Tuesday, September 24, 2024

HBO'S "CIVIL WAR" WILL LEAVE YOU ASKING TOO MANY QUESTIONS...

πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - CIVIL WAR [2024] - R - HBOMAX - Directed and written by Alex Garland. Produced by Andrew MacDonald, Allon Reich, & Gregory Goodman. Starring Cailee Spaeny, Kirsten Dunst, Wagner Moura, and Stephen McKinley Henderson. Budget $50 Million.

During the latter half of a civil war between the United States and two states that have seceded from the rest of the union, four journalists [Dunst, Spaeset, Moura, Henderson] out to interview the President of the United States by taking a long route to stay clear from larger clusters of battles occurring outside of Delaware and Virginia. During their travels, they see the ugly, the peaceful, and the devastation caused by war. Each journalist begins to question the cost of their quest as the entire country begins to fall into complete chaos.

THE GOOD - Decent presentation of a war torn America and CGI effects with military battles.

THE BAD - Bad plot, bad story, cliche directing, the cinematography was nothing to brag about, and the dramatic acting was a bit too much at times. There's no character development and you are forced to accept certain main characters because they share memories of something that happened long ago.

POST MORTEM - After all the hype, and with today's political atmosphere, this film was boosted to the level of being a movie that could change a persons choice in November 2024's Presidential race. But in reality, this movie has nothing to offer. The story was too long and there were gaps of nothing but worthless imagery. Don't waste your time with this garbage.

⭐️⭐️πŸ’« [2.5 of 5 Stars]

Wednesday, September 11, 2024

NETFLIX HAS A SOLID HOROR FILM WITH "THE DELIVERANCE"

πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - THE DELIVERANCE [2024] - R - NetFlix - Directed by Lee Daniels. Written by David Coggeshall & Ellijah Bynum. Edited by Stan Salfas. Stars Andra Day, Glenn Close, Caleb McLaughlin, Demi Singleton, Omar Epps, Aunjanue Ellis-Taylor, and Mo'Nique.

Based on true events, an alcoholic mother [Day], whose husband has taken a job overseas, has just relocated her small family and her grouchy older [and passed abusive] mother [Close] to a new home. This place is in a busy neighborhood and her children are having a hard time trying to fit in with the local kids and the school. As time passes, things start to get really weird with a paranormal entity that is sucking the joy out of the entire family. Things get very intense after a "sooth-Sayer" and/or local Reverend [Ellis-Tayor] introduces herself and warns the alcoholic mother that strange things have occurred in the same house before. The mother learns that a dark, very abusive demon lives in the home and a previous family was slaughtered there. Now the mother has to try and save her family before the demon takes the lives of her children.

THE GOOD - Well developed story. There was a realistic feel to the entire production and things just didn't feel "over the top" in many of the actor performances. I was truly impressed with Andra Days performance and her ability to channel deep emotions when needed. Glenn Close also had a strong well and produced some deep emotions with her character. The cinematography was very pleasing and the pacing to the film was on-spot with most paranormal film genres of this kind. Unlike other paranormal-horror films, this feature was centered around a strong presentation of religion, and a certain strength that can be projected if one takes trust in the Lord; it was very pleasing to see this being openly entered into the film.

THE BAD - This is a female heavy film, making special note that director, Lee Daniels likes working with women actors. Making the movie female heavy, sets a strong distance with the strength of men and "what a man would do" in the situation presented. Leaving out the father through the entire film leaves the old message left on the table that "if something has to be done, a woman has to do it alone." There are two several overacted parts by Mo'Nique and she should have been directed to settle down in her performance.

POST MORTEM - This is honestly a great movie. It's not too scary and not too cerebral. Truly cinematic with the right special and visual effects presented to set the films plot to deliver the right effect. Unlike other paranormal films like THE CONJURING, this film plays a better part of drama to make the overall feel to the film seem believable and relatable.

⭐️⭐️⭐️πŸ’« [3.5 of 5 Stars]

Wednesday, September 4, 2024

HAS THE TERMINATOR SAGA FALLEN INTO THE WRONG HANDS?

Terminator Zero
πŸŽ₯🎞️Series Review🎞️πŸŽ₯ - TERMINATOR ZERO [2024] - PG13 - Netflix - Directed by Masashi Kudo. Written and Developed by Mattson Tomlin. Produced by Rui Kuroki, David Ellison, Dana Goldberg, and Don Granger. 8 episodes.

In a far dark future, a resistance fighter [Malcolm Lee] discovers that SKYNET software can be reprogrammed, but against the orders from the residence leaders, the young “rebellious” resistance fighter secures the conscience of a new AI interface [Kokoro] by traveling back into time to “adjust” the earths future. A terminator is sent back to prevent the adjustment and must fight its way through several hostile and friendly force to try and prevent a rewrite by the new AI which could spell certain doom for SKYNET and the human resistance that apparently joined forces to prevent a change to their now co-existing timeline. But the catch is, which master is better to serve under, a master that already exists where you know your fate, or a master that holds unimaginable power and which truly has yet to reveal its true intentions with you? - Let fate decide.

THE GOOD - With any Japanese animation film, the visuals are stunning at times with dark imagery. There is some use of CGI that is incorporated into the series. There's plenty of violence and some intense scenes from the far future that awaits mankind. The voice acting is okay.

THE BAD - The story arc is slow at times. Character development is offset with a projection of overdone voice acting of emotion that just seems a little boring and useless to convey. The series attempt at horror just lacks impactful presentation and some of the robot designs are plane and truly a dire attempt at presenting a feel of today's inept technology concept development.

POST MORTEN - It' hard to present a horror/SciFi series that sets a tone for a dark future when three kids are involved. Where the concept of the first Terminator film provided a glimpse of leaving the fate of the world in the hand of grownups, this series falls into the plight of leaving our future up to our kids. I think that message was used up in TERMINATOR 2, but used more as an inside joke created by James Cameron to commercialize the franchise. Keeping the series serious and focusing on the darker side of dealing with unstoppable machinery should have been the real focus of this series. This was hard to watch and I had to go back and watch the first two real films to get back to the more believable world of Cameron's dark future.

⭐️⭐️πŸ’« [2.5 of 5 Stars]

Sunday, September 1, 2024

THE STUDIO RELEASES THE SEPTEMBER EDITION OF THE QUANTUM STORM .357 E-MAGAZINE!!!

QSE Cover for September 2024

QSE.357 ISSUE 36 of 9/1/2024

32 Pages

ON THE COVER - Moon Eclipses
Photo by D. R. Quintana

MAIN ARTICLES

By The Pale Moon Light - The studios newest film presents a dark and scary story line and plot that wasn't expected by many of the studios followers. Meet the talented cast.

A Big Change In Projects for 2025 - Two big studio projects were pushed back in production due to a recent hurricane. Some scenes demanded a reschedule in locations. Read about those projects affected by the relocation.

BIANCA 2029 Continues To Drive Forward  - Premiering at ComicCons and Cosplay events, the movies trailer is still getting a lot of worldwide attention!

The Quest For Success! - What would your production team do to create the best indie film within your community? - Read about a few local indie teams that crossed the line, damaging a lot of local
reputations and delivering nothing but
heartache to their team and their families
.

 YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2024 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

 Thank you for stopping by!

Sunday, August 25, 2024

"THE MINISTRY OF UNGENTLEMANLY WARFARE" IS THE ACTION MOVIE OF 2024!!!

πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - THE MINISTRY OF UNGENTLEMANLY WARFARE [2024] - R - Amazon Prime - Directed by Guy Ritchie. Screenplay by Paul Tamasy, Eric Johnson, Arash Amel, Guy Ritche. Based on a book by Damien Lewis. Starring Henry Cavill, Alan Ritchson, Alex Pettyfer, Eiza Gonzalez, Til Schweiger, Henry Golding, Babs Olusanmok, and Gary Elwes. Budget $60 Million.

Based on true events and just before the official start of War War II [WWII], the German submarine fleet was being supplied for extended operations of sinking much needed supply ships headed to England. English Prime Minister Winston Churchill, is under pressure and authorizes the use of a secret, covert team [later labled "Special Forces"] who act independently from the English military law, to destroy the German's ability to resupply their submarines. With the aid of English Brigadier General Gubbins "M" [Elwes] and Admiral Iam Flemming [Freddie Fox] - the man who would eventually create the James Bond character, they enlist a group of well known mercenary misfits, led by Cavill, to plan an attack and keep the English government from being involved in their mission, which if the German's found out, could force an earlier entry into a new World War.

THE GOOD - This is a bloody, action packed film with lots of fantastic pre-WWII details in production like weapons, ships, and wardrobe. The storyline was well prepared and the dialog was perfect for the time. The cinematography is crisp and smart at times, the editing pristine, and the actors perfectly perform their parts with brilliant scripting and screenplay. I was really impressed with Guy Ritchie's directing style, which was perfect for the dark humor used in this films production with impressive pacing that keeps he movie moving along the plot at a good tempo. More extraordinarily, I was taken aback by Cavill's performance and British accent; the actor is multi-talented!

THE BAD - There's not much to complain about this movie, except that I feel that Eiza Gonzalez was miscast for this film. I think her character should have had more of a "robust figure" to fit in the time and Gonzalez was way too thin for the role.

POST MORTEM - This is the perfect "man film" and I really felt comfortable looking through the history being presented. This operation was only unclassified until recently and the writers really put a lot of heart into the production, selecting the perfect cast to make it a lovable action film. It was also great to see Ritchson playing such a solid role outside of the REACHER series. This is an outstanding action film to watch!!

⭐️⭐️⭐️⭐️πŸ’« [4.5 of 5 Stars]

Tuesday, August 20, 2024

REVISITING BRANDON LEE IN 1994's "THE CROW"...

THE CROW with Brandon LeeIn 1993, the world was introduced to a dark comicbook character based on the writings of James O'Barr, a young artist who lost his beloved fiance to a drunk driver. He brought a lot of pain with him when he produced "The Crow" as a graphic novel and the book began to gain speed in distribution, being loved by fans and everyone accepting it's dark message of revenge from beyond the grave. 

During this time, O'Barr truly had no intentions of taking the graphic novel, selling the rights to a film studio and making a full feature movie. He use his book to heal all of the inner demons that he carried with him, trying to move on from the event that surely would have killed any chance of a real, happy life.

In 1994, things would quickly fall out of control for the emotional, recovering artist. He was able to work with two writers and create a screenplay for a film of his work. This was all by accident and a true testimonial to a good story that was developed well beyond it's time. There were only a few successful superhero films that sold out theaters in the 90s. Batman was one from 1989 and then Batman Returns from 1992 are the most memorable, but surely, O'Barr's Crow movie wouldn't be going up against them, would it?

During this time, Brandon Lee had only been in a small handful of action films. When the news broke that Lee would head the cast of the new CROW film, people thought that this production was just going to be another "chop-sockey" film and have Lee tossing around people using Kung-Fu. But to everyone's surprise, Lee backed out of using any Kung-Fu or karate in the production. He made fast friends with O'Barr and the production was gain top speed to produce something very dark, something paranormal with a touch of true grit.

But the production to the film would crash to a stop, when Lee was fatally injured on the set, being shot in a scene that demanded three re-shoots and close up. Lee too had a fiance at the time and she would witness his death, sharing something with O'Barr, and then the real catastrophe was ignited. After Lee's passing, the executives decided to go ahead and finish the film, since so much of the film had already been completed. "It's what Brandon would have wanted us to do," said so many people from the production.

Watching the film back then in the theater, seeing a man come back to life, literally, and then seeing him die again was a little disturbing. A fact that I carry with me is, that this was some of Lee's best work ever on film. He broke away from the Kung-Fu stereotype and did something totally original, something way ahead of it's time, brokering a production that would set a standard for all action films based on graphic comicbook characters.

I saw The CROW again recently and I was truly impressed by all of the performances by the A-list actors in the film. The action scenes were definitely well choreographed and there was a lot of heart that was put into this film. Could this film have changed the career path for Lee, I'm pretty sure. But it's a shame that The CROW was the highest part of Lee's career and was completely torn away by a simple "one set" production mistake. He is now a legend, who falls under the list of actors like James Dean, River Phoenix, and Heath Ledger, who all died shortly after their biggest performances on screen.

1994's The CROW holds up strongly against most actions being produced today. It's unfortunate that the first film spawned some sequels and even a short series on television, each of which sunk fast in ticket sales and most are all but forgotten. The original movie is a film I can watch over and over, feeling quite content with the storyline and the exceptional work that was done to complete the film with look-alikes and a few CGI tricks. And yeah, I think Brandon Lee would be very proud of the film if he was still alive today. The first film is a classic and there will never be another hit Crow film in today's Hollywood world of bad writing. Long live THE CROW with Lee as the lead actor!

Sunday, August 18, 2024

"FLY ME TO THE MOON" DAZZLES WITH A ROBUST CAST!!!

Fly Me To The Moon 2024
πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - FLY ME TO THE MOON [2024] - PG13 - Apple+ - Directed by Greg Berianti. Story by Bill Kirstein and Kennan Flynn. Screenplay by Rose Gilroy. Produced by Keenan Flynn, Sarah Schechter, Scarlett Johansson, Jonathan Lia. Stars Scarlett Johansson, Channing Tatum, Ray Romano, Woody Harrelson, and Jim Rash. Budget $100 Million.

Not based on actual facts or historical events, this is a story about Kelly Jones [Johansson] who has worked most of her life as an advertising manager [of sorts], who has scammed her way through some high profile companies and made a name for herself. She is approached by a high Government official named "Moe" [Harrelson], who enlists her services to help save the American space program [NASA] by building enthusiasm in the America through some unique advertising ploys. Jones becomes smidgen with NASA Launch Director, Cole Davis [Tatum], and together they not only fall in love, but they work together to save the NASA space program from the clutches of Moe who plans to fake the entire landing on the moon.

THE GOOD - Fantastic location spotting. Transforming area scenes to the 1960's with some awesome classic cars. Some brilliant performances between Johansson and Tatum. Ray Romano plays a strong part in the film, doing very little, but some of his most impressive, dramatic works that I've ever seen from him. Harrelson brings a quirky, dark character to life and it's good to see him doing dark comedy again. Some very well produced CGI and practical effects which would help explain how a moon landing was faked and better yet, why. The story is perfect with the time and I liked how the "theory" behind needing to fake a moon landing was explained.

THE BAD - Even though there were some good selections in the sound track for this film, none of the tracks used in this film were memorable after watching the film. A time piece like this film should have a memorable sound track.

POST MORTEM - This was a pleasing film and had all of the elements that a good film should have. IMO the advertising for this film was poorly produced and damaged any chance of this film gaining strength in the box office. This film won't win any nominations as there were no sex scenes, no lesbians kissing or gays working together, no violence, no explosions or super heroes to save the day. Writing films like this has unfortunately gone the way of the Dodo bird. A film to watch when there's nothing else to watch on TV.

⭐️⭐️⭐️⭐️ [4 of 5 Stars]

Thursday, August 8, 2024

TEXAS INDIE FILM, "COYOTE WOMAN" [2024] SINKS BEFORE THE MOVIE STARTS...

COYOTE WOMAN
πŸŽ₯🎞️Indie Movie Review🎞️πŸŽ₯ - COYOTE WOMAN [2024] - [R] - Kinnescape/Raw Cinema. Directed by Stefan Ruf. Written by John Herndon & Stefan Ruf. Produced by John H. Davis and Lissa Rabon. Starring Nik L. Guerra, Heath Allyn, Les Best, Tom Byrne, Larissa Dali, Don Barro, and Michael L Garcia Jr. Filmed entirely in Blanco, TX.

This indie feature is a silly, but bloody Western filled with gores galore and tons of one liners. Wild Comanche's attack a family, wiping out the parents and capturing two girl, who are tormented and eventually absorbed into the Comanche tribe over the course of ten years. A wild bunch of "Indian scalp hunters" track down the local Indians and mercilessly take scalps from men, women and children. One of the children, who grew up to be a smart and witty "Indian Princess," [Dali] is able to find help to hunt down the scalpers and extract revenge on all that destroyed both of her families.

THE GOOD - The movie poster is artistically impressive and very creative. The opening and closing credits were very artistic and reminded me of the early spaghetti western films opening and closings. The location spotting for this feature was pleasant. Some of the gore was well planned and prepared.

THE BAD - As a dark comedy, this featured suffered from bad writing, bad editing and directing. Many of the scenes were too long and could have been edited for a shorter intro, which would have resulted in a shorter running time. There were constant close ups which were useless and obviously added to the film to hide the large amount of ADR that was used throughout the entire film. There was a ton of scenes shot out of focus, where the camera operator had to adjust while filming the scene. And as much as this was a dark/sassy comedy, the was no historical basis for any of the Native American culture used in this film; nothing remotely plausible.

PRODUCTION BREAKDOWN

  Lighting
  Camera Work
  Screenplay
  Sound/ADR
  Wardrobe
  Use of Visuals
  Time Lapse
Editing
  Rule of Thirds
Locations
  Music
  Ending/Follow through
  Makeup/Effects
  Gore

POST MORTEM - The marketing and promotional push for this film was deeply deplorable. I only found out about this film because Larissa Dali made a post on Instagram about it. Production teams who choose to use TUBI as a streaming showcase for their film, should consider other alternatives before just jumping into an unproven platform that does absolutely nothing to promote a new indie film.
 
⭐️⭐️πŸ’«[2.5 of 5 Stars]

Thursday, August 1, 2024

THE STUDIO RELEASES THE AUGUST EDITION OF QUANTUM STORM .357 E-MAGAZINE!!!

Rachel Whaley Wilder as Bianca Wolfe

 QSE.357 ISSUE 35 dtd 8/1/2024

48 Pages

ON THE COVER - Rachel Wilder
Photo by D. R. Quintana

MAIN ARTICLES

BIANCA 2029 Trailer Breaks Studio Records - Over 10,500 views on media, tons of fan email & comments, plus matching shared links over five platforms in less than 30 days has proven that this project has the right elements to take it to higher expectations.

Meeting the leading lady of BIANCA 2029 - The cast and crew are being led by one fabulously sexy lady. This is Rachel Wilder's first real video project, but she plays the role of a pro killer.

On location of the BIANCA 2029 project  - It's very rare that the studio releases info on current projects, the locations, the props, the wardrobe, presented in this issue for all to see.

Indie Films being produced in Austin! - Casting calls for extras in nine professional indie films & series being produced in Texas.
The new installment of episodes for the series
1923 is starting production in Dallas, TX
.

 YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2024 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

 Thank you for stopping by!

 
Some comments from Subscribers & Fans
 
Sellsbee.1919 - 8.1.2024 @ 0332 - [Translated from German] Finally able to see the trailer for Bianca2029. Sensational view of things to come. We would love to bring you to our convention in Stuttgart GE in 2025. Can you commit? You have new fans here!
 
BestGal_Debbie - 8.1.2024 @ 0648 - I've been nothing but surprised since becoming subscriber to the .357 E-Mag. Such great articles and the photography is beyond top-notch. The link for the Bianca trailer was a bonus as we are not allowed to view videos from the U.S.
 
Destiny.BBGunshooter - 8.5.2024 @ 1956 - This was an outstanding issue with some interesting coverage from your new project. I like that you selected a cosplayer to lead your new film and the trailer looked very much like an anime feature. I'm so excited to see more!
 
Hay_A_allsin - 8.12.2024 @ 0833 - A great issue and I'm so glad I became a subscriber! I was truly hoping to see Rachel answer some emails and give her spin on what happened on the set and how she got involved. But I guess you can't have it all. A happy subscriber here, but I want to see more!!
 
Joseph_TRAM - 8.9.2024 @ 1629 - Okay, so you released a brilliant trailer for your new production. I have to admit that the effects are brilliant and the girl as your lead is one sexy lady. Maybe I need to re-evaluate what I was told about you. Keep up the great productions!
 
Tim.Yenny8899 - 8.16.2024 @ 0901 - [Translated from German] You have an award winning trailer that has so much energy and sexiness that it is hard to put to words about how much I want to see this film. The production is sleek and there is tons of ambition[?] with every new scene the trailer cuts to. Will you do video interviews with the lead actress?
 
Constantine_Walker77 - 8.18.2024 @ 1355 - I watched the trailer and I was like, "Holy shit, they're making great films in Texas!" Meeting the director was really cool and he was easily approachable and answering all the questions he could. I've chatted with several Bostonian Indie Film makers who really want to up the ante in movie making. Keep up the great work!

Tuesday, July 30, 2024

DEADPOOL & WOLVERINE - NO DOUBT FOX IS REGRETTING THE PLETHORA OF POSSIBILITIES OF "WHAT COULD HAVE BEEN"

Deadpool and Wolverine
πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - DEADPOOL & WOLVERINE [2024] - [R] - Directed by Shawn Levy. Screenplay by Ryan Reynolds, Rhett Reese, Paul Wernick, & Zeb Wells. Produced by Kevin Feige, Lauren Shuler, Ryan Reynolds, Matthew Macfadyen, Marvel Studios, Maximum Effort, & 21 Laps Entertainment. Starring Ryan Reynolds, Hugh Jackman, Emma Corrin, Matthew MacFadyen, Jennifer Garner, Wesley Snipes, Chris Evans, Henry Cavill, & Dafne Keen. Budget $200 Million.

*No Spoiler Review* - Basically, Wade Wilson (Deadpool) [Reynolds] is a retired superhero trying to live a normal life with his friends, but a second chance at redemption steps in when an administer of quantum realities [Macfadyen] steps in to change a timeline that revolves around the X-Men's Wolverine [Jackman], who is lost and wandering through life as a bonafide alcoholic. Deadpool enlists the help of Wolverine to find a way to chance their respective histories and restore order their universe, bringing back old friends from the dead and saving humanity. The big problem is, the duo must use the help of superheros that have lost their potential on the big screen - breaking the fourth barrier of comic book lore - and breathing new life into their new retconned existence; literally poking Fox Entertainment in the eye for giving up on some old movie ideas that could have been spectacular.

THE GOOD - Fantastic story arc. The visual effects are breathtaking and there is a ton of action in this film. Lots of blood, body parts, and an extended use of CGI to fill in the blanks for people who need to see more. There was an astonishing dramatic part in the film where Wolverine [Jackman] spills his heart about being a superhero and losing all that he loves. Lots of humor and inside jokes pertaining to comic book universal canon.

THE BAD - There's too much humor and inside jokes pertaining to comic book universal canon. Reynold's gabs a lot - and even though I know it's a comic book thing - it gets a little annoying over an extended period of time. The CGI is a little too much at times, taking away the practical effects and realism of how things happen in real life.

POST MORTEM - In my opinion, Reynold's truly loves the sound of his own voice and I am sure that muting his voice, this film wouldn't have been as good. Out of all the super hero films released, I feel this is the best film I've seen in a long time! I think that the hype was just perfect and the excitement was just as important during the early promotional effort to the film. This film has everything that a comic book enthusiast would love to see in just one film. As Stan Lee would say, "EXCELSIOR!"

⭐️⭐️⭐️⭐️ [4 of 5 Stars]

Thursday, July 18, 2024

EVEN EDDIE MURPHY COULDN'T SAVE “BHC: AXEL F”

πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - BEVERLY HILLS COP: AXEL F [2024] - (R) - Netflix -  Directed by Mark Molloy. Written by Will Beall, Tom Gormican, and Kevin Etten. Produced by Don Simpson, Jerry Buckheimer, and Eddie Murphy. Starring Eddie Murphy, Judge Rienhold, John Ashton, Paul Reiser, Joseph Gordon-Levitt, Taylour Paige, Kevin Bacon, and Bronson Pinchot. Budget $150 Million.

This is the fourth installment to the Beverly Hills Cop [BHC] franchise. A private investigator, once a Beverly Hills Police Detective, Billy Rosewood [Reinhold] has stumbled on a conspiracy that potentially involves dirty cops, add to that a threat to Axel Foley's daughter [Taylour], and when the dubious pressure builds out of control, Rosewood suddenly disappears. An older and still troublesome police detective, Axel Foley [Murphy], makes his way back to Beverly Hills where he tries to infiltrate the city with his old, impulsive and impromptu ideas to solve this new conspiracy that involves dirty cop, Captain Grant [Bacon]. To solve this new caper, it will take the involvement of many old faces from BHC one and two to help solve this case.

THE GOOD - Some of the old faces from the original film came back for this film. The production was able to use some old scene locations from the first film and incorporate them to this film.

THE BAD - Bad story, bad directing, bad screenplay, bad cinematographer, overacting, dismal character development, cliche 80's chatter, low budget film production, dealing with a new generation of over privileged local citizens with new cellphone technologies and some romantic multi-racial bullshit.

POST MORTEM - I struggled during the first twenty minutes of this movie just trying to settle in and get to liking what I was being exposed to. There's a lot of nostalgia in the story, plots, some old 80's gimmicks and plotlines, all wrapped up in one crappy movie to help you waste your time watching this train wreck. There was nothing new to see, nothing clever, nothing actually funny. Watch this crappy film at your own risk.

⭐️⭐️πŸ’« [2.5 of 5 Stars]