Tuesday, May 9, 2023

COSTNER'S ISSUE WITH "YELLOWSTONE'S" SHERIDAN IS TOTALLY UNDERSTANDABLE

Yellowstone
TROUBLE IN SHANGRI-LA - As the finger pointing has started to take center stage on the production of the final season to one of the biggest shows being presented by Paramount, many people have lost sight on who started the whole thing to get Kevin Costner to want to leave the show. YELLOWSTONE [YS] is one hell of a series, but even though it has it's many faults, story telling with character developments that has so many cracks, that the toughness of just a few characters make the fans of the show forget that the series truly has no ending...or a lack there of. And for a series that was allegedly written in 2013, why is there a sudden shock that the leading actor [and Executive Producer] is complaining that the series has long run it's course and that the series creator is just now stalling to end the show?

The YS plot establishments are all over the place, so much so, that the series writer has had to try and develop several off-shoot shows to tell the whole family history, leaving many to wonder "who is related to who?" and "how does this tie in with that?" - I presented a theory in a recent blog review of one of Taylor Sheridan's earlier works, WIND RIVER, a movie that had it's moment of wonder, but then a complete failure with an ending so bad that, I was completely confused about how Sheridan sold this film to anyone. Especially since the cast of the film was filled with some talented veterans, i.e. Elizabeth Olson and Jeremy Renner; and some actors that eventually were entrusted to perform brilliantly on YS. To put it clearly, Sheridan has a reputation for writing bad endings to good ideas.

Kevin Costner
Costner has made it clear that YS was never intended to go beyond five years of production and that he's felt that Sheridan has dragged the the show in so many directions that it's impossible for the series to end after this fifth season, that is currently on hold as Sheridan has been forced to rewrite a ton of it. With only a handful of episodes left, there's no doubt that Costner's character [John Dutton] has to be killed off to make any sense of the irregularity of story arcs that the series currently presents to it's fans. I'm sure Sheridan is under a lot of pressure now and Costner called him out on his previous work and told the now cocky show's creator, "Lets get this thing done!" - Especially since it's no secret that Costner is back to working on full feature films and is now claiming that he will never work outside of that medium again.

Sheridan's reputation in Hollywood has been under fire lately. Insiders say that the writer/creator is full of himself and holds an ambitious attitude against anyone that questions his writing. His ego is costing many of his other streaming series to take a ride on the back burner until he finishes scripting the screenplay on YS. Many feel that he has too may pokers in the fire and he can't control the pacing of writing for each series under his control. It could be true, I've watched most of his series and I feel that all of them have the same motif in constructive writing; bad guys that take a turn for making good decisions while staying bad guys. Not that it's a bad idea, but over time, the stories become dull and then he tosses in another story arc to loosen things up and prolong the series for another episode or two. One thing is for sure though, Sheridan has top names of veteran actors working on all of his projects and that formula keeps his work alive on the streaming circuit.

The question now is, when will the likes of Sylvester Stallone, Harrison Ford, Helen Mirren, or Jeremy Renner get tired of Sheridan's ambitious ego and take a leap from his series work like Costner did?

Friday, May 5, 2023

ELIZABETH OLSON MAKES HER MARK ON "LOVE & DEATH"

Elizabeth Olsen Love & Death Promo
πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - LOVE & DEATH - HBO MAX - [TV-MA] - [10] episodes. Series Directed by Lesli Linka Glatter. Series writers; David E. Kelley, James Atkinson, John Bloom, and Joe Bob Briggs. This series stars the very talented Elizabeth Olson, Jesse Plemons, Krysten Ritter, Lily Rabe, and Elizabeth Marvel.

This series is based on actual events that occurred in a small town in northern Texas on June 13, 1980. The plot involves several church going families in a rural town that are caught up in a devastating murder, which is eventually revealed during a murder investigation, that two married members in their church organization had a wild, impulsive affair, and where the wife of the husband [the one involved in the affair] was murdered with an axe, being hit 41 times in the utility room of her home. Olson leads the series as the open-minded Candy Montgomery, in a mesmerizing performance that is sure to win her some nominations in some future Emmy Award show. Kudos also go out to Krysten Rotter in her performance as the frumpy, mentally deranged Betty Gore. who is in a constant mental struggle to fit in with other wives of the small town.

THE GOOD - This is a witty and smart series, produced carefully to present a northern Texas town in the mid-1980s; the clothes, the cars, the city landscapes, and even the lingo of time are perfectly presented. Olson plays off an impulsive wife who feels like she's "missing out" on life, probably reaching a delayed seven-ear-itch or mid-life crisis, and "logically"reaches out to another man outside of her marriage to help fill her emptiness. She goes brilliantly from church mom, to a sultry deviant that does her best to remain emotionless during her affair, and then afterwards, maintains a proper Christian personae. The cinematography is pristine, the sound is perfect and the music selection was not only noteworthy, but also comically used during the shows run.

THE BAD - After studying up on the actual events of the true events behind the series, the production did very little to maintain integrity with several details on how the people [portrayed by the actors] actually looked, perhaps intentionally distancing itself from those little actual events of the time[?]. There is honestly very little to complain about this series, with the exception of a few little nit-pickings about 80's methodology in terminology that I won't post here.

POST MORTEM - This is a well developed series that only uses the "based on" prescription of the actual events, but I feel that it’s an honest and best telling of the actual events. There is another mini-series produced by HULU in 2022 called CANDY, starring Jessica Biel as Candy Montgomery, that overs some detail with supporting and backing characters that were not presented in Love & Death, which would have explained and developed supporting characters in an all new light and established that a special psychosis was happening in the town. However, I was not impressed with Hulu's production of the true story and the final production seemed rushed and lacked pivotal details in the overall presentation of the mini-series. I suggest that viewers watch HBO Max's version of the true events to get more of a psychological treatment to the development of the real Candy Montgomery.  

⭐️⭐️⭐️⭐️[4 of 5 Stars]

Monday, May 1, 2023

QUANTUM STORM .357 ISSUE 20 IS RELEASED FOR MAY 2023

Quantum Storm .357 E-Magazine Promo Cover
 QSE .357 ISSUE 20 dtd 5/1/2023

34 Pages

ON THE COVER - Graphics design by
Gkar-Gkar. Used by permission.

MAIN ARTICLES

Writing Tips - Three Texas writers share insights on preparing story arcs & how to work with distributors to get your works published.

 Graphics Art Design - Does your film need art work, promo ads or a movie poster? These Photoshop tools can boost your project & return quality results.

Special Look - A top ten list of the top PodCast Shows produced in Houston, Texas! Did your PodCast Show make our list?

Where Are They Now? - Indie film teams come and go. 15 years of bragging from actors, film directors & long dead indie films you need to see to believe & where they are now.

It's Ghost Hunting Season - Let us know about your team, scary investigations, and a breakdown of your crew. Email us here.

   YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2023 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

A Special Look back at HAVOC 114 Redux [soon to be re-titled] and some Behind the Scenes extra's that are being re-shot or added back into the new version of the film. In this photo, director Bobby Osborn and Stephanie Greenfield joke between scenes. Saira Ramos is handling Foley. Photo by D. R. Quintana, who was Producer during the capture of this photo in February of 2020.
   

Thank you for stopping by!

Thursday, April 20, 2023

PEACOCKS "COCAINE BEAR" IS A HUGE MISHAP WAITING TO BE EXPLORED

πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - COCAINE BEAR [2023] - [R] - Peacock - Directed by Elizabeth Banks, Written by Jimmy Warden. Starring Ray Liotta, Keri Russell, and Jesse Tyler Ferguson. This is another Peacock original movie and is Elizabeth Banks first attempt at directing a dark comedy.

Inspired by actual events that occurred in December 1985 where a man named Andrew Thornton [real drug smuggler], a large brown bear consumes a large amount of cocaine that was dropped from a drug plain over the distance of two states. The bear embarked on a killing spree, in an area where several innocent bystanders have stumbled onto the fallen payload, and attacks anyone who goes near the drugs or who is in direct contact with it. This movie has a lot gore and an some brutal kill scenes.

THE GOOD - The special effects and bear CGI are tremendously produced and delivered with stunning visuals. A lot of the gore looks realistic and presents some real painful visuals. There are several stories wrapped up in this movie that makes you wonder exactly where the writers were going with the entire plot. The entire film takes place in the middle of the 80's and there are some interesting tidbits of "you had to live back then" to catch the inside jokes that are spread out throughout the films run. As mentioned before, there is a lot of gore that befalls each death made by the large killer bear. Each story intertwines with the idea that even though there is a drug runner side to the entire story, the bear is the only constant. There are parts in the film where the killer bear takes on the leading role, sometimes crossing into a realm of human characteristics which makes some of killings look silly and too far fetched to believe.

THE BAD - This is a typical 80's slasher film filled with so much schlock, that it gets a little boring at times. There is a ton of bad acting and over acting that makes the comical side of the film seem a little too stupid to follow. Where some actors take the film serious and present some brilliant acting chops to deliver some intensely dramatic scenes, others seems to present no talent at all, and deliver performances that are easily forgotten.

POST MORTEM - This movie would have been better if the writer and director stuck to presenting a more real presentation of the actual events of the Cocaine Bear and how the drugs ended up in the woods in December of 1985. Using that baseline Urban Legend to create this film was just completely absurd.

⭐️⭐️⭐️ [3 of 5 Stars]

Friday, April 7, 2023

"POKER FACE" ISN'T FRESH, BUT IT'S HUMOROUS & ENTERTAINING

Poker Face Poster
πŸŽ₯🎞️Series Review🎞️πŸŽ₯ - POKER FACE [2023] - Peacock - Created by Ria Johnson, Produced by Cameron Angeli. Writers Wyatt Cain, Ria Johnson. Stars Natashia Lyonne, Benjamin Bratt, and a whole sleuth of talented veteran actors in each new episode. This is a Peacock original series and I am sure that a real network would have never picked up the series because of the unoriginal filming format style used in the shows production.

Charlie Cale [Lyonne] has a unique, natural ability to sniff out a lie during any communication with a person; whether through body language, use of specific words, or natural instinct. We learn in the first episode that Cale uses her ability to become a poker champion; jumping from one casino to another, winning countless scores of money until she's sniffed out, black balled and forced to work at one casino in Las Vegas as a waitress to make ends meet. What isn't known is whether her ability to substantiate the truth from a lie is a supernatural ability or not. Since most of what is seen is the fact that Cale has to ask questions and wait for answers. If one doesn't give her answers or refuses to communicate, her ability will be useless in any case or mystery that falls in her path. Throughout the series, she is on the run with hitman Cliff LeGrand [Bratt] always on her tail.

THE GOOD - The series is inventive, always starting off with presenting a well planned murder or other crime, that leads to the perfect crime. Then each episode is replayed with a side plot of how Cale is inserted into the story and solves the crime by asking a few questions. Lyonne is humorous at best, always playing a quirky hippy-woman that either smoked too much marijuana or drank too little to stay pickled up and present her deep throated lines. What I like best is how nosy Cale is, how she is constantly questioning the mystery that bothers her, even while she's at rest. The action scenes are simple, the dramatic build up in each mystery by the supporting cast is spot on the best I've seen in a series in a long time.

THE BAD - Lyonne's silly acting style gets a little too far fetched at times and then becomes a silly staple that you have to endure towards the end of each episode. Where most of the time, the viewer can figure out what actions need to take place to solve the crime, Cale stumbles through her divinity of solving crime and takes another angle that you will not expect, and then in a silly "twerk style" maneuver, the case is quickly solved and the episode is over. After a few episodes, this writing format gets old and un-inventive.

POST MORTEM - This is a good series. The plethora of quality veteran actors helping out as "guest stars" in each new episode is truly remarkable. None of the new episodes cross over in plot or story, which is refreshing, but sometimes I feel like a good character arc, well designed and developed, is wasted on the idea that they were just arrested and taken away. I expect some type of crossover to eventually happen. Still, even though not ground breaking, this is just a fun show to watch.

⭐️⭐️⭐️πŸ’«[3.5 of 5 Stars]

Monday, April 3, 2023

TAKING A LOOK BACK AT J. J. ABRAMS' "SUPER 8"

Super 8 Movie Poster
πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - SUPER 8 [2011] - Amazon Prime - Directed and written by J. J. Abrams. Stars Joel Courtney, Elle Fanning, Kyle Chandler, and Ron Eldard. Produced by J. J. Abrams, Steven Spielberg, and Bryan Burk.

Strange things are afoot in a small town in Ohio during the summer of 1979.  First, there was a train derailment that was witnessed by a bunch of teens shooting an indie movie; then there were some power outages, large machinery was stolen, and all of the dogs in the local county went missing. Making things seem worse, the derailed train was owned by the U.S. Air Force and suddenly a large fire threatens the lives of everyone in the small town, forcing an immediate evacuation. What could be the cause? Are aliens involved?...watch the movie and fall into the dark spell of intrigue that only Abrams can bring to life with his trademark lens flairs and quick action film formats, that seem to dazzle the new breed of action seeking viewers around the world.

But honestly, SUPER 8 had a lot of potential when it was first released. The train derailment alone was a masterful piece of action and surprise, completely not expected when I first saw the movie in the theaters. The entire theater was aghast with the energy from the crash, that I witnessed everyone look about the theater wondering how such an event was produced on camera. After that, the innocence of the film lost its luster and the magic of film making just tanked into a world of never ending stupidity, which Abrams' has learned to sell to the big wigs in Hollywood, but not the fans that watch his movies. Using an old 80's format, something that he admitted to in interviews, as a large aliens full appearance was kept out of camera until the third act of the film, something that Steven Spielberg did in JAWS [1975] while he was waiting for the practical effects machine to be put together and work properly. Once the new CGI monster was revealed, and it was huge and ugly, the total embodiment of a large beast turned out to have the heart of a smaller ET monster.

THE GOOD - The story arc with the teens was the best part of the film. The character development between the six teens was well scripted and developed for the film; I actually began to give a shit about what was going on around them and the way their parents treated them. The visual effects and sound were pristine and some of the camera angles were filled with epic little wide screen shots.

THE BAD - Oh my God is the film filled with some really bad technical crap and lens flair galore! Abrams, known to prove that he has little knowledge about how the military actually works, goes off the rails in this movie. Nothing is ever explained, and this claim that "the little box with a secret" is a hallmark to his writing ethic, just falls apart at every little attempt to show the "dark side" of the military and how officers and soldier act and carry out their duties without any regard for civilians. There's a chaotic scene in the fourth act of the film where tanks are firing, missiles are flying, and machine guns are shooting off all on their own, with the help of the aliens control over machinery...??? The alien never seemed to have presented this ability before, such as shutting off cars, buses, or anything else; just that this was happening in the fourth act in a "wouldn't this be cool" segment of the film. It was totally silly and the film suffers a lackluster ending because of it. Abrams continual use of his "nothing education" about how things actually work, is so evident in this film. How he was chosen to lead the new Star Trek movies is beyond comprehension, especially in a SciFi universe that demands to present how things work. No wonder why he felt more at home directing and writing the last of the George Lucas Star Wars trilogy, where nothing needs to be explained.

POST MORTEM - The 80% of SUPER 8 that totally got wrecked by Abrams continual bad writing bullshit was actually saved by a short zombie movie that was being produced by the teens in the film. I remember sticking around through the end credits when the film suddenly presented the teens finished film in it's entirety. That small film was a total gem and something that should have been a larger staple in the film. For all of the work the veteran actors put in the film, it suffered horribly and could have been a major part in bringing a more heart worthy appearance in the film early on, proving that maturity is the best medicine for any horrifying event to bring a town together, than just tear it apart. Showing that at the beginning or middle of the film would have been "mint!"

⭐️⭐️⭐️πŸ’« [3.5 out of 5 Stars]

Saturday, April 1, 2023

QUANTUM STORM .357 ISSUE 19 IS RELEASED FOR APRIL 2023

 

QSE .357 Promo Cover

QSE .357 ISSUE 19 dtd 4/1/2023

38 Pages

ON THE COVER - Shots from various local film projects. Used by permission.

MAIN ARTICLES

Marketing Your Indie Film - From Advertising, labeling to trailers. We show you how you should hire professionals to promote your Indie film prior to it's release.

 Behind The Scenes Special - Take a peek into new production efforts for HAVOC 114 Redux and a special look at the alien behind GREY PANIC.

Special Look - The "Spring Break" spectacular is here! See if your favorite local model made the top ten!

PodCast Radio News - Houston PodCast shows are gaining popularity, here's a peek into a story set for release in April.

Summer Fever is Building - Is your production team planning a big indie film project for the summer? Let us know so we can spread the news. Email us here.

  YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2023 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

A LOOK INTO HOUSTON’S TOP POD CAST SHOWS IS MOVED TO THE APRIL EDITION OF THE QSE .357 E-Magazine!
 
HAVOC 114 Redux Promo Ad
EPIC NEWS UPDATE - The Studio presents news that production efforts have resumed for HAVOC 114 Redux. Additional scenes have been added to the feature to extend the length of the film. The studio is also planning the release of a new trailer and music video this summer!

Thank you for stopping by!

Tuesday, March 28, 2023

STAR TREK PICARD SEASON 3 HAS IT’S MOMENTS

πŸŽ₯🎞️Series Review🎞️πŸŽ₯ - STAR TREK PICARD - Paramount. Showrunner Micheal Chabon, Terry Matalas. Stars Sir Patrick Steward, Jonathan Franks, Gates McFadden, Jeri Ryan, Michael Dorn, and Ed Speleers.

30 years after the Star Trek - The Next Generation [STNG] timeline and the frightening first two seasons of Star Trek Picard, the old crew of STNG slowly reassemble to first identify a new threat to the Federation; second, learn that retired Admiral Jean-Luc Picard [Stewart] and Doctor Beverly Crusher [McFadden] are parents to a now grown son [Speleers]; and that a new deadly weapon was stolen from a highly Top-Secret Federation base.

Being a big Star Trek fan myself, I got caught up in the hoopla about a review on YouTube, that Season 3 of ST Picard had fallen into the right hands of a lead director and writing team, and that the new season was a much needed rewrite with episode writers who were once legitimately part of of the production team of Star Trek Deep Space 9 and other more "fan favorable" Star Trek shows and movies, hired on to answer a lot of the fan based questions which were far too ignored. With a new production budget and visual zeal that brings traveling through the final frontier back to the original form, the show has received good buzz and there's word that this will be the last series with the old crew to ever be produced for fans.

THE GOOD - The visual effects and CGI are pleasing to the eye. Seeing the aged and dusted off Admiral Picard in the Captain's seat was a real treat. The battle scenes between ships is epic and some of the special effects in the series are far above the imaginable.

THE BAD - If you've ever been to a twenty-year reunion of your high school class and realized that all of the people you once knew were still the same, but just heavily sprinkled with parental problems and a burned out married life...well, then this show won't seem any different. The story lines drag on and on per each episode, with a touch of "Oh shit, this is so important!..." and "You once gave a shit about me, but now you don't" to "I can't do this anymore, I'm a senior officer!...", to "Okay, for old times sake, I'll step up and be part of the team again." Many of the cliche's are old, seem to work from time to time, but there is also a TON of dialog with mixed feelings about this and that, that the entire fluidity of the film just seems to drag on...and then BAMB, something hit's the ship and the entire crew looks about the room stunned and then someone cries out, "...they've found us!" Most of what's seen within the first four episodes could have been presented in a one hour special of STNG. The rest is just useless fluff that just wants you to scream out, "...C'mon!...get on with it!" - Yeah, folks. The show can be THAT bad from time to time; more often than not.

POST MORTEM - There's a scene were Admiral William Riker [Franks], Worf [Dorn] and third party member transport down to a Top Secret Facility and just calmly walk around some passageways, looking for chamber door. There are no standard hand scanners to help them on their search; something that was always seen in the older shows. For every good thing that ST-Picard brings to the table [including some badly designed star ships] another big FAIL falls directly following the BIG reveal which isn't as fantastic as the writers hoped it was going to be. It's certainly another jumbled mess of nostalgia, but way better than what was presented in the first two seasons. But this is a good send off for a bunch of actors who couldn't find good work after the biggest and most popular of the Star Trek shows went off the air. The actors are certainly getting a raise in their retirements without having to work to hard for it this time.

⭐️⭐️⭐️πŸ’«[3.5 of 5 Stars]

Sunday, March 26, 2023

NETFLIX’S "ADAM PROJECT" IS JUST TOO MUCH…

πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - THE ADAM PROJECT [2022] - PG13 - Netflix - Directed by Shawn Levy. Written by Jonathan Topper, T. S. Nowlin, Jennifer Flackett, and John Levin. Stars Ryan Reynolds, Mark Ruffalo, Walker Scobell, and a remarkably surprised & unaccredited, Jada Pinkett Smith

This is a silly movie that has Reynolds - AKA Deadpool - continue to play himself in Deadpool-fashion in another SciFi action film. This time it’s a time travel movie about a man who accidentally travels too far into the past to try and contact himself for help after the time displacement equipment his father helped create falls into the wrong hands.

THE GOOD - In the 80s we had to endure a plethora of big budgeted action movies with either Arnold Schwarzenegger, Sylvester Stallone, or Chuck Norris in it, so in the 2020’s it has to be Ryan Reynolds. This film has a bunch of explosions, heavily choreographed fight scenes, and a bunch, and I mean BUNCH of typical Ryan Reynolds one-liners that just regurgitate in one massive repulsive swirling storyline with more twists and turns like a swirling heap of diarrhea that fails to flush down the toilet after the fourth attempt. 

THE BAD - There’s nothing truly surprising here. You’ve seen it all before, except that Reynolds gets a chance to wield a double-edged lightsaber that "...ISN’T a lightsaber." Where many of the other characters in the story take things very seriously, Reynolds plays it off calmly, like he knows he’s in a hollow-deck where the entire program will eventually just shut off and he’ll be completely okay. There’s never a feeling that his character is ever in real jeopardy.

POST MORTEM - This movie is filled with overly flashy action scenes and the actors performance are garnished with a lot of cheese. It’s a perfect fun film for the youth who think that life is easy, because mom and dad will always be there to let them stay in their basement playing video games. Mature adults with bore pretty quickly. I definitely won’t be watching this pile of shit a second time. 

⭐️⭐️⭐️ [3 of 5 Stars]

Thursday, March 2, 2023

STALLONE TURNS UP THE HEAT IN "THE SAMARITAN"

πŸŽ₯🎞️Movie Review🎞️πŸŽ₯ - THE SAMARITAN [2022] - PG13 - Amazon Prime - Directed by Julius Avery, based on creative works by Bragi Schut, Marc Olivent, and Renzo Podesta. Stars Sylvester Stallone, Javon Walton, Pilou Asbaek, and Dascha Polanco. This is a dark story about two brothers with incredible powers who are at odds with one another; one fallen to evil [called Nemesis], the other follows the life of law and order [called The Samaritan], who wind up in a battle for control that costs one their life. Many years later, living in a city torn with the admiration of the populace living in the Urban Legend of the two brothers, always wondering who won the final battle, who lost, and where they vanished to, a young boy [Walton] meets a mysterious old man [Stallone] and begins to believe that he has stumbled onto one of the survivors of the final battle.

The movie has a slow start, but in small spurts the visual effects fall to the mainstream high action and super hero filled special effects that usually follow in every super hero movie that's been produced in the last ten years. So, there's no surprise at what abilities are presented when the quiet super hero attitude of Stallone's character "Joe Smith" suddenly sparks to life and emotion, and the truth surfaces. Walton seems a little out of his league performing as a surprised teen, finding out that his childhood Urban Legend hero is actually alive and kicking. But he does his part consistently and he grows quickly as a young actor during the entire run of the movie.

THE GOOD - Stallone is playing a usually quiet and dark character, a stigma of his decision to choose roles recently. He looks old and tired in this film, which fits him perfectly for the role. He turns up the intensity as the film progresses and there's just something that he does to bring the house down in style, and I mean that literally. The CGI at the end of the film is pretty impressive for building up the final battle and there are moments where the viewer can honestly believe that their standing in the middle of a fiery inferno. The director chose to shoot this film in a wide-angle format, giving the film an epic feel from beginning to end, which gives the film a larger preview of the background locations and big city feel. The back story is the real mystery and the totally of the cost of life is brought to the forefront, giving a good plot a really good chance to show its true colors.

THE BAD - The start of the film, after the brief history opening, just seems to slow down to a crawl. Plus there are few moments of grand standing by other actors. Walton was obviously picking up some bad habits from the other senior actors around him, as he begins to show some over-acting in some scenes. It's noticeable, but does not alter the films energy. Pilou Asbaek plays the perfect villain for the film, but I can't shake off the fact that his "tremendous presence" makes his performance seem a little over-the-top. I know I sound like I'm being a little bit picky, but these are the only weaknesses to the film that I noticed.

POST MORTEM - This is a solid film where the director seems to have had a eye-opening idea to keep things simple, punch out the better scenes with up close action, and deliver the type of action sequences that seem to look like the production used practical effects instead of making the whole movie look like a CGI video game. Stallone was a perfect cast for the role as Joe Smith and I honestly like that the film didn't go over board and show more than just a localized area of mayhem; keeping the universe of the main story to only a small section of a big city and not the entire world.

⭐️⭐️⭐️⭐️[4 out of 5 Stars]

Wednesday, March 1, 2023

QUANTUM STORM .357 ISSUE 18 IS RELEASED FOR MARCH 2023

 

QSE .357 ISSUE 18 dtd 3/1/2023

42 Pages

ON THE COVER - Stock Photos
Photoshop by K. Santos

MAIN ARTICLES

Viking Indie Films - Several indie film productions in Texas have taken the Viking genre to the next level with fantastic details in wardrobe. Four indie film teams prepare to release their projects in the fall.

Promoting Your Film - Now that your film is complete and ready for preview. We present the steps to help you promote your film and get fantastic results.

Special Look - We're preparing for our "Spring Break" spectacular! Meet some of the male and female models we will present to you this year.

Indie Film News - Two interesting indie film projects currently in production. Meet the production crews and their actors.

Sneak Peek - Houston PodCast shows are gaining popularity, here's a peek into a story set for release in April.

 YOU MUST BE A SUBSCRIBER TO VIEW THE FULL CONTENTS THIS NEW 2023 ISSUE OF THE QUANTUM STORM .357 E-MAGAZINE AND FOLLOW THIS BLOG

A LOOK INTO HOUSTON’S TOP POD CAST SHOWS IS MOVED TO THE APRIL EDITION OF THE QSE .357 E-Magazine! 

Thank you for stopping by!