Sunday, November 24, 2024

"THE GAUNTLET" WAS 1977'S SILENT ACTION/DRAMA MASTERPIECE!!!

The Gauntlet
In 1977, Clint Eastwood directed a stunner of a dramatic movie called "THE GAUNTLET" which he also starred in, which broke away from the "Dirty Harry" film genre that was quickly making him more famous. He brought with him several known back up actors, including the sexy Sandra Locke, who turned on the sultry and sexiness side of herself to set her brilliantly as a character who lived life on the streets as a well known Las Vegas prostitute. As with most films of this time, it's hard to believe that Eastwood and Locke were not the first actors chosen to play the lead parts in the film. This movie was not received well by then established and influential film critics of the time, but Eastwood fans listed The Gauntlet as one of his best directorial productions.

With well developed characters written by Michael Butler and Dennis Shryack, a weathered Eastwood plays the part of Police Detective Ben Shockley, a deadbeat and alcoholic Phoenix police detective who is assigned to extradite witness, Augustine "Gus" Mally [Locke] from Las Vegas, NV to Phoenix, AZ. Shockley has been told by his superior that Mally is a "nothing witness for a nothing trial" and Shockley's mindset is that this is an easy gig to get his superiors off his ass for the moment. Throughout her characters introduction, Mally hints that her part in the trail is bigger and darker than what Shockley may comprehend, eventually leading to the fact that the mob has infiltrated the highest circles of the Phoenix police force and Mally has a big bullseye set out on her life. The two have considerable and coincidental bad luck at every turn, and even after learning that there is a Las Vegas bet against him making it to Phoenix, Shockley is out to prove everyone wrong and actually deliver the witness on time and in front of all concerned trying to end her life.

After Shockley and Mally fall for one another in one night of passion, he makes a daring attempt to deliver the witness by hijacking a bus and drive him at the witness straight up to the courthouse during broad daylight. This bus is driven through a large barrage of heavily armed police officers, who openly fire at the large bus in an attempt to stop the bus from arriving on time, or at all. Keep in mind that a large part of this films budget covered the cost of thousands of small explosive "squibs" that were drilled into place on not only a bus, but a home that were demolished through apparent gun fire. This special effect was established long before computer graphics existed. But the lifelike effect made a tremendous impression on movie goers at the time and is still an impressive special effect to witness on screen today.

The budget on the film was $5.5 Million but made an impressive $35.4 million at the box office. I honestly like this film and have watched it several times over the course of the last few years. If you get a chance to watch it, you should. Is it worth renting, of course. I guarantee that you'll be entertained and that Sandra Locke will impress you with the noteworthy sleaziness of her playing a true prostitute to form.

Tuesday, November 19, 2024

"THE SHIFT" WAS NOT AS IMPRESSIVE AS IT'S TRAILER

THE SHIFT
πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - THE SHIFT [2023] - AppleTV - PG13 - Directed & written by Brock Heasley. Produced by Brock Heasley and Ken Carpenter. Starring Kristoffer Polaha, Neal McDonough, Elizabeth Tabish, Rose Reid and John Billingsley. Budget $6.4 million.

Kevin Garner [Polaha] meets the love of his life, Molly [Tabish], at a bar just after losing his job. He's a recovering alcoholic who stumbles to get back on his feet, even after raising a small family. After having an argument with his wife, he goes to work, loses his job and on his way home he is in a car accident. He awakens to find himself being talked to a man called "The Benefactor" [McDonough], who approaches Garner, telling him that his life has essentially been "adjusted" for the needs of the Benefactors life plan. Garner is tempted at a change in his life, but feels that something is wrong and begins to pray to God for direction, which forces the Benefactor away, and Garner finds himself in a strange world, where everyone is afraid and unable to break away from a city filled with less spiritual people and godlike guidance in their lives. He begins to suspect that The Benefactor may be Satan, straying him away from a honest, spiritual life. He outsmarts the demon to find his way to a new life, a strong marriage, and a family that every man could dream for.

THE GOOD - There's a strong, modest start to the story telling. The plot is pretty strong with some shocking twists and turns. Visual effects are impressive and the sound is pristine. Neal McDonough looked comfortable bringing the character of The Benefactor to life, giving him a mysterious and dubious presentation.

THE BAD - Low Quality 4K cinematography with some very amateur camera tricks and special effects that all look pretty outdated. Poloaha's performance lacked a real life quality essential to make the character of Garner feel realistic enough to make you care. The supporting actors were plenty, but their performances were anything but marginal to effect the outcome of the films plot.

POSTMORTEM - After watching a one minute clip trailer to this film somewhere, I was driven to watch it and hope that the rest of the film delivered a dramatic, paranormal, and exciting product. The entire story fell apart after the plateau of the features most climactic arc, during the first ten minutes of the film. There are wasted efforts trying to present misdirection when the obvious plot line was presented after the initial introduction of The Benefactor. This isn't a good movie. There's very little entertainment and the director certainly fails to deliver a gospel-like message at the end of the fairy tale.

⭐️⭐️πŸ’« [2.5 of 5 Stars] 

Sunday, November 3, 2024

ANTHONY HOPKINS PERFORMANCE IN "MAGIC" [1978] IS BEYOND TRILLING!

πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - MAGIC [1978] - [R] - Amazon Prime - Directed by Richard Attenborough. Screenplay by William Goldman. Based on the book by William Goldman. Produced by Joseph E. and Richard P. Levine. Stars Anthony Hopkins, Ann-Margret, Burgess Meredith, Ed Lauer, and David Ogden Stiers. Budget $7 Million.

This is a dark drama about a down and out magician/comedian, Charles "Corky" Withers [Hopkins], who is slowly dwindling away performing at sketchy bars to minimal crowds, but he boasts to his mentor, Merlin, that he has great attendance with tentatively active crowds. After his mentor passes, Withers creates a fantastic ventriloquist act with a dummy named Fats. His new gimmick catches the eye of a talent agent [Meredith], who persuades many producers to "Give the new kid a shot." But the problem is that Corky has a building inner fear with self doubt of being successful and  is in terror of reaching for the stars. It's such a problem that he steps away from the limelight and returns to his hometown where he meets and falls for his old high school crush, Peggy Snow [Margret]. He rents a local cabin and tries to sort his feelings about success, using his dummy to try and find answers. But along the way, the dummy seems to guide Corky in the wrong direction, causing great harm to anyone who questions him or tries to help him.

THE GOOD - Crisp cinematography. Strong direction and a brilliant one-man performance by Hopkins. The addition of Ann-Margret was a nice touch for the time and Meredith's performance was starkly familiar with the "Micky" character from ROCKY [1975] that made his part extremely likeable and trustworthy. Location spotting was perfect for the production, giving the film a dark, dying feel to the whole film.

THE BAD - The movie plateaus too soon in my opinion. There is a desperate feel to make Corky seem too paranoid about his surroundings which forces Hopkins to perform the character with an explosive, bipolar fuel of instant anger that just seems over dramatic and drawn out at times. I'm not 100% sure the music fit the film, but it seems that the sound track was rushed an not thought-out well.

POSTMORTEM - This film was filmed with the use of one camera. Most of the scenes were shot in a "soap opera" style format used in the time of the 70's which forced the actors to perform at a higher level. Even though the scenes with dummy was creepy, I feel that the scenes were dumbed down for the audience, leaving some to speculate as to whether the dummy had a mind of its own or not. This is a classic film and something great to watch if you like watching realistic, psychotic, dramatic films.

⭐️⭐️⭐️πŸ’« [3.5 of 5 Stars]

Saturday, November 2, 2024

KRISTI LYNN - SPECIAL MEMORIES OF A TIME LONG AGO...

The first time I laid eyes on Kristi Lynn was on the big screen at a theater in Boston, MA. She had a role in a slasher film with Bernice Tremblay and I was truly impressed with her performance as a mother who got what she had coming to her. Bernice was excited about being in another film and I was angling on meeting new talent to bring into the web series we were currently working on entitled, STAR TREK BEYOND [STB].

After the slasher film ended, I got to meet several of the cast and crew, but more importantly, I was introduced to Kristi Lynn, who just seemed to light up the whole room with her big smile and muscular physique, reaching out to people and hugging them left and right. Quite honestly, the movie wasn't anything to brag about, but the cast and crew were full of smiles and pride of having their film up on the big screen. Shortly after that night, I asked Bernice to make contact with Kristi and see if she was interested in playing a part in our web series. According to Bernice, Kristi didn't hesitate to say "yes."

A few days later, we drove out to a farm in the middle of Massachusetts, where I got to meet Kristi and her pet monkey Deke. No need to go into deeper detail, but there were a lot of laughs and deep conversations. I explained to Kristi what I was looking for and immediately she went into how to costume up for the part. When I left the ranch, there was this wild fascination about Kristi that just lingered in my mind. I figured that her part in the series would either actually work or bomb out with the gaining fan-ship that was following the series at the time.

What isn't known about the development of the web series was that I spent lot of time designing the show to do everything "our way." We entered production making things up and trying to distance ourselves from everything every other fan production was doing, presenting certain uniforms, ships designs, story telling. I figured that by bringing in a female "Q" to the show, would certainly shake things up and force fans to watch the show to see how it all panned out in the end.

The day Kristi arrived on set to shoot her first scenes, she was fighting a migraine. Me knowing women very well, I didn't ask anything about it, except if she was still willing to get this thing started, and she nodded yes. About an hour later, she had her hair and makeup done. She came down the stairs and was wearing a dark black suit. I was in the kitchen with Jeremy Chubb, an actor and co-producer of the series, making pancakes and brewing coffee.

I'm not sure if STB fans know that we had converted the entire first floor of an apartment into the bridge and engineering spaces for the series, but that didn't stop Kristi from barreling through the apartment set looking for a hot cup of coffee and a fresh plate of pancakes to get her day started. That was when she revealed to us that she was fighting a major hangover and that Margaritas "weren't her thing." I sat in awe watching her eat and drink, all the time chirping out with that New Englander accent.. I found it pretty damn funny, to tell you the truth.

Later, Bernice showed up and we hopped into one car and drove all over the place shooting scene after scene. I had scripted the entire five-part episode of the Borg War that contained the Q in the series and we went through each scene in order. Most of the scenes wouldn’t be seen for over two months during that point, so the actors were performing blind, hoping I would edit everything together and it all made sense. Since much of the web series was shot in that same way, I had plenty of practice, so I wasn't worried. Bernice, who at this point entered the series also as a co-producer, just didn't want actors driving back and forth all the time for small stuff. But the web series was in good hands and with everyone keeping an eye on the scripts, we handled everything very well.

When we returned to the apartment [studio], I reviewed the footage, checking the sound as I went along. It was getting late, Kristi was hungry, but I found that there were two important spots that required Automated Dialog Replacement, or ADR, but Kristi was all for doing it right then and there. With so much practice and work in prior films, she nailed the ADR requirements on the first try, all from memory. I was floored with her talent and then took her out to dinner before she left for home.

Kristi made a huge impression on me and the crew that day. I called on her services one more time during the fourth season of the series and she again delivered a masterful performance. We took pictures on the cove in New London, CT that day. She was sexy, elegant, and just full of excitement of her wearing a formal white dress. I'll never forget that last day of shooting with her. She was funny, happy, and filled with so much energy. We went out drinking that night and she did a little karaoke with me. Kristi left the next day after I made her pancakes and coffee again. She was one hell of a lady.

A few months ago, I reached out to her about putting together a reunion of the entire cast from STB. Over the course of almost 20 years, the STB web series is a fan favorite with a huge following. Some of the cast and myself pondered the chance of shooting one more episode to tie everything together and maybe launch the old web series into another SciFi project. On the phone, Kristi was excited about replaying the role of "Q" in front of the camera again. From the photos I saw on Facebook, Kristi still looked the same to me, vibrant, sexy, happy. On the spot, I asked her is she was a vampire and she belted out a loud New Englander laugh...She will be missed.

Rest in Peace, Kristi. You were one hell of a lady!

David Quintana and the entire cast & crew of
STAR TREK BEYOND [2006-2008]

Friday, November 1, 2024

THE NOVEMBER EDITION OF THE QSE.357 E-MAG IS RELEASED



QSE.357 ISSUE 38 of 10/1/2024

38 Pages

ON THE COVER - Kristi Lynn
Promo Photo by Godfather Productions

MAIN ARTICLES

Reflections of Kristi Lynn - A huge loss to the indie film scenes in the East Coast and a BIG loss to the STB team, Kristi had a life that was full of excitement, adventure, and fantasy. We share insights to working with Kristi on our first production, the fan series Star Trek Beyond.

Makeup Effects Champion - Texas Indie films are proving that makeup effects can boost the production level of their future works. We introduce to you four award winning makeup artists.

Is TUBI Worth Your Time? - Passing up a distributor for instant release on a streaming platform may not be the best idea to run with. Learn about some of the horror stories with films that lost a good chance at a distribution deal due to releasing their films on Tubi.

 YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2024 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

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BIANACA 2029