has sorcerer-type powers [of sort] that catches the eyes of one of the leading members of the school faculty. During this time there is a political shift against talking animals, who were professors that taught many of the students in important subjects, forcing many of these teachers to leave the school. Later, after some training in her powers she is welcomed to meet the Wizard of Oz at the Emerald City. Elphaba realizes the truth about the Wizard of Oz and begins to rebel against the norms of the society that has been played as a "perfect society."

THE GOOD - Brilliant wardrobe choices and top of the line use of blue screen and practical effects. Singing seems live and dancing performances are well choreographed. The story telling and reboot of the original “WIZARD OF OZ” movie was brilliantly thought out and put to a proper screenplay. Outstanding use of lighting and cinematography!

THE BAD - There’s lots of Diversity, Equity, & Inclusion (DEI) casting within the large ensemble of extras in this film. Every other cut in the film shows a diverse breed of actors from straight, to gay, to transgender, to black actors galore. There is also a showing of “group inclusion” with bullying that hits deep against the leading actress. The bullying presented is very reminiscent of today’s issues with American youths in school ending with the obvious retort of a student whose “had enough.”

POSTMORTEM - This is a spectacular film. I’m not a huge fan of theater-stage type musicals and I was actually getting ready to walk out of the movie during the first 30 minutes. But the production suddenly twisted a direction that was more enjoyable to the male audience, giving a better story line to follow, building towards a disruptive plot line that brought the original film’s plot into view and makes you rethink the prior history; the back dealings that possibly occurred before Dorothy arrived to Oz. There are some tremendous, emotional and song performances by Erivo and Grande that are sure to win them Oscars in 2025.

⭐️⭐️⭐️⭐️ [4 of 5 Stars]

Tuesday, December 10, 2024

PEACOCKS "SPEAK NO EVIL" IS A SOUND THRILLER!...

SPEAK NO EVIL 2024
πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - SPEAK NO EVIL [2024] - [R] - Peacock - Directed & Written by James Watkins. Screenplay by James Watkins. Produced by Jason Blum through Blumhouse Productions. Based on the book "Speak No Evil" by Christian & Mads Tafdrup. Starring James McAvoy, Mackenzie Davis, Aisling Franciosi, Scoot McNairy, Dan Hough, and Alex West Lefler. Budget $15 Million.

A married couple, Ben & Louise [Davis and McNairy], are traveling in Italy where they meet a another married couple, Paddy & Ciara [McAvoy and Franciosi], who invite them out to their European villa for a week to relax in a quiet, ranch home for a time to reflect. Each couple has one child [Hough and Lefler] and they bring everyone together to breath in the fresh atmosphere. Ben and Louise find some small details that bother them throughout their stay, but Paddy has the ability to quell their fears and constant questioning of the little things they find. As time passes, Paddy becomes more and more aggressive, which threatens the visiting family and their child. Before anyone knows it, the visiting family falls into both mental and physical psychological danger, forcing them to try and outsmart Paddy and his plan to take over the mental stability of the family.

THE GOOD - Pristine and simple cinematography. Some of the overhead 4K drone footage is breathtaking. The sound and editing is top notch. I truly enjoyed the character development, presenting the strengths and weaknesses of all the mature characters being presented. Location spotting was perfect for presenting the story. This has to be one of McAvoy's best and sharp performances as a psycho, narcissistic powerhouse who seems to grow larger in mass as the temperament in the movie increases.

THE BAD - Not all of the film was apparently shot in 6K digital. There are some scenes that are washed out with a slight haze on the corners of the film. There was a lot of soft lighting [or natural light] that was used which increased the shadows on certain angles of the casts faces. Little use of steady-cams on some scenes that seemed to be short and rushed.

POSTMORTEM - This is a damn good film. The tension was high, so much so that I was on the edge of my seat throughout the intense scenes and there was a good closing at the end of film, ensuring that there would be no sequels. Franciosi was perfectly cast as a deranged wife who supported her husband to the edge of insanity. But supreme kudos to child actor Dan Hough, who didn't speak a word in the film, but delivered a dramatic, realistic  performance that helped seal the deal to present you a blistering dramatic film.

⭐️⭐️⭐️⭐️ [4 of 5 Stars]

Tuesday, December 3, 2024

RUN HIDE FIGHT [2020] IS A STUNNER OF A FILM!!!

πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - RUN HIDE FIGHT [2020] - R - DailyWire - Directed and written by Kyle Rankin. Produced by Amanda Presmyk & Dallas Sonnier. Starring Isabel May, Radha Mitchell, Thomas Jane, Eli Brown, Treat Williams, and Olly Sholotan. Budget $1.5 Million.

Zoe Hull [May] is an intelligent teenager who recently lost her mother. She was taught to track and hunt by her father [Jane], a military veteran, and is a proven survivor respected by teachers and most of the students at her school. On "Senior Prank Day" several mentally deranged students, many who have been bullied in the past by other prominent students as well as teachers, take over the school cafeteria by force, shooting and stabbing some students and teachers and forcing them to watch and record their terror on their phones. Images of the entire school shooting are presented online, as the school fails to act quickly enough to the shooters premeditated plans to kill many, spread dysfunction to their town, and escape in a fiery hell. In a moment of clarity while she could just run away, Zoe decides to re-enter the school and save as many students as she can; all while facing the demons of losing her mother to suicide.

THE GOOD - Casting was top notch. Isabel May performs at top level with a unique ability to shift emotions as the environment falls down around her. Some impressive low-budget effects, with solid directing during some intensely dramatic scenes. The sound was good. Cinematography was pretty impressive. Thomas Jane [also known to have once played "The Punisher"] plays a very believable military veteran and father, who sets out to take action to stop the school shooters.

THE BAD - For all of the violence, there's very little blood in the movie. Some of the scenes were shot in lower film quality and angles that keep the viewer from seeing the damage caused by the school shooters, which would have elevated the tension.

POSTMORTEM - This film is definitely a nail-biter. I was on the edge of my seat the entire time, cheering the leading actress as she progressed through the school trying her best to warn the other teachers and classmates. I understand that for many who actually lived through an experience like this film, it might be hard to see, but the ending is worth all the misery that was presented throughout the film, especially with recent events where police forces acted too slow. This low-budget indie film was purposely made to stun audiences depicting real events that brought a dark clouds in our nations weakness with the lack of student safety during school hours. 

⭐️⭐️⭐️⭐️πŸ’« [4.5 of 5 Stars]

Sunday, December 1, 2024

THE LAST ISSUE OF THE QSE.357 FOR 2024 IS RELEASED!

QSE.357 ISSUE 39 of 10/1/2024

52 Pages

ON THE COVER - Rachel "Wilder" Whaley
Promo Photo by Micro Photography

MAIN ARTICLES

A Busy Year for the QSE.357 - WE have tons and tons of never before released photos and liner notes from cast & crew members regarding several promo photo shoots and film projects. There are some great memories openly shared and a special look back at some issues from 2022 & 2023.

Studio Leading Actors - The QSE Awards for 2024 are out and statuettes are getting ready for delivery! The QSE Awards list is enclosed with a special category for teenage actor awards.

What to expect in 2025 - Every year the QSE.357 E-Mag changes format, always bringing you the best entertainment for all of our subscribers. Our opinionated publication is spreading out to many areas of the globe, presenting stories
from a large number of studios.

 YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2024 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

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Sunday, November 24, 2024

"THE GAUNTLET" WAS 1977'S SILENT ACTION/DRAMA MASTERPIECE!!!

The Gauntlet
In 1977, Clint Eastwood directed a stunner of a dramatic movie called "THE GAUNTLET" which he also starred in, which broke away from the "Dirty Harry" film genre that was quickly making him more famous. He brought with him several known back up actors, including the sexy Sandra Locke, who turned on the sultry and sexiness side of herself to set her brilliantly as a character who lived life on the streets as a well known Las Vegas prostitute. As with most films of this time, it's hard to believe that Eastwood and Locke were not the first actors chosen to play the lead parts in the film. This movie was not received well by then established and influential film critics of the time, but Eastwood fans listed The Gauntlet as one of his best directorial productions.

With well developed characters written by Michael Butler and Dennis Shryack, a weathered Eastwood plays the part of Police Detective Ben Shockley, a deadbeat and alcoholic Phoenix police detective who is assigned to extradite witness, Augustine "Gus" Mally [Locke] from Las Vegas, NV to Phoenix, AZ. Shockley has been told by his superior that Mally is a "nothing witness for a nothing trial" and Shockley's mindset is that this is an easy gig to get his superiors off his ass for the moment. Throughout her characters introduction, Mally hints that her part in the trail is bigger and darker than what Shockley may comprehend, eventually leading to the fact that the mob has infiltrated the highest circles of the Phoenix police force and Mally has a big bullseye set out on her life. The two have considerable and coincidental bad luck at every turn, and even after learning that there is a Las Vegas bet against him making it to Phoenix, Shockley is out to prove everyone wrong and actually deliver the witness on time and in front of all concerned trying to end her life.

After Shockley and Mally fall for one another in one night of passion, he makes a daring attempt to deliver the witness by hijacking a bus and drive him at the witness straight up to the courthouse during broad daylight. This bus is driven through a large barrage of heavily armed police officers, who openly fire at the large bus in an attempt to stop the bus from arriving on time, or at all. Keep in mind that a large part of this films budget covered the cost of thousands of small explosive "squibs" that were drilled into place on not only a bus, but a home that were demolished through apparent gun fire. This special effect was established long before computer graphics existed. But the lifelike effect made a tremendous impression on movie goers at the time and is still an impressive special effect to witness on screen today.

The budget on the film was $5.5 Million but made an impressive $35.4 million at the box office. I honestly like this film and have watched it several times over the course of the last few years. If you get a chance to watch it, you should. Is it worth renting, of course. I guarantee that you'll be entertained and that Sandra Locke will impress you with the noteworthy sleaziness of her playing a true prostitute to form.

Tuesday, November 19, 2024

"THE SHIFT" WAS NOT AS IMPRESSIVE AS IT'S TRAILER

THE SHIFT
πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - THE SHIFT [2023] - AppleTV - PG13 - Directed & written by Brock Heasley. Produced by Brock Heasley and Ken Carpenter. Starring Kristoffer Polaha, Neal McDonough, Elizabeth Tabish, Rose Reid and John Billingsley. Budget $6.4 million.

Kevin Garner [Polaha] meets the love of his life, Molly [Tabish], at a bar just after losing his job. He's a recovering alcoholic who stumbles to get back on his feet, even after raising a small family. After having an argument with his wife, he goes to work, loses his job and on his way home he is in a car accident. He awakens to find himself being talked to a man called "The Benefactor" [McDonough], who approaches Garner, telling him that his life has essentially been "adjusted" for the needs of the Benefactors life plan. Garner is tempted at a change in his life, but feels that something is wrong and begins to pray to God for direction, which forces the Benefactor away, and Garner finds himself in a strange world, where everyone is afraid and unable to break away from a city filled with less spiritual people and godlike guidance in their lives. He begins to suspect that The Benefactor may be Satan, straying him away from a honest, spiritual life. He outsmarts the demon to find his way to a new life, a strong marriage, and a family that every man could dream for.

THE GOOD - There's a strong, modest start to the story telling. The plot is pretty strong with some shocking twists and turns. Visual effects are impressive and the sound is pristine. Neal McDonough looked comfortable bringing the character of The Benefactor to life, giving him a mysterious and dubious presentation.

THE BAD - Low Quality 4K cinematography with some very amateur camera tricks and special effects that all look pretty outdated. Poloaha's performance lacked a real life quality essential to make the character of Garner feel realistic enough to make you care. The supporting actors were plenty, but their performances were anything but marginal to effect the outcome of the films plot.

POSTMORTEM - After watching a one minute clip trailer to this film somewhere, I was driven to watch it and hope that the rest of the film delivered a dramatic, paranormal, and exciting product. The entire story fell apart after the plateau of the features most climactic arc, during the first ten minutes of the film. There are wasted efforts trying to present misdirection when the obvious plot line was presented after the initial introduction of The Benefactor. This isn't a good movie. There's very little entertainment and the director certainly fails to deliver a gospel-like message at the end of the fairy tale.

⭐️⭐️πŸ’« [2.5 of 5 Stars] 

Sunday, November 3, 2024

ANTHONY HOPKINS PERFORMANCE IN "MAGIC" [1978] IS BEYOND TRILLING!

πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - MAGIC [1978] - [R] - Amazon Prime - Directed by Richard Attenborough. Screenplay by William Goldman. Based on the book by William Goldman. Produced by Joseph E. and Richard P. Levine. Stars Anthony Hopkins, Ann-Margret, Burgess Meredith, Ed Lauer, and David Ogden Stiers. Budget $7 Million.

This is a dark drama about a down and out magician/comedian, Charles "Corky" Withers [Hopkins], who is slowly dwindling away performing at sketchy bars to minimal crowds, but he boasts to his mentor, Merlin, that he has great attendance with tentatively active crowds. After his mentor passes, Withers creates a fantastic ventriloquist act with a dummy named Fats. His new gimmick catches the eye of a talent agent [Meredith], who persuades many producers to "Give the new kid a shot." But the problem is that Corky has a building inner fear with self doubt of being successful and  is in terror of reaching for the stars. It's such a problem that he steps away from the limelight and returns to his hometown where he meets and falls for his old high school crush, Peggy Snow [Margret]. He rents a local cabin and tries to sort his feelings about success, using his dummy to try and find answers. But along the way, the dummy seems to guide Corky in the wrong direction, causing great harm to anyone who questions him or tries to help him.

THE GOOD - Crisp cinematography. Strong direction and a brilliant one-man performance by Hopkins. The addition of Ann-Margret was a nice touch for the time and Meredith's performance was starkly familiar with the "Micky" character from ROCKY [1975] that made his part extremely likeable and trustworthy. Location spotting was perfect for the production, giving the film a dark, dying feel to the whole film.

THE BAD - The movie plateaus too soon in my opinion. There is a desperate feel to make Corky seem too paranoid about his surroundings which forces Hopkins to perform the character with an explosive, bipolar fuel of instant anger that just seems over dramatic and drawn out at times. I'm not 100% sure the music fit the film, but it seems that the sound track was rushed an not thought-out well.

POSTMORTEM - This film was filmed with the use of one camera. Most of the scenes were shot in a "soap opera" style format used in the time of the 70's which forced the actors to perform at a higher level. Even though the scenes with dummy was creepy, I feel that the scenes were dumbed down for the audience, leaving some to speculate as to whether the dummy had a mind of its own or not. This is a classic film and something great to watch if you like watching realistic, psychotic, dramatic films.

⭐️⭐️⭐️πŸ’« [3.5 of 5 Stars]

Saturday, November 2, 2024

KRISTI LYNN - SPECIAL MEMORIES OF A TIME LONG AGO...

The first time I laid eyes on Kristi Lynn was on the big screen at a theater in Boston, MA. She had a role in a slasher film with Bernice Tremblay and I was truly impressed with her performance as a mother who got what she had coming to her. Bernice was excited about being in another film and I was angling on meeting new talent to bring into the web series we were currently working on entitled, STAR TREK BEYOND [STB].

After the slasher film ended, I got to meet several of the cast and crew, but more importantly, I was introduced to Kristi Lynn, who just seemed to light up the whole room with her big smile and muscular physique, reaching out to people and hugging them left and right. Quite honestly, the movie wasn't anything to brag about, but the cast and crew were full of smiles and pride of having their film up on the big screen. Shortly after that night, I asked Bernice to make contact with Kristi and see if she was interested in playing a part in our web series. According to Bernice, Kristi didn't hesitate to say "yes."

A few days later, we drove out to a farm in the middle of Massachusetts, where I got to meet Kristi and her pet monkey Deke. No need to go into deeper detail, but there were a lot of laughs and deep conversations. I explained to Kristi what I was looking for and immediately she went into how to costume up for the part. When I left the ranch, there was this wild fascination about Kristi that just lingered in my mind. I figured that her part in the series would either actually work or bomb out with the gaining fan-ship that was following the series at the time.

What isn't known about the development of the web series was that I spent lot of time designing the show to do everything "our way." We entered production making things up and trying to distance ourselves from everything every other fan production was doing, presenting certain uniforms, ships designs, story telling. I figured that by bringing in a female "Q" to the show, would certainly shake things up and force fans to watch the show to see how it all panned out in the end.

The day Kristi arrived on set to shoot her first scenes, she was fighting a migraine. Me knowing women very well, I didn't ask anything about it, except if she was still willing to get this thing started, and she nodded yes. About an hour later, she had her hair and makeup done. She came down the stairs and was wearing a dark black suit. I was in the kitchen with Jeremy Chubb, an actor and co-producer of the series, making pancakes and brewing coffee.

I'm not sure if STB fans know that we had converted the entire first floor of an apartment into the bridge and engineering spaces for the series, but that didn't stop Kristi from barreling through the apartment set looking for a hot cup of coffee and a fresh plate of pancakes to get her day started. That was when she revealed to us that she was fighting a major hangover and that Margaritas "weren't her thing." I sat in awe watching her eat and drink, all the time chirping out with that New Englander accent.. I found it pretty damn funny, to tell you the truth.

Later, Bernice showed up and we hopped into one car and drove all over the place shooting scene after scene. I had scripted the entire five-part episode of the Borg War that contained the Q in the series and we went through each scene in order. Most of the scenes wouldn’t be seen for over two months during that point, so the actors were performing blind, hoping I would edit everything together and it all made sense. Since much of the web series was shot in that same way, I had plenty of practice, so I wasn't worried. Bernice, who at this point entered the series also as a co-producer, just didn't want actors driving back and forth all the time for small stuff. But the web series was in good hands and with everyone keeping an eye on the scripts, we handled everything very well.

When we returned to the apartment [studio], I reviewed the footage, checking the sound as I went along. It was getting late, Kristi was hungry, but I found that there were two important spots that required Automated Dialog Replacement, or ADR, but Kristi was all for doing it right then and there. With so much practice and work in prior films, she nailed the ADR requirements on the first try, all from memory. I was floored with her talent and then took her out to dinner before she left for home.

Kristi made a huge impression on me and the crew that day. I called on her services one more time during the fourth season of the series and she again delivered a masterful performance. We took pictures on the cove in New London, CT that day. She was sexy, elegant, and just full of excitement of her wearing a formal white dress. I'll never forget that last day of shooting with her. She was funny, happy, and filled with so much energy. We went out drinking that night and she did a little karaoke with me. Kristi left the next day after I made her pancakes and coffee again. She was one hell of a lady.

A few months ago, I reached out to her about putting together a reunion of the entire cast from STB. Over the course of almost 20 years, the STB web series is a fan favorite with a huge following. Some of the cast and myself pondered the chance of shooting one more episode to tie everything together and maybe launch the old web series into another SciFi project. On the phone, Kristi was excited about replaying the role of "Q" in front of the camera again. From the photos I saw on Facebook, Kristi still looked the same to me, vibrant, sexy, happy. On the spot, I asked her is she was a vampire and she belted out a loud New Englander laugh...She will be missed.

Rest in Peace, Kristi. You were one hell of a lady!

David Quintana and the entire cast & crew of
STAR TREK BEYOND [2006-2008]

Friday, November 1, 2024

THE NOVEMBER EDITION OF THE QSE.357 E-MAG IS RELEASED



QSE.357 ISSUE 38 of 10/1/2024

38 Pages

ON THE COVER - Kristi Lynn
Promo Photo by Godfather Productions

MAIN ARTICLES

Reflections of Kristi Lynn - A huge loss to the indie film scenes in the East Coast and a BIG loss to the STB team, Kristi had a life that was full of excitement, adventure, and fantasy. We share insights to working with Kristi on our first production, the fan series Star Trek Beyond.

Makeup Effects Champion - Texas Indie films are proving that makeup effects can boost the production level of their future works. We introduce to you four award winning makeup artists.

Is TUBI Worth Your Time? - Passing up a distributor for instant release on a streaming platform may not be the best idea to run with. Learn about some of the horror stories with films that lost a good chance at a distribution deal due to releasing their films on Tubi.

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 Thank you for stopping by!

BIANACA 2029

Friday, October 25, 2024

NETFLIX'S "UZUMAKI" TAKES STRANGE & WEIRD TO THE NEXT LEVEL!...

πŸŽ₯🎞️Series Review🎞️πŸŽ₯ - UZUMAKI [2024] - [PG13] - NetFlix - Directed by Higuchinsky. Screenplay by Takao Niita. An animated Manga-style series based on the graphic novel by Junito Ito. Produced by Sumiji Miyake. Voice actors; Abby Trott, Robbie Dsymond, Christina Valenzuella, Max Mittelman, Aaron LaPlante, and Mona Marshall.

A young girl named Kirie Goshima [Abby Trott] initially wandering around walking in circles. Over time, some people and close friends have disappeared, others have become deformed or have transformed through metamorphosis into another species, but all have been marked by a spiraling bruise prior to transformation or becoming deformed. This girl has to learn what is causing these transformations, some which has proven to be painful and others have shown to be dangerous and deadly to innocent people in the immediate area, and try to prevent exposure to this apparent "spiral syndrome" that is devouring everyone within her little world.

THE GOOD - The animation and graphic detail are outstanding and consistent throughout the series. The visualization of many of the nightmarish scenes strike a chord with horror. The editing and progression of the story from one scene to another is smooth. There is a constant creepy feel to each episode and some of the transformations and death scenes are jaw dropping. The best part of some of the scenes are the ones that contain one-liner jokes that are tossed about freely and perfectly performed by the voice actors. 

THE BAD - As with most animated films, there are scenes with a lot of dialog that occurs during the slower portions of series; some of it useful, but a lot of it worthless.

POSTMORTEM - This series is so intertwined with well designed morbid graphics that one can't shake off the immediate uncomfortable feeling of what to expect next. The mystery is expertly hidden throughout the series run and you will not be able to figure out the stories angle to find an alternative way to combat the entity that has smothered Kirie's little town. The real answer at the end of series will take your expectations to the next level. As much as I liked this series, the black and white presentation helps build the creepy vibe. I don't think this series would work has as much if it were produced in color or with live actors.

⭐️⭐️⭐️πŸ’« [3.5 of 5 Stars]